Category Archives: Childhood Sexual Abuse

My Childhood on Planet of the Apes

“Damn you,” cried the practically naked Charlton Heston as he fell to his knees on the beach in front of the half-buried Statue of Liberty. “God damn you all to hell.”

Summer, 1968: the hottest film in our world was the sci-fi classic Planet of the Apes, where three astronauts crash-land on a seemingly deserted planet, only to discover that in this topsy-turvy world, the apes can talk, read, write, ride horses, and shoot guns, while the mute humans are beasts, herded and captured, enslaved and oppressed. The film had just hit drive-in theatres, where kids got in free. We went to see the movie with our parents, with our friends and their parents, with the kids we ignored in school and their parents. We went with absolutely anyone to see Planet of the Apes. Again and again and again.

All the neighborhood children were so enamored of the film that we’d memorized the dialogue and played Planet of the Apes every day at an abandoned construction site on the other side of the railroad tracks. Since the site was vast and filled with gigantic concrete culverts and miscellaneous construction materials, it really was like we’d landed on another planet. It was the perfect setting for our Planet of the Apes games.

The first thing we did each day was draw straws to see who’d get to be the apes and who’d be the humans. We had very strict rules on our Planet of the Apes. Only the apes were allowed to talk. The humans were allowed to grunt, point, and use sign language. Sometimes the humans would huddle together in a corner of the site and whisper, but if the apes caught them doing that, they got mad and hit the humans really hard. The apes got to be up on top of the concrete culverts, and the humans’ goal was to get all the apes off the culverts so the humans could be on top. It was a Planet of the Apes King of the Hill.

The apes were allowed to use pieces of board as weapons, but only if the wood didn’t have any nails in it. Sometimes the apes would pretend the boards were guns and make shooting noises, but none of the humans ever fell down when they did that, so the shooting was just gratuitous sound effects. Given their naturally less evolved status on this planet, the humans were only allowed to use rocks as weapons. More like pebbles, actually. The apes had only agreed to pebble-sized rocks after one of the apes hit a human hard enough to break open the skin on his knee and he threatened to tell his parents what had really happened and which ape had done it. The humans had to be extremely careful about how hard they threw the rocks at the apes, however, and on which part of the apes’ bodies the rocks landed. The apes got really violent if the rocks hurt too much.

Neither apes nor humans were allowed to hit someone on the head or face: our parents would know we’d been playing Planet of the Apes at the construction site, and they’d all forbidden it. The apes could hit the human with their stick-guns on the back or butt. The humans could throw the rocks at the apes’ legs, arms, and backs.

The most important rule in our world was that nobody had to be a human two days in a row. It was only fair.

One day, one of the apes found a long section of rope and decided that each of the humans needed to have a choke-collar and leash, similar to the leather collars with leashes the humans wore in the film when the apes were transporting their captives from one place to another. The rope choke-collar and leash worked fine for a while, though the apes got yelled at a few times for pulling too hard or wrapping the rope too tightly.

Then Bobby Webster, who was human at the time and who fancied himself a young Charlton Heston, decided that humans had evolved sufficiently to develop speech and to have an intelligible language. In fact, according to Bobby, humans had become so evolved, they understood English, which was known to be the apes’ language.

“Take your dirty, stinking paws off of me, you damned dirty ape,” said Bobby as he ripped off his choke-collar and leash, shoved his ape-guard down, and raced up on the few apes already on the culverts.

The rest of us humans got so excited that we immediately learned to speak English and pretty soon had all the apes defeated. We shouted a thundering victory song as we stomp-danced on top of the culverts.

The apes were furious.

They insisted that humans weren’t allowed to talk on this planet. Ever.

Bobby Webster pointed out that Charlton-Heston had talked partway through the real movie, so we, too, should be able to talk. Sometimes. Of course, the rest of us humans agreed.

The apes didn’t.

That day, the fighting on the Planet of the Apes was real.

When we got home, cut and bruised, bleeding and crying, our mother was livid.

“You’ve been playing Planet of the Apes again, haven’t you?” she said as she knocked us each on the side the head. “How many times have I told you to stop playing that? Somebody’s going to get hurt.”

None of us was allowed to eat any supper that night — or for several nights after — and she refused to let us clean our cuts with anything but our own saliva, saying that’s all we’d have on our Ape-planet. Two days later, when my little sister Amy cried and begged not to be forced to go to our father’s house for her scheduled weekend visit, complaining that she didn’t like sleeping in his bed with him, our mother said Amy had to go: it was her punishment for playing Apes. After my little brother Jimmy Lee tried to hide from his own father — Amy’s and my new stepfather — in the basement one afternoon, Jimmy Lee came up to dinner with bruises on his face and neck, worse than anything he got on the Ape-planet. When my stepfather crept into our bedroom that night and hurt me more than usual, I wanted to say, “Take your stinking paws off me,” but I couldn’t. Afterward, he said it was all my fault, for playing Planet of the Apes when we weren’t supposed to.

Of course, none of that stopped us from playing Planet of the Apes.

After all, on that planet, sometimes we got to be the apes.

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My Childhood on Planet of the Apes

My Childhood on Planet of the Apes

"Damn you," cried the practically naked Charlton Heston as he fell to his knees on the beach in front of the half-buried Statue of Liberty ...
Continue reading

© 2019 by Alexandria Constantinova Szeman. All rights reserved.
No content may be copied, excerpted, or distributed without express written consent
of the author and publisher, with copyright credit to the author.
Please don’t support the piracy of Intellectual Property.
Though this chapter was in the early drafts of my true crime memoir,
M is for Munchers: The Serial Killers Next Door, it is not in the final version of the book.

Share

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Filed under Childhood Sexual Abuse, Classic Films, Films, Films/Movies, Memoir, Movies/Films, Rape, Sexual Abuse, Sexual Violence

Glue-Boy

His real name was Daniel David Davison III, but nobody called him that except Sister St. James and the principal every time he got sent to her office for disrupting class. He used to make fun of his own name all the time, saying, “3-D. I’m 3-D,” erupting into uncontrollable laughter. Since we were only third-graders, we didn’t get the joke at all, and he didn’t like to be called Daniel David Davison III, so we called him “Glue-Boy.”

First graders had to use paste spooned out of a communal tub. Second graders were allowed to have individual containers of paste that had to be stored on the shelves when not in use. As third graders, however, grown-ups that we were, we got to have our very own bottles of Elmer’s glue, which we were allowed to keep in our desks, and Daniel David Davison III could do amazing things with Elmer’s glue.

All day, every day, he’d paint elaborate glue-tattoos on the back of his hands and forearms. The glue was his paint, starkly white against the perpetually darker canvas of his skin. He created dragons and gargoyles, knights and castles, vampires and werewolves from his fingers to the edge of his stiffly ironed, short-sleeved white shirt. I sat beside him, in the last seat of the third row, and every day, he hunched over his bare desk, concentrating so hard on his fantastic designs that the tip of his tongue stuck out while the rest of us watched in silent admiration.

Sister St. James would be writing our lessons on the board or gazing out the windows at the river on the far side of the church next door, or sitting at her desk with her eyes closed while we did our reading assignments, and Glue-Boy would be covering all the bare skin on both his arms with swords and sorcerers, dinosaurs and treasures, pirates with ships flying flags with skull-and-crossbones. After he finished, he’d put the bottle of Elmer’s down on his desk, hold his arms out in front of him till all the glue dried, then turn and show us his creations.

Any time that Sister turned around from the board or her reverie at the windows, or woke from her afternoon nap and saw us all watching him instead of doing our work, she’d rush back to him, her ruler slashing the air. Glue-Boy protected his creations by bending forward over his desk, stretching his glue-covered arms beneath as Sister beat him mercilessly with the ruler. Then she’d march back up to the front of the room, collapse in her chair, and order us to put our heads down on our desks as punishment. After a few minutes had passed, we’d surreptitiously look over at him, and he’d smile, his head and forearms held high, not a single one of his glue-paintings destroyed.

One day on the playground during recess, I complimented Glue-Boy on his art. He nodded without even looking up at me, so I feared I’d annoyed him. Occasionally after that, however, he would find me on the playground and show me his latest work. As the year progressed, the colors got brighter and the designs became more complex. I thought all of them were beautiful, even if I didn’t know what they were.

Even when he started using paint instead of glue, covering his face and arms with gorgeous colors, he never lost the name “Glue-Boy.” Though Sister St. James ordered him to the Principal’s office every single time he came in with his face painted, though the Principal called his parents and demanded that all his paints be confiscated, though his desk in the classroom was finally isolated in the corner so that no one could be close to him, nothing stopped him from painting. The morning he came in with his hair dyed a multitude of colors, we gathered around him in awe while all the teachers and the principal ranted and threatened.

He was wonderful.

He was our hero.

I suppose we all suspected that, eventually, his body would not be a large enough canvas, so when he pulled a box of colored chalk out of his coat pocket during recess and began decorating the playground itself, no one seemed too surprised. Even the teachers had long since stopped trying to control him: we heard that his parents had threatened to withdraw him from the school and send him somewhere more exclusive.

And the teachers didn’t try to make me skip rope or run relay races with the other girls: they accepted that it was my job to hold Glue-Boy’s colored chalks while he worked. By the time the Monsignor came over from the church to watch, everyone had accepted that this was just the way of the world: this was Glue-Boy’s purpose in life. The principal and the Monsignor stood by in silence, watching as the colored chalk covered the exterior walls of the elementary school, in ever more fantastic and elaborate designs, as high as Glue-Boy could reach.

On the day I told Glue-Boy about my father and my divorced mother’s boyfriend, about what they did to me in the basement, in the garage, in my own bed late at night when my mother was asleep, Daniel David Davidson III offered to pour endless bottles of glue down their noses and mouths and throats and to keep pouring till the glue dried and hardened.

“Then,” he said, “they won’t be able to hurt you anymore.”

Glue-Boy was the first person who ever offered to protect me.

That made him my first love.

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His real name was Daniel David Davison III, but nobody called him that except Sister St. James and the principal every time he got sent ...
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My Childhood on Planet of the Apes

My Childhood on Planet of the Apes

"Damn you," cried the practically naked Charlton Heston as he fell to his knees on the beach in front of the half-buried Statue of Liberty ...
Continue reading

© 2019 by Alexandria Constantinova Szeman. All rights reserved.
No content may be copied, excerpted, or distributed without express written consent
of the author and publisher, with copyright credit to the author.
Please don’t support the piracy of Intellectual Property.
Though this chapter was in the early drafts of my true crime memoir,
M is for Munchers: The Serial Killers Next Door, it is not in the final version of the book.

Share

Leave a Comment

Filed under Childhood Sexual Abuse, Classic Films, Films, Films/Movies, Memoir, Movies/Films, Rape, Sexual Abuse, Sexual Violence

O Coward Conscience

Trigger Warning:
This post, though not graphic,
discusses childhood sexual abuse.

O coward conscience, how dost thou afflict me…
My conscience hath a thousand several tongues,
And every tongue brings in a several tale,
And every tale condemns me for a villain.


William Shakespeare
Richard III, 5:3:194, 208-210

In the middle of the night, in the middle of the closet, I pulled down all the clothes from the shelves and the hangers and covered myself with them. As my younger sister Amy slept in the bed next to mine, and our baby brother slept in his crib in the corner of our room, I dragged all the clothes, shoes, and toys over my legs, body, and face. Then I waited. I never knew how long it would take, so I just had to keep on waiting. Though I kept pinching my arms and legs to stay awake, I eventually fell asleep.

My stepfather’s cursing woke me. When I heard the noise of squeaking bedsprings, I knew he was in my empty bed. The lamp got knocked over, and my stepfather cursed again. His footsteps came toward the closet. I put both hands over my mouth to prevent any sound from escaping.

The door opened. His huge hand groped among the toys, clothes, and shoes. My heart was thumping so loud in my ears, I was sure he would hear it. I couldn’t see Fred’s face: just the dark silhouette of his head and body.

“If you’re in here, you better come out,” said Fred.
I didn’t move.

“I’m the one paying for all the food you eat, and I’m not even your real dad, so you owe me,” said Fred. “Your mom tricked me into marrying her, and I had to take you, too, because your real dad didn’t want you: you owe me.”
He leaned further in, yanking at the clothes.

“It’ll be your fault if I have to do Amy,” he said.
Still, I didn’t move.

Eventually, Fred left the closet and got into Amy’s bed. Her cry was immediately muffled by his hand over her mouth. When Fred finished, he said the same thing to Amy that he always said to me and, later, to Jimmy Lee, even though Jimmy Lee was his real son: This means I love you.

After Fred went back to his own room and Amy cried herself to sleep, I hit myself in the head over and over for being such a bad girl. For making him do Amy instead of letting him do me. I was the oldest, I was the biggest, I was the one who should be protecting Amy and Jimmy Lee. That was my job.

Sometimes, though, I just couldn’t take it anymore.

In the middle of my ninth year, in the middle of my first year with a stepfather, when I finally came out of the middle of the closet, my sister Amy looked at me with dead eyes. She never said anything about what Fred was doing: she just ran as soon as he came into a room. Sometimes, she ran so far and hid so well that it took us days to find her. When she was thirteen, she ran away and never came back.

I didn’t blame her.

I blamed myself.

While her own children were small, Amy often complained about Fred’s sexual abuse. I didn’t owe him anything, she said once, and then, one day several years later, without explanation, she simply stopped talking about it.

When I was giving an interview about one of my novels on a radio talk-show, the host asked what had inspired the “intense and unsettling exploration of violence” in my fiction. I told him about the sexual abuse I’d suffered at the hands of my father, stepfather, and mother.

Afterward, Amy called me up, hysterical. She told me that she’d phoned every member of the family and asked whether any of the things I’d said on the radio were true. She claimed that every single person in the entire family remembered things exactly the same way, and that none of it had happened the way I said. Furthermore, everyone said that I was a liar and a storyteller, and that I always had been.

“Were you trying to embarrass me?” said my sister.
“By saying that our parents abused us?”
“Our childhood was perfectly fine and normal,” said Amy.

For so many years, I felt guilty for hiding in the closet when Fred was looking for me. Guilty for hiding in the closet, in the garage, in the basement, in the crawlspace, under the cellar door. Guilty because whenever Fred couldn’t find me, he hurt Amy or Jimmy Lee like he’d been hurting me since I was five. Guilty because even though my own mother knew what Fred was doing, she did nothing to stop him, so I thought I somehow deserved his anger and abuse. Guilty because Fred said it was all my fault for hiding.

But I simply couldn’t stop hiding from him.

After all my years of therapy, I guess I don’t feel guilty any longer. But I still feel sad that I wasn’t strong enough to take it from Fred every night. Every day, too, if that’s what he wanted. Sometimes I think I should have let him do me, and me alone, every day and every night, if that’s what it took to protect my younger siblings.

Even if they say they don’t remember.

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M is for Munchers: The Serial Killers Next Door, chapters 1-6

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At the First Meeting of The Liars' Club

At the First Meeting of The Liars’ Club

Trigger Warning Though not graphic, this post discusses childhood sexual abuse. I stood, mortified into silence, in front of my second-grade class. My teacher, a ...
Continue reading
O Coward Conscience

O Coward Conscience

Trigger Warning: This post, though not graphic, discusses childhood sexual abuse. O coward conscience, how dost thou afflict me... My conscience hath a thousand several ...
Continue reading
Glue-Boy

Glue-Boy

His real name was Daniel David Davison III, but nobody called him that except Sister St. James and the principal every time he got sent ...
Continue reading
My Childhood on Planet of the Apes

My Childhood on Planet of the Apes

"Damn you," cried the practically naked Charlton Heston as he fell to his knees on the beach in front of the half-buried Statue of Liberty ...
Continue reading

© 2019 by Alexandria Constantinova Szeman. All rights reserved.
No content may be copied, excerpted, or distributed without express written consent
of the author and publisher, with copyright credit to the author.
Please don’t support the piracy of Intellectual Property.
Though this chapter was in the early drafts of my true crime memoir,
M is for Munchers: The Serial Killers Next Door, it is not in the final version of the book.

Share

Leave a Comment

Filed under Childhood Sexual Abuse, Classic Films, Films, Films/Movies, Memoir, Movies/Films, Rape, Sexual Abuse, Sexual Violence

At the First Meeting of The Liars’ Club

Trigger Warning
Though not graphic,
this post discusses childhood sexual abuse.

I stood, mortified into silence, in front of my second-grade class. My teacher, a tall thin woman with size 17 feet, held me so hard by the shoulders that later that day, when I got home from school and changed out of my uniform, I would find bruises from where her fingers had gouged me. The rest of the class was sitting at their desks, hands folded on top, listening to Miss Slewinski, but staring at me.

“This little girl here,” said Miss Slewinski, “is a liar. She makes up stories about her Mommy and Daddy…”

“He’s not my dad,” I said. “My real dad isn’t allowed…”

Miss Slewinski cuffed me on the side of the head.

“I called Sascha’s mother yesterday and asked her to come in and talk to me,” she said. “Her mother is a very nice woman. Do you know what she did when I told her all the terrible things Sascha has been saying?”

The entire class obediently shook their heads.

“What did your mother do when she heard about your lies, Sascha?” said Miss Slewinski, digging her fingers even deeper as she shook me. “What? Say it louder. So the whole class can hear you.”

“Cried,” I said.

“Yes. She cried. Sascha’s mother, one of the nicest women I’ve ever met, sat right here in this room and cried like her heart was broken. All because of this girl. This liar. She’s such a liar that I’m naming her the president of The Liars’ Club.”

She let go of my shoulders and stood there, glaring down at me, her arms crossed over her flat chest.

“Sascha’s going to stand here for an hour. Because she’s such a liar. Because she tells such awful stories about her parents. The rest of you aren’t going to do any work: you’re just going to sit there and stare at this terrible liar. But anybody else who wants to join The Liars’ Club can come right on up here and stand beside her.”

Miss Slewinski sat at her desk. I stood perfectly motionless in front of the class while they stared at me. Some of the girls in the class made faces at me whenever the teacher turned around to write something on the board. My hands were in such tight fists that my bones ached. My teeth were clenched so hard that my jaw throbbed. I wanted to die. I wanted them to die. I was so filled with rage that I wanted to get hold of a knife and stab every single one of them to death. Especially Miss Slewinski.

What were the terrible stories and lies I’d told which got me inducted into The Liars’ Club?

That my father did bad things to me. (I was too young to know the word “rape,” so I called it “bad things.”) That he wasn’t allowed to see me anymore because he’d done bad things to me so many times. That the judge had believed me when we were alone in his office and had asked me to show him, by pointing to my body, exactly where my father did bad things to me. That my father wasn’t allowed to even be in the same room with me when I visited his parents — my grandparents — though he’d gone back to live with them after the divorce.

What else had I told my second-grade teacher after she saw my inner thighs and asked me how I got all those terrible bruises?

That my mother’s boyfriend — who wouldn’t become her husband for at least three more years — did the same bad things to me every single night. That my mother knew all about the bad things my father and her boyfriend did to me. That my mother said it was all my fault, that she said I acted like a “cockette,” but I didn’t know what that word meant. That every time my mother caught one of them hurting me, she hurt me even worse than they did.

Miss Slewinski had promised me that she’d never tell anyone what I told her, she’d said she would help me find a new home, she said she’d do whatever it took to protect me.

Then Miss Slewinski called my mother into school and told her all the things I’d said.

“She’s such a storyteller,” said my mother, as she burst into tears. “She’s been a terrible liar since the day she was born.”

So, next day, there I was, in front of my second-grade class, during the inaugural meeting of The Liars’ Club, where I was the only member.

That first meeting lasted just an hour, yet it haunted me the rest of my life. Liar, said the girls in my ear when we were in line for religion class. Liar, said the boys when I passed them on my way to the locker in the hallway to get my coat after school. Liar, they all said when were out on the playground every day after lunch. Liar.

In that first meeting of The Liars’ Club, I learned everything there is to know about Einstein’s Theory of Relativity.

Probably more than Einstein himself ever knew.

And that’s the truth.

Related Posts
read an excerpt (chapters 1-6) from my memoir
and related chapters that are not in final, published version

 

M is for Munchers: The Serial Killers Next Door, chapters 1-6

M is for Munchers: The Serial Killers Next Door, chapters 1-6

The Birthday Cake The first time somebody tried to kill me, I had just turned four years old. I know that for a fact because ...
Continue reading
Head-Banger's Ball: Escaping Abuse the Hard Way

Head-Banger’s Ball: Escaping Abuse the Hard Way

Trigger Warning This post, though not graphic, discusses childhood sexual abuse. Life is unbearable, but death is not so pleasant either. Russian Proverb I was ...
Continue reading
At the First Meeting of The Liars' Club

At the First Meeting of The Liars’ Club

Trigger Warning Though not graphic, this post discusses childhood sexual abuse. I stood, mortified into silence, in front of my second-grade class. My teacher, a ...
Continue reading
O Coward Conscience

O Coward Conscience

Trigger Warning: This post, though not graphic, discusses childhood sexual abuse. O coward conscience, how dost thou afflict me... My conscience hath a thousand several ...
Continue reading
Glue-Boy

Glue-Boy

His real name was Daniel David Davison III, but nobody called him that except Sister St. James and the principal every time he got sent ...
Continue reading
My Childhood on Planet of the Apes

My Childhood on Planet of the Apes

"Damn you," cried the practically naked Charlton Heston as he fell to his knees on the beach in front of the half-buried Statue of Liberty ...
Continue reading

© 2014, 2018, 2019 by Alexandria Constantinova Szeman. All rights reserved.
No content may be copied, excerpted, or distributed without express written consent
of the author and publisher, with copyright credit to the author.
Please don’t support the piracy of Intellectual Property.
Though this chapter was in the early drafts of my true crime memoir,
M is for Munchers: The Serial Killers Next Door, it is not in the final version of the book.

Share

Leave a Comment

Filed under Childhood Sexual Abuse, Classic Films, Films, Films/Movies, Memoir, Movies/Films, Rape, Sexual Abuse, Sexual Violence

Head-Banger’s Ball: Escaping Abuse the Hard Way

Trigger Warning
This post, though not graphic,
discusses childhood sexual abuse.

Life is unbearable,
but death is not so pleasant either.
Russian Proverb

I was dancing when it happened. After almost four years, I’d just had the braces removed from my legs and, in my joy at being free, I was dancing all around the kitchen and the empty dining room, wearing nothing but my panties and a camisole. My father was there, drinking beer, watching me, following me all around the house. I thought he was impressed with my improvised ballet skills. I don’t remember where my mother was, though I do know that it was late at night.

When my father grabbed me and began kissing me, I squirmed and twisted away. I wanted to dance, not kiss. Besides, I didn’t like the way he was kissing me, putting his nasty tongue all over my face and mouth. I fought hard enough to make him lose hold of me. When he tried to grab me again, I ran to the kitchen and got under the table, trying to hide.

Unfortunately, he found me.

My biological father first raped me when I was 3. My mother walked in when it was happening, and had to beat my father over the head to make him stop. Instead of taking me for medical attention, my mother told me I was a “bad girl” and locked me in the closet until I stopped crying. I don’t know how many days I was in that closet, but it seemed longer than any lifetime. I couldn’t understand what I’d done, but I vowed never to forget.

As soon as I earned my freedom from that closet, I  began telling people that my father had done something bad to me. I told family members, neighbors, doctors, nurses — anyone I thought could punish him. Anyone I thought could make him stop hurting me, which he continued to do. No one listened until I was 4 or 5 years old, when a Judge, in his chambers, asked me to show him — by pointing to my body — where my father was hurting me.

I don’t remember what events led up to that encounter in the Judge’s chambers, only that he was kind and patient, that he actually listened to me, and that after I talked to the Judge, my biological father lost all visitation rights. Furthermore, though I visited my father’s parents each weekend and though he now lived with them, he was not even permitted to be in the same room with me. I never saw my father again.

After my mother divorced my father, I thought I would be safe from men’s violence. Unfortunately, by the time I was 5, my mother was already dating a man who was sexually abusing me in every way imaginable, doing more atrocious things than my biological father had done. At the ripe old age of seven, after an entire lifetime of abuse from my mother, my father, and my mother’s boyfriend (who later became my stepfather), I decided that life was unbearable, so I decided to kill myself.

My only problem was that I wasn’t exactly sure how someone did that. During the last violent fight with my father, my mother had slammed him in the head with a cast-iron skillet. I’d seen him lying motionless on the floor, surrounded by a pool of blood. When the police arrived, my mother told them she’d killed her husband because he’d killed me. Though my father actually survived the assault, he was seriously injured. Because I never saw him again, I thought he was, in fact, dead. Since my mother had “killed” my father by bashing him in the head with the cast-iron frying pan, I decided, at the world-weary age of seven, to become a head-banger.

Swing-sets, telephone poles, brick houses. Fence posts, church pews, marble statues. Bang, bang, bang. Walls, bedposts, porch supports. Basement floors, steel pipes, tree trunks. Bang, bang, bang.

I hit my head so hard so many times in a row that mostly I walked around in a daze. Sometimes I hit my head so hard that I fell asleep. Each time that head-banging numbness rushed over me, I was convinced I’d successfully killed myself, and I was so relieved and so grateful that I could never be hurt again that I slipped into that deadened sleep with something like joy.

Each time, however, I woke up.
Disappointed.
With an unbearable headache.
And with dreadful pressure in my skull.

Although many people know that a baby’s skull plates move — to allow it to pass through the birth canal — they don’t realize that the plates of the skull remain mobile throughout life. The brain and the spinal cord, furthermore, are surrounded by their own pulsing, hydraulic system that does not match the rhythm of the heart, breathing, or any other system of the body. Dr. John Upledger discovered this brain-spinal-cord hydraulic system and named it the “craniosacral system.” Upledger went on to develop a medical massage therapy designed to put the craniosacral system back in proper alignment.

When the plates of the skull are not in their proper position, as from any common injury such as bumping the head hard, then headaches and pressure inside the skull (from the non-circulation of craniosacral fluid) may occur. A severe head trauma, or even a minor fall from a slide or swing, can shift or jam the skull plates, preventing the craniosacral fluid from moving as it is designed to do, creating a tremendous build-up of pressure — and pain — inside the skull. The pain and the pressure will only stop when the skull plates are restored to their normal positions, something that may take many sessions with trained craniosacral therapists, especially if the skull plates have been jammed for years after some serious accident.

Of course, in my case, it was many accidents, some of them caused by my repeated head-banging at age 7, some of those accidents caused by my mother from the time I was born, but one of the most serious head injuries caused by my father during an argument with my mother.

My parents were both drunk the day it happened. They were standing in the living room, quite close to each other, screaming and shoving and hitting each other. My father suddenly shouted something that made my mother jump at him, clawing at his face. Then he began choking her. Since what he’d shouted had been about me, I must have felt, even at three years old, morally obligated to separate them. So there I was, shoving myself between their knees, trying to push them apart so they wouldn’t kill each other and leave me all alone to be sent to an orphanage.

In his drunken rage, my father must have perceived me as quite a pest, something you just fling away from you. So that’s what he did. He grabbed me under the arms, lifted me as high as he could, and flung me away. I remember the sudden rush of air as he swept me upward, the terrible, mind-numbing fear, the choking sensation I felt as he released me and I flew, without a net, across the room.

I remember the horrific jolt of pain as I smashed the upper right side of my head against the marble mantel of the fireplace.

I remember, too, the cold blackness that descended on me in an instant.

By the time my migraines got so debilitating that my family doctor recommended I go to craniosacral therapists, I was over forty years old. As soon as they touched my head, the medical therapists informed me that the right frontal skull-plate was “significantly jammed” under the left one. It was wedged under the other one so tightly, they couldn’t fix it in one treatment. Also, since it was a long-standing injury, they informed me, the muscles of my face and head had gotten used to holding the plate in the incorrect position. They agreed with the doctor that, though my tendency toward migraines was probably hereditary * as well, the jammed frontal skull plate wasn’t making the migraines any better.

The therapists warned me that, as they attempted, over several sessions (which turned into several months), to free the wedged cranial plate from under the other one, my migraines might get much worse before they improved. They were absolutely right. I’d been having about seventeen migraines a month when I went to see them. The first month of treatment, I had twenty-seven migraines. It took them five months of three-times-a-week sessions to get the jammed skull plates back into place.

When the skull plates moved back into their proper positions, the intense and unremitting pressure in my head disappeared. The pressure that I’d grown up with and assumed was normal had been caused by the craniosacral fluid’s inability to circulate freely around the skull plates and the spinal column. As soon as the right frontal plate slid free of the left one, the crushing pressure inside my head disappeared. I lay on the massage table and wept in gratitude and relief.

When I told my psychologist about all the times I’d banged my head when I was a little girl, trying to kill myself, she said she doubted that I’d really been attempting to commit suicide. She said that since I was so determined and so successful in other areas of my life, if I’d really been trying to kill myself, I probably would have succeeded. She said that I’d been in so much emotional and psychological pain that I was merely trying to medicate myself. Since I didn’t have any healthy coping skills, I’d banged my head against the hardest things I could find, to “numb” my pain.

I still maintain that I was trying to kill myself in order to escape the incessant torture from my mother and my rapist stepfather, and to atone for my father’s murder, which I believed I’d caused since my parents had been fighting about me when my mother “killed” my father with the cast-iron skillet.

You see, that day, when my mother killed my father by slamming him in the face with the skillet, they were fighting about me. That day, when my father said the words that sent my other into her uncontrollable rage — making her scratch his face, which then made him choke her — he was talking about me. The words he said were what I myself had been saying to my mother, family members, neighbors, and doctors for some time, though I said it like this: He does bad things to me.

That day, my father said it to my mother himself, despite her already knowing what he was doing to me, but he said it in a way that she couldn’t ignore. I didn’t understand what he meant, but I always remembered his exact words.

“Sascha’s a better fuck than you are.”

Bang, bang, bang.

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* Familial Hemiplegic Migraines (FHM) are caused by a genetic neurological disorder. I have FHM as well as from Complex Migraines.
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Note: a different version of this post was published in March 2017. This version has been updated.

a small portion of this post is adapted from my true crime memoir M is for Munchers: The Serial Killers Next Door © 2002, 2007, 2014, 2017 by Alexandria Constantinova Szeman. All rights reserved. No content may be copied, excerpted, or distributed without express written consent of the author and publisher, with copyright credit to the author. Please don’t support the piracy of Intellectual Property.

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