Tag Archives: #ArtSaturday on Twitter

by Alexandria | 26 October 2019 · 9:16 am

Maria van Oosterwijck

#ArtSaturday Maria van Oosterwijck, 1630-1693
Dutch Golden Age Still Life painter

Portrait of Maria van Oosterwijck by Wallerant Vaillant pic.twitter.com/yvz0gppmAO

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
At a very young age, van Oosterwijck was taken to the studio of Dutch artist Jan Davidszoon de Heem, who is considered a major representative of Dutch Golden Age Still Life paintings.

Vanitas Still Life, 1665 pic.twitter.com/S0h2aW7Rxb

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Van Oosterwijck became Davidszoon de Heem's student and her interest in painting floral still lifes developed into a major talent.

Vanitas Still Life, 1668 pic.twitter.com/1Hb4vkJFC0

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Van Oosterwijck eventually moved from Delft to Utrecht to Antwerp, where she supported herself as a painter of floral still lifes.

Bouquet of Flowers in a Vase, 1668-69 pic.twitter.com/SGsC1bEv1E

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Van Oosterwijck's still lifes were painted with dark backgrounds, which was popular during the Dutch Golden Age, when wealthy patrons commissioned the art works.

Bouquet of Flowers in a Vase, also, Still Life with Sunflower, and Detail, 1668-69 pic.twitter.com/yrbjakRvtw

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
In Antwerp, van Oosterwijck's studio was across from that of famous Dutch Golden Age painter Willem van Aelst.

Still Life with Tulips and Carnations, 1669 pic.twitter.com/6wplGF9iKp

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Van Aelst courted Van Oosterwijck for many years, but she repeatedly refused his offer of marriage.

Still Life with Roses, Carnations, Ears of Wheat, and Butterflies in a Chinese Vase, 1670
Photo: Montreal Museum of Fine Art pic.twitter.com/dOPSxp8kau

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Van Oosterwijck never married, and Van Aelst claimed that eventually he stopped pursuing her because she loved painting more than she loved him.

Flowers and Fruit, 1670 pic.twitter.com/SW1jqn5jFH

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Van Oosterwijck was a talented painter and businesswoman. Despite this, she was not permitted to join the artists' guild because she was a woman: women were not permitted to join.

Still Life with Flowers and Snail, 1670 pic.twitter.com/zqHmrkpDfY

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
During the Dutch Golden Age, when Protestant Reformation Art reigned supreme, women were expected only to be daughters, wives, and mothers, not independent painters.

Flowers in a Vase on a Ledge, 1670
Photo: Montreal Museum of Fine Art pic.twitter.com/u8gdLKRaMq

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Van Oosterwijck's contemporary, Rachel Ruysch, who also painted floral still lifes, was married and had 10 children, so Ruysch was considered, by contemporaneous critics, to be more "well rounded."

Still Life with Roses and Butterfly, 1670 pic.twitter.com/y5TVO4Ygwf

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Though she never married, van Oosterwijck raised her orphaned nephew; she also taught her servant how to mix paints and how to paint.

Still Life with Rose, Carnation, Butterfly, and Morning Glory, 1670
Photo: Montreal Museum of Fine Art pic.twitter.com/T6nPQiQ5LI

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
After van Oosterwijck's death, her servant, Geertgen Wyntges (Geertje Pieters), supported herself as a painter of floral still lifes, just as van Oosterwijck did.

Tulips, Roses, Lillies in Vase on Ledge, 1670
(artist's name "carved" in ledge) pic.twitter.com/5yngfIZnFG

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Some of van Oosterwijck's wealthy patrons were royalty, including King Louis XIV of France, the King of Poland, the Holy Roman Emperor, and William III of England.

Vase with Flowers and Butterfly, 1670
Photo: Montreal Museum of Fine Art pic.twitter.com/xc7sPIqOaB

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
As with other still life painters of the Dutch Golden Age, van Oosterwijck's paintings were simply called "still life" by the artist: critics, collectors, & museums add identifying details.

Still Life with Flowers in a Decorative Vase, 1670-71 pic.twitter.com/74opxgraiW

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Along with Rachel Ruysch, van Oosterwijck is considered the major floral still life painter of the Dutch Golden Age, famed for her realistic detail of flowers and foliage.

Still Life with White and Yellow Lillies, Narcissus, and Tulips, 1675 pic.twitter.com/mBxRCxKqiB

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
As with the work of other Dutch Golden Age painters, all created during the Protestant Reformation, the floral paintings were Vanitas: meant to remind wealthy patrons & viewers that "all men must die."

Bouquet of Flowers in a Glass Vase, 1685 pic.twitter.com/kKjQ3FJXAY

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Some contemporaneous critics did not consider van Oosterwijck to be a "professional artist," despite her supporting herself, because she was a woman.

Roses, Carnation, Marigolds, & Sunflower in a Glass Vase on a Ledge with Knife & String, 1685 pic.twitter.com/uQgsBhGXeE

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Very few women in Europe were professional artists during the Dutch Golden Age and the 1600s: Maria van Oosterwijck was one who was famous in her lifetime and afterward.

Still Life with Roses, Carnations, and Shells, 1685 pic.twitter.com/GrrYuKtov9

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
The 1671 portrait of van Oosterwijck by Wallerant Vaillant is considered a great tribute to her since she is shown with her palette, brushes, and a bible, all of which were ostensibly important to patrons, viewers, and artists. pic.twitter.com/gj6hbLCYX8

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
The cause and exact date of van Oosterwijck's death are unknown, though she died in her own home.

Still Life with Flowers and Butterfly, 1686
Photo: Montreal Museum of Fine Art pic.twitter.com/q30o3nB69e

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

#ArtSaturday Maria van Oosterwijck
Van Oosterwijck's art is in collections around the world, and she is famous for her detailed and realistic portrayal of the flowers in her still lifes.

Still Life with Flowers, Insects, and Shell, 1689
(her last known painting) pic.twitter.com/s1ra5mcrh3

— Dr Alexandria Szeman: Award-Winning #Author 📚🖋🎃 (@Alexandria_SZ) October 26, 2019

John William Waterhouse

#ArtSaturday John William Waterhouse 1849-1917
English painter, worked in in the Pre-Raphaelite style after it was out of style pic.twitter.com/ndouWp3hZU

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Pre-Raphaelite painters formed 1848 by painters Hunt, Millais, Rossetti: wanted to reform art

Magic Circle pic.twitter.com/lkWteuV7dd

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Pre-Raphaelites believed classical poses of Raphael had had corrupting influence on academic teaching of art

Waterhouse at easel pic.twitter.com/bhoyv4CL3V

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse borrowed techniques from the Pre-Raphaelites and also from his contemporaries, the Impressionists

Circe Invidiosa pic.twitter.com/52fxdh6Rsa

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
His paintings are known for his depiction of women from Greek myths & Arthurian legends, something popular with Pre-Raphaelite painters

Circe Offering the Cup to Odysseus pic.twitter.com/QP9QKb5J6B

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
His first exhibited painting, Sleep and His Half-Brother Death, was hugely popular with critics and public pic.twitter.com/jQSEGu168V

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse and his work were hugely popular in London art scene

1876: After the Dance was given the prime position in the summer exhibition pic.twitter.com/1FdR1fSiAi

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Some critics believe Waterhouse’s popularity may have led to his paintings becoming larger as his career progressed

Tristan and Isolde with the Potion pic.twitter.com/BOTiT1elti

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse is often considered a “Pre-Raphaelite” painter, though that movement had passed, due to his fondness for painting beautiful women, often femme fatales, who were mostly from classical mythology or Arthurian legends

Lamia & Soldier pic.twitter.com/uPpPlCbKcp

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse painted females from various famous myths, stories, and tales, but he seemed drawn to women featured in brutal or tragic stories

Lamia (version 2) pic.twitter.com/wHUyczyXn9

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse found the “beauty or calm” in these brutal and tragic stories, say some critics. Waterhouse’s audience may have been more classically educated so may have known more of these stories on which paintings were based

Diogenes pic.twitter.com/gfEmv4o0Dv

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
St Eulalia (martyred during Roman Empire) displays the body without showing any horrific injuries that were the cause of the victim’s death and without showing any contortions of body, which seems almost as if it were sleeping (albeit in public in winter) pic.twitter.com/l0DgaR3qzl

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

A Roman Offering pic.twitter.com/F5zsffCWky

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Boreas pic.twitter.com/Y6pBxpsM4u

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Cleopatra pic.twitter.com/90ASx5vKF2

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Destiny pic.twitter.com/jORVksWaBm

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Enchanted Garden pic.twitter.com/y1v2yi7VAM

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Even Waterhouse’s “grieving” women are perfectly coiffed and dressed, wearing jewelry, even visiting a tomb

Gone But Not Forgotten pic.twitter.com/pMrUniwZRQ

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
This painting depicts Jason and Medea after Jason has told his wife Medea that he is leaving her for a younger woman because, though calm, she is preparing the poison with which she will kill their two sons

Jason and Medea pic.twitter.com/dlV3S26wlU

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Dolce Far Niente pic.twitter.com/TMWdRpqe8s

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

La Belle Dame Sans Merci pic.twitter.com/aw4iSjXg2i

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
All of Waterhouse’s works are in Public Domain, which means images can be used without paying Permissions Fees

Spring Spreads One Green Lap of Flowers pic.twitter.com/NICkYsAa5o

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse didn’t often portray Christian stories

The Annunciation pic.twitter.com/Isc8x8DP25

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Charmer pic.twitter.com/WKnugluIsg

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Crystal Ball pic.twitter.com/DAfAY0VRrT

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse rarely painted pictures featuring only males

The Favorites of Emperor Honorius pic.twitter.com/VHZXG6Qqf9

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Missal pic.twitter.com/Ax7ZewqVxP

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Remorse of Emperor Nero After the Murder of His Mother pic.twitter.com/jyR2ChjyMs

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Shrine pic.twitter.com/mDIGp0st9m

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Soul of the Rose (also known as Sweet Rose) pic.twitter.com/4IOArsaXAt

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

A Mermaid pic.twitter.com/NW0Rqg9MMp

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Penelope and the Suitors pic.twitter.com/J8BrfsFoD0

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Miranda (from Shakespeare’s The Tempest) pic.twitter.com/wnGRu0wUl3

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Waterhouse’s more popular Miranda (from Shakespeare’s The Tempest), version 2 pic.twitter.com/1nIvC073tM

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
One of Waterhouse’s favorite subjects was Ophelia from Shakespeare’s Hamlet, who went mad from grief after Hamlet broke off their engagement and who, accidentally or intentionally, drowned herself

Ophelia, 1910 pic.twitter.com/VixT0UZWoM

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
After Hamlet wrongly accused Ophelia of treachery toward him, she went mad and brought everybody flowers (symbolic of their crimes) before she drowned

Ophelia, 1889 pic.twitter.com/LkYWhlVXwR

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Hamlet treated Ophelia quite shabbily, which led to her despair, madness, and death by drowning, which may have been suicide

Waterhouse’s most famous Ophelia, with flowers and water, 1894 pic.twitter.com/2rQXq8OeEe

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse’s Ophelia gets more physically active at later dates, with her actually seeming to be walking in final version

Ophelia, three versions: 1889, 1894, 1910 pic.twitter.com/NcBRpYmKbv

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Lady of Shallot another of Waterhouse’s favorite subjects: he did 3 paintings of her. Lady Shallot the major character in Tennyson poem: she lives isolated in a tower until she views Sir Lancelot from afar

Lady of Shallot Looking at Lancelot pic.twitter.com/7Tf071xYZX

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Lady of Shallot lives under some mysterious cures: she is forbidden to look directly upon the world; instead, she must view it through a mirror and weave “shadows of the world”

I Am Half-Sick Of Shadows, Said The Lady Of Shallot pic.twitter.com/8R1ZkaGcT3

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Once the Lady of Shallot leaves her tower and floats down the river toward Camelot, she is doomed to die because of curse. Lancelot sees her for the first time after her death, when he pronounces her “lovely”

Waterhouse’s most famous Lady of Shallot pic.twitter.com/dnNvFLsMz0

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
The Lady of Shallot, 3 versions, showing the most important moments of her life: seeing Lancelot in the real world (not via mirror), becoming sick of the “shadows” in her reflected world, before her death after she leaves her tower & attempts to join world pic.twitter.com/bVlXy7LqXi

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
In Boccaccio’s Decameron, a group of beautiful, wealthy aristocrats retire to the country to escape the Plague; they entertain themselves telling stories
10 people tell a story/day for 10 days = 100 stories
influenced Chaucer’s Canterbury Tales

Decameron pic.twitter.com/c1AC2msYDU

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
When Ulysses was attempting to return home after Trojan War, he was cursed to wander 20 years. Sirens drove men mad with their song: Ulysses stuffed ears to mute their singing and lashed himself to mast to guide ship

Ulysses and the Sirens pic.twitter.com/gtg34F9bKn

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
In Ovid’s Metamorphosis, Pyramus and Thisbe are a classical Romeo & Juliet, forbidden to wed due to family rivalry, but who fall in love anyway by whispering to each other through the crack in a garden wall. Their story does not end well

Thisbe pic.twitter.com/uMJbHTMfv8

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Also from Ovid’s Metamorphosis, Hylas goes to get a drink of water and the Nymphs of the water become so enamored of him that they don’t want him to leave: they pull him into water so he can be with him, and he drowns.

Hylas and the Nymphs pic.twitter.com/ENIYvhwLuO

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Naiads (Nymphs) were Greek water spirits. They were always female and frequently dangerous since the men they loved drowned in their stories. Naiads & Nymphs represented the danger of female sexuality in Victorian period, as in dangerous to men

Naiad pic.twitter.com/zgDWCcBOSS

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Also from Ovid’s Metamorphosis, Narcissus is beautiful young man who “rejects” women & sexuality, then falls so in love with himself after seeing his own image in water that he ignores Echo, who loves him but can only repeat his words

Echo and Narcissus pic.twitter.com/inM55pn8T9

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Though forbidden to do so, Pandora opened the box that contained all the evil things that plague mankind, releasing evil into world, closing box against just as final thing remained: Hope.

Pandora pic.twitter.com/1ftat6ngEU

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
1915: Waterhouse became gravely ill with cancer. He died 2 years later

Nymphs Finding the Head of Orpheus pic.twitter.com/U87cHS5zfH

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

Cats in Art

#ArtSaturday Cats in Art
A cat peeping through a fence, Cornelis Saftleven, 1666 pic.twitter.com/ExxW9L5l8w

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
John William Godward, Idleness II , 1900 pic.twitter.com/ayozn71Gey

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Clara Peeters, Still Life of Cat and Fish (Dutch Golden Age), 17th c pic.twitter.com/Cx5BLXb4rh

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Jan Steen, Dutch Golden Age (17th C)
(in Steen's art, cats in the scene meant misbehavior on the part of humans in painting, like drinking or carousing) pic.twitter.com/1Ut5BQTKz3

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Cat, Arthur Rackham, 1925 pic.twitter.com/fws6SFvOsB

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Clara Peeters, Still life with fish, ceramic Collander, oysters, langoustines, mackerel, & cat (17th C) pic.twitter.com/cI2Ff3USvp

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Adolf von Becker (Finnish 1831-1909) A French Interior, 1868 pic.twitter.com/UQmpcIhRL5

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Ancient Egyptian cat statuette associated with the goddess Bastet (c BCE) pic.twitter.com/jOYcUjlW3n

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Barbershop with Monkeys and Cats, Abraham Teniers, 1629-70 pic.twitter.com/QsHZb8nwdu

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Black Cat (woodcut), William Nicholson (20th C) pic.twitter.com/w3T7UaSJEq

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
By Day She Made Herself Into A Cat, Arthur Rackham, 1920 pic.twitter.com/geXtqN6RSH

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Carl Olof Larsson, The Bridge, 1912 pic.twitter.com/3j7yYnVESB

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Carl Bloch, In a Roman Osteria, 1866 pic.twitter.com/N1ttOtwF2t

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
My Wife's Lovers, Carl Kahler, 1891 pic.twitter.com/6ID2wufqPf

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Cat Devouring a Bird, Pablo Picasso, 1939 pic.twitter.com/88nzt7ViaB

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Cats in the Garden, Mayo Yi, 12th C pic.twitter.com/9IU9aPAvFS

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Cat with Kitten, c 664- 332 BCE pic.twitter.com/PUdNn3bh8x

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Child with Cat, Pierre-Auguste Renoir, 1880-81
(artist's daughter) pic.twitter.com/snMD5xhbTs

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Cosmetic Vessel in Shape of a Cat, BCE pic.twitter.com/LNm8lPhANJ

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Painter's Studio, Gustave Courbet, 1855 pic.twitter.com/CwGuiYJrT1

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Dalí Atomicus (photograph), Salvador Dalí & Philippe Halsman, 1948 pic.twitter.com/WndGX1k3h2

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Playtime, David Joseph Bles, 1869 pic.twitter.com/SOdTNA5fPb

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Dora Maar with Cat, Pablo Picasso, 1941 pic.twitter.com/N9fFH8n0Ju

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Egyptian Ostracon, Cat Herding Geese, BCE pic.twitter.com/x0d7xWocea

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Cat of Kazan, Russian, Folk Art, 18th C pic.twitter.com/3E6fRnZztZ

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Cat, Jana Predikantová, contemporary pic.twitter.com/VXXbTa7PSa

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Georg Baselitz, Cat Head, 1966–67 pic.twitter.com/1T8KWHjkSJ

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Children Feeding Cat, Jan Steen, Dutch Golden Age (17th C) pic.twitter.com/wD5ckKDNZM

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Magdaleine Pinceloup de la Grange, née de Parseval, by Jean-Baptiste Perronneau, 1747 pic.twitter.com/UObL3oF8h4

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Cat on a Clothesline, Jeff Koons, c 2001 pic.twitter.com/c86RzNUH3w

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Baba and Billy, by John Duncan, 1920 pic.twitter.com/d6ufQNNYrN

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
A Boy and a Girl with a Cat and an Eel, Judith Leyster, 1635 pic.twitter.com/vkYIqR1WcV

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Woman with Cat, Kees von Dongen, 1908 pic.twitter.com/egINKrbIm5

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Le Chat Noir (The Black Cat), Théophile Steinlen, 1896 pic.twitter.com/LuDIq9Jr69

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Three Black Cats, Maud Lewis, 1964 pic.twitter.com/pBWESLzmiX

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
The Cat's Lunch, Marguerite Gérard, c 1799-1800 pic.twitter.com/ttH4midKaT

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Girl and Cat, Pierre-Auguste Renoir, 1880-81 pic.twitter.com/2x7ky8aNDT

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Poster for his own art exhibition, Théophile-Alexandre Steinlen, 1894 pic.twitter.com/04iqNMyDBL

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Richard Whittington and his Cat, from The New Wonderful Museum and Extraordinary Magazine (1805) pic.twitter.com/1VVmtNbdAI

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Six Studies of a Cat, Thomas Gainsborough, 1763-1770 pic.twitter.com/PHEirWtLyf

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Study of a Cat, Jacob Jordaens, c 1650 pic.twitter.com/R0THxKBNaN

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
The Cook and the Cat, Théodule-Augustin Ribot, c 1860 pic.twitter.com/VaII0W44vr

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
The Favorite, John William Goddard, 1901 pic.twitter.com/Eq7g1cC2ns

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
The Last Supper, Domenico Ghirlandaoâs, 1480 pic.twitter.com/gcc1ZOrnEK

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Stone Sarcophagus of Tamyt, BCE pic.twitter.com/ZettGm00z8

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
The Love Potion, Evelyn de Morgan, 1903 pic.twitter.com/iD0A5bASbb

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Triptych of the Temptation of St Anthony, Hieronymus Bosch, c. 1501 pic.twitter.com/Fpu9tupENp

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Two Children Teasing a Cat, Annibale Carracci, 1588 pic.twitter.com/vFxCtpKYtb

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

#ArtSaturday Cats in art
Virgin and Child with Cat, Rembrandt, 1654 pic.twitter.com/A8fKfiIiJx

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) February 17, 2018

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