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Sleep with Me Podcast: The Best Free App for Insomnia Relief

We’ve all experienced insomnia at some time in our lives. Whether caused by excitement over good life events or by anxiety over bad ones, this sleep disorder can hit children, teens, adults, and the elderly. Our racing thoughts about an impending wedding (or divorce), vacation, cross-country move, new job (or the loss of one), or approaching exams can keep us awake long after we’ve gone to bed or keep us from falling back asleep after we wake in the night. Many life events can trigger short-term or “acute” insomnia, as can common illnesses or other disorders and diseases. Colds and sinus infections can cause insomnia; migraine, asthma, arthritis, heart disease, high blood pressure, depression, and Parkinson’s are all known to cause short bouts or extended periods of sleeplessness. Both over-the-counter (OTC) and prescription medications can bring on this sleep disorder, though not necessarily for everyone: antihistamines, decongestants, anti-smoking aids, SSRIs for depression, and drugs to treat or control ADHD have all been known to trigger insomnia. Herbal remedies such as St. John’s Wort or ginseng can, for some users, interrupt or prevent sleep.

In both men and women, trauma, whether physical or emotional, can have lifetime negative health effects, including post-traumatic stress disorder (PTSD) and insomnia, while childhood trauma, including divorce or sexual abuse, contribute to insomnia in childhood and adulthood. Even the blue light in our computers, laptops, smartphones, tablets, and flat-screen televisions has been found to cause insomnia when the devices are used too close to bedtime (or in the middle of the night upon awakening) because, though any light can suppress the hormone melatonin, involved in circadian rhythms of waking and sleeping, blue light suppresses melatonin more powerfully.

Apparently, the brain has its own, mutually exclusive, wake and sleep cycles: when one cycle is “on,” the other is “off.” Researchers are trying to determine whether insomnia may be due to the brain itself not being able to “stop being awake.” Since both the quantity and quality of sleep affects our health, and since insomnia can lead to “decreased quality of life, increased rates of depression, and even increased risk of heart disease,” insomnia, especially when it becomes chronic, should not be dismissed. Chronic insomnia, medically defined as an inability to fall or stay asleep for at least three nights a week for three months or longer, is not just extremely unpleasant: it’s dangerous to our mental and physical well-being.

As a survivor of childhood trauma, including sexual abuse and rape, I’ve suffered from insomnia from the time I was three years old. The insomnia worsened a few years ago, however, when I was taken off a class of drugs I’d been taking for complex PTSD and panic disorder: benzodiazepines, which had been deemed potentially dangerous for anyone over age 50. While withdrawing from the medication, I was literally not sleeping at all, day or night. In the past, prescription sleeping pills had worsened my insomnia, and my usual herbal sleep aid, valerian, wasn’t helping, even when I doubled and then tripled the dose. Desperate and fearing for my mental and physical health, I turned to the Internet, where, to my absolute astonishment, I found relief for my insomnia, the strangest relief I ever could have imagined: Drew Ackerman’s Sleep with Me Podcast.

Drew Ackerman, a life-time insomniac, has dedicated himself to helping fellow insomniacs fall asleep by telling “ingeniously boring bedtime stories,” causing plenty of adults, kids, and pets to fall asleep. Of course, that means you may not ever hear an entire story, but because Drew is a writer, and a good one, he makes each episode, as disjointed and haywire as it might seem, feel complete. That way, if you really can’t fall asleep some night, as happens to me during a migraine, for instance, Drew is there “to keep you company in the deep, dark night,” as he often assures you in the episode introductions.

Drew Ackerman, creator of Sleep with Me Podcast. Photo © Natalie Jennings.

Each Sleep with Me Podcast episode begins with an introduction, where Drew explains that you don’t really have to listen to him and that it’s perfectly all right if you fall asleep while he’s talking, and then he usually wanders off onto some tangent or other topic, just so you begin to wonder what he’s talking about… if you’re still awake. After 7-15 minutes of an introduction that is often as entertaining as the story which follows, Drew, performing as “Scooter,” tells a bedtime story, which lasts about 45 minutes, making each podcast episode approximately an hour long. “Your goal is not to get your listeners to stay with you to the finish,” Drew told The New York Times: “[Your goal] is to lose them [to sleep] along the way.” It’s this combination of slow, lulling delivery, seemingly pointless introductions, and rambling stories that make Sleep with Me Podcast such a success with its listeners, who download episodes about 3 million times each month.

Drew Ackerman. Photo © Chris Duffey

Most of the Sleep with Me Podcast episodes feature original stories written or improvised by Drew. To stay creatively motivated, Drew writes and tells various types of stories, some of which are developed into multi-episode series, like After the Glass Slipper, about Cinderella’s stepmother Agatha after Cinderella’s marriage to Prince Charming; Big Farm in the Sky PI, about a private investigator, Simon, working to solve mysteries in the afterlife; and SuperDull, about a group of superheroes sitting around waiting for their chance to save the earth whenever its greatest hour of need arrives.* (Links to the episodes mentioned here appear at the end of the article, for your reading ease.) Though some of the original series are comprised of multiple episodes, each episode of any series is independent: you don’t have to know any of the previous sections of a story to understand — and be put to sleep — by any current episode. And really, since the point of this wildly popular podcast is to make you fall asleep, it probably helps if you don’t know what happened to any of the characters in previous episodes.

Some episodes of “the podcast that puts you to sleep” are stand-alone stories, improvised stories based the social media trends, or re-caps of movies or television shows. During an episode of Sleep with Me Podcast, Drew has been known to open games and try to figure out how to play them without reading the instructions,* give you the entire chronicle of seltzer / sparkling water,* and tell you all about the history, the rides, and the food of the New York State Fair.*

In his Real Time Recipes,* which are among my favorites, Drew metaphorically walks you through grocery-shopping for all the items necessary to make the meal, and then talks you through preparing the meal. In his on-location* episodes, Drew talks while he’s actually walking around some public place (he has permission to record there). Initially, when I listened to these, the ambient sounds, though faint, prevented me from sleeping. Then I noticed I was waking up after having been asleep for a few hours despite any faint ambient noise. Now I love the on-location episodes, if only because Drew doesn’t perform these as Scooter: he simply tells us what’s going on as he roams around. Guided Meditations* are some of the most sleep-inducing episodes, if only because Drew slows his sleepy delivery even more than usual, and these are among the most popular episodes.

Photo © Drew Ackerman

Drew sometimes reveals some personal details about his life that were painful or especially exciting for him, and these episodes are some of the most endearing. You might think that listening to someone talk about his personal life and some of its painful events would keep you awake, but, because Drew’s delivery makes you fall asleep, I’ve often had to listen to these episodes several times to hear the personal information (and Drew sometimes hides these tidbits in stories that don’t seem to be autobiographical.)* And in case the changing seasons or the holidays give you insomnia, Drew has plenty of Halloween* and Christmas* episodes, too.

Some of the Drew’s bedtime stories are suitable-for-all-ages recaps of television dramas*. Though the shows themselves might deal with adult topics or include violent scenes, Drew soothes them all into all-age-appropriate bedtime tales. Of all the television series that have been recapped on Sleep with Me, I have only seen Game of Thrones, though I’ve happily been “bored” to sweet dreams by all of Drew’s recap-podcasts, including any episode of Game of Thrones / Game of Drones,* Breaking Bad, Star Trek: The Next Generation,* and Dr. Who.*

Drew has many stellar stand-alone episodes* that make me sleep better than any prescription or natural sleep aid ever did. I wish I could tell you what happened to the residents of the Lost Village when they discovered that the geography around their village had changed overnight,* or how to assemble a wall-bed,* but I’ve never managed to stay awake through either episode. And Sleep with Me Podcast retrospectives* cover the content of hundreds of previous episodes, if Drew can remember what they were about.

The DreamQuilt, from SWM listeners, which inspired Drew’s story, “The Bear with a Comet on His Belly.” Photo © Drew Ackerman

One of my absolute favorite stories is the three-part The Bear with the Comet on His Belly* which was inspired by Drew’s listeners thanking him for “curing” their chronic insomnia by making him a quilt featuring images from his original stories: the DreamQuilt, Drew calls it.

Even when a Sleep with Me story is fascinating, I can’t stay awake long enough to hear it all, and that’s one of Drew’s gifts: writing engaging stories and delivering them with a “droning” — in the best sense of the word — delivery by “Scooter” so you drift off into dreams. The first time I ever listened to a Sleep with Me Podcast episode, I didn’t even know there was a story at the end. While listening to the introduction, I found myself thinking, “How on earth am I supposed to fall asleep to something that is so interesting?” When I awoke, hours later, and realized that I had, in fact, fallen asleep, I played the episode again. I fell asleep even more quickly the second time. The next night, I put the episode on and also queued it to play a second time — and I slept longer before awaking in the night. I began queueing up 7-10 episodes at a time, so they’d play all night long. Since I live in an isolated area where the Wi-Fi connection is unreliable at best, the podcast shuts off each time my Internet connection goes down, waking me up. Now, I’ve downloaded many of my favorite episodes, rather than streaming them, so that I can queue them up to play all night long without interruption.

Sleep with Me Podcast currently has over 755 episodes, all free, partly because of advertising (only in the first minutes of each episode) but mostly because of the financial support of the show’s patrons, whom Drew calls “rebels with a cause” because we pay for a free show so that others won’t have to. I’ve been one of those “rebel” patrons for five years now, ever since I realized that, listening to SWM all night long, I was sleeping better than I ever had in my life. Patrons get ad-free versions of the shows.

You can listen to any of the Sleep with Me Podcast episodes on the SWM website or subscribe for your device: Apple Podcasts, GooglePodcasts, RadioPublic (listen on site or send to iOS or Android devices), and Spotify. You can also listen to all the Sleep with Me Podcast episodes on its YouTube Channel. (Note: Because of the limitations of podcast apps, you may not be able to scroll back far enough to find some of the earlier episodes on your phone or tablet.

You can reach Drew — aka Scooter — on Twitter, where he is very responsive, and you can reach his equally responsive account managers, all volunteers, on Facebook.

Sweet dreams, my Lovelies.

Episodes mentioned in this article
(please note that this is not an exhaustive list of all 750+ episodes)

*Multi-episode series
• After the Glass Slipper: A Lesson in Opportunity to be like Cinderella s2e4
• Big Farm in the Sky PI: The Dog That Chased the Moon 553
• SuperDull: The Siren and the Professor 508

• Fairytale Gloom Game Unboxing655
• Tokaido Unboxing 747

*Seltzer / Sparkling Water History
• Mars, Moranis, Curry Seltzer: Pitching Roman 689

*New York State Fair
• As Fair as a State Fair 692
• Fun Food and Fun Houses at the Great New York State Fair 695

*Real Time Recipes
• Under Pressure [Corned Beef] 652
• Salad 537
• Stuffing and Mashed Potatoes 474

• Kayak Cruze 588
• Lake Ontario: Can I Call You Teri 570
• Dusk featuring Slurp and DJ Echo Bass 540
• Faux Cousteau Visits Sea Life Orlando 522
(recorded shortly after visits, not during them)
• On Summer’s Horseback 594
• La Brea Tar Pits (534

*Guided Meditations
• Comforting Chair 576
• Sand’s Day at the Beach 564
• Bird Bath 395

• Things I Might Have Wrote as a Kid 591
• My Life with HBO 567
• Spruce Museum (introduction) 525
• Video Games and Me 501
• KMart Earrings and Me 495

• Laurel and Hardy’s March of the Wooden Soldiers 473
• The Christmas Tree that Took a Walk 468

• Costume Nostalgia 609
• Lulling Analysis of The Great Pumpkin 456


*Game of Thrones
• The Wolf and the Dragon” 584
• 7-Hour All Night Game of Thrones Season 7

*Star Trek: The Next Generation
• Elementary, Dear Data 557
• 10-Hour All Night All Night Star Trek: TNG Volumes 3 & 4

*Dr. Who
• Dickens and Dr. Who 625

*Lost Village 442
*• Realtime Wall-Bed Assembly 433
*• Lulling Retrospective of the First 500 Shows 502

*The Bear with the Comet on His Belly
• Bear with a Comet on his Belly, Inspired by the Dreamquilt [Part 1] 414
• Sleeping Rude Gods [Part 2] 417
• The Local Borefriend [Finale] 418

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The Good, The Bad, and The Dead: Game of Thrones, Season 6 Review

(For a No Spoiler review of Season 6,
see Winter is Coming:
Game of Thrones 1-6)

I’m a huge fan or HBO’s Game of Thrones, created and (mostly) written by DB Weiss and David Benioff, and based on George RR Martin’s bestselling series A Song of Ice and Fire. When my guy and I originally attempted to watch the show in its premiere season, the fantasy element — along with all those characters — put us off. Though I eventually read all five books, I was still confused about all the characters, especially when the books kept introducing new, minor characters. In fact, I didn’t watch the show until it was announced that the magnificent Ian McShane would be in season 6 of the award-winning show.

Those of you who’ve read my Deadwood and Favorite Villains blogs know how much I adore and respect Ian McS, and I admit that it was only to watch his performance in Game of Thrones 6 — as whatever character he would play — that I looked up all the previous seasons of the show. I don’t regret it: I loved them. Despite not being a fan of the story’s fantasy elements — books or television series — I thought virtually everything else about the show was an improvement on the massive books, if only because the show provided actors’ faces to help me keep the vast number of characters straight.

I watched all 50 episodes of the first 5 seasons in about 10 days, just to be ready for the season 6 premiere. Though I knew Martin hadn’t’t finished the 6th book in the series — The Winds of Winter I’d read that show-runners Benioff and Weiss had been given a detailed outline of the events from the author himself. Since the show writers had done such a good job culling the story from the first five books, I assumed they’d be successful with the outline of the sixth.

Unfortunately, the freedom provided by an outline-only, no matter how detailed, hurt the show in its 6th season. While much of the season was powerful, moving, and unexpected, some of season 6 was the worst the series has had to offer, including becoming predictable and dragging. Some of the episodes were just downright bad, and it seems to have been a case of the writers not having been able to translate the outline into good drama. There were good and bad things in season 6, and there were, as usual, plenty of dead. Let’s start with the good, because when Game of Thrones 6 was good, it was very, very good.


There was lots of The Good in season 6, from Kick-Ass women to Bran’s visions. These things were what kept the fans coming back for more because when Game of Thrones 6 was good, it was very, very good.

Kick-Ass Women

From Cersei (Lena Headey) to Brienne (Gwendoline Christie), from Arya (Maisie Williams) and Sansa (Sophie Turner) to 10-year-old Lady Lyanna Mormont (Bella Ramsey) and Lady Olenna Tyrrell (Diana Rigg, above), the women of Game of Thrones are some of the most seriously bad-ass female characters ever created (and it’s understood that the actors playing the roles contribute significantly to the characters’ development and success).

Brienne of Tarth (Gwendoline Christie) is one of my favorite women in the show, and not just because she’s succeeding in an arena primarily dominated by males. She doesn’t need a man to define her, though she initially needed a man to follow, serve, and revenge (King Renly), and then needed a man to escort and later defend (Jaime Lannister). Brienne came into her own indomitable self once she swore loyalty to Lady Catelyn Star and promised to find and protect the daughters of House Stark: Sansa and Arya. Though Brienne never found Arya, who is at the House of Black and White, learning to become one of the Faceless Men, Brienne did find Sansa. That’s when Brienne shone. Loyal, stalwart, and brave, she earned characters’ and viewers’ respect as she executed King Stannis for murdering his brother Renly; pledged to combat Jaime Lannister, despite caring about him, should they meet in battle; and rescued and defended Sansa once she had escaped Ramsay Bolton. As far as I’m concerned, Brienne is one of the best things about Game of Thrones, and I adore her.

Cersei Lannister (Lena Headey) may be one of the characters that plenty of fans despise, but I think she’s wonderful, and in season 6, after her humiliating (nude) Walk of Atonement at the end of the fifth season, she re-examined her life and found some things wanting. Always fiercely devoted to her children, she set about protecting the only one remaining to her — King Tommen (Dean-Charles Chapman) — whether she was keeping him safe from The High Sparrow (Jonathan Pryce) or from his own wife Queen Margery (Natalie Dormer). Cersei told Septa Una, who’d taunted Cersei during her imprisonment, that Cersei’s face “would be the last thing” the Septa ever saw. Cersei has always been a woman of her word, and with help from her devoted returned-from-the-dead-warrior The Mountain, Cersei took revenge on the Septa.

In season 6, Cersei recalled some prophecies that a Witch had made when Cersei was a child, relayed them to the love of her life — her twin brother Jaime — and eventually took revenge against the High Sparrow and Margery by locking them in the Sept and blowing it up with Wildfire. Though her relationship with Jaime has developed this season into something far beyond the sexual-incestuous one which began in season 1, Cersei neglected to inform him of her plans to take the Iron Throne herself, and I don’t think it was just because he was off fighting a War against the Starks in the form of Blackfish. Cersei is a woman of her word, and she has always intended to be Queen, though she allowed her children to take the Throne for a while and attempted to rule as the Queen Mother (or Queen Dowager).

Sansa Stark (Sophie Turner) has been one of the biggest damsels in distress ever created in literature. From season one, where she wanted nothing more than to marry and become a Queen, despite the fact that the King was the sadistic and nasty Joffrey, eldest son of Cersei and Jaime, to later seasons when Sansa kept depending on males to save her, Sansa has been one annoying little girl. And not even a fierce little girl like Lyanna Mormont. No, Sansa’s been a weepy, whiny little girl.

Season 6 saw her rapidly mature, however, especially after Littlefinger arranged her marriage to the brutish torturer Ramsay Bolton (Iwan Rheon) who raped her on their wedding night. She not only escaped Winterfell, where she was being held captive, albeit she escaped with Theon’s help (Alfie Allen), but she made it to the Wall to join her brother Jon (Kit Harrington) and became a stout ally in the battle for their home, although no one realized it until late in the “Battle of the Bastards.” I’m guessing that women, and rape victims, around the world cheered collectively when Sansa took revenge on Ramsay, letting his own starving dogs eat his face (and everything else, I suppose), then walked away with a slight, satisfied smile on her face.

Lyanna Mormont (Bella Ramsey) was the 10-year-old Lady of Bear Island, and though she only had about 3 scenes in the entire season, that didn’t stop her from becoming a fan favorite and lighting up the Internet. From her initial encounter with Jon, Sansa, and Ser Davos (Liam Cunningham), who wanted her to supply men for their army to fight Ramsay Bolton — she offered a grand total of 62 (and Bella revealed that she cracked up laughing every time she offered them only 62 men, and had to work hard to stop giggling) — to her infamous fan-favorite Death Stare on the battlefield just before the epic Battle of the Bastards, 12-year-old Bella rocked the viewers’ world with her confidence and memorable performance.

Fans said she should be the one to sit on the Iron Throne, and after reading this confident young lady’s interviews about her role, I’d have to agree. She was magnificent. She was the show’s newest Bad Ass, for real, and I’m delighted that she’s a woman. Apparently, she stunned her fellow actors and the episodes’ directors as well, since they thought they’d have to “coax the young actor through her scenes.” Instead, she startled them with her professionalism, leading them to compliment her on everything from the Doc Martens she was wearing with her gown, to the Death Stare that she had to force on her face since she found Iwan, who played the villainous Ramsay, so delightful and fun to work with.

Lady Bella was outstanding as Lady Mormont, no doubt about it. She inspired delightful memes all over social media, like Bitches, please from @LordLyannaMormont.

She was one of the most Bad Ass women in Game of Thrones 6, and she was only a little girl.

The Battle Scenes

In every single season, the battle scenes in Game of Thrones have seriously rocked the Casbah — even the ones with the fantasy White Walkers and their cohorts, the Wights — and season 6 has to be the absolute best for battles, if only because of the realistic and frightening Battle of the Bastards, which pitted the smaller army of Jon Snow against the usurper of House Stark, Ramsay Bolton. After sadistically murdering Jon’s little brother Rickon (Art Parkinson), after telling him to run over to Jon (across the virtually endless No Man’s Land between the two armies), in order to get Jon to jump almost heedlessly into battle, Ramsay’s army and Jon’s engaged in one of the most realistic and terrifying fights ever.

When Jon became trapped under all the bodies of the wounded, dying, and dead men, I became claustrophobic, literally, and feared I wouldn’t be able to continue to watch the scene. It was one of the best battles I’ve ever seen filmed. It had all the confusion and despair of battles like those in big screen Platoon and The Revenant, but without being so frenzied that viewers couldn’t tell what was happening.

Bran’s Visions

Though most of Bran’s (Isaac Hempstead Wright) visions are about back-story, especially concerning his father Eddard Stark and the parentage of Bran’s “brother” Jon Snow, thye were presented as if they were happening at the moment, albeit with Bran and the Three-Eyed Raven (Max von Sydow) on the fringes of the scenes, watching the action. If these had been revealed in monologues by the Raven to Bran, they would have been deadly, so these, at least, were handled in the best dramatic fashion: by being shown to the viewers.

And yes, fans of the books were totally correct: Jon is not the illegitimate son of Ned Stark and some nameless woman after all. Instead, Jon is the true-born love-child of Ned’s sister Lyanna Stark and future king of the Iron Throne, Rhaegar Targaryen. He was already married, but apparently Rhaegar didn’t really kidnap Lyanna (who was the fiancée of Robert Baratheon, who rebelled after she disappeared, and usurped the throne), but whether Lyanna Stark was merely Rhaegar’s mistress or a second bride has not yet been revealed. That makes Jon Snow a legitimate heir to the Iron throne.

Bran’s visions also revealed some things about himself and Losing Hodor, as well as about the White Walkers, but the import of The White Walkers and their cohorts has yet to be explained completely.

Other good things about season 6, included these:

  • the maturing love relationship between Jaime and Cersei
  • Jaime’s acknowledging his parentage of Cersei’s children to his daughter Myrcella
  • the loyalty of characters, like Brienne (to Lady Catelyn and to Sansa), Jaime (to Cersei and to their children), Jorah (to Daenerys), Bronn (to Tyrion and, later, to Jamie), Hodor and Mira (to Bran), Olenna (to her family), and Qyburn and The Mounatin (to Cersei), among others
  • Bronn’s (Jerome Flynn) sense of humor and his singing
  • Tormund Giantsbane’s (Kristofer Hivju) attraction to the tall and powerful warrior-knight Brienne of Tarth
  • Davos’ (Liam Cunningham) development into a major character
  • the Giant, who is one of the few fantasy elements I liked, if only because he had such a feisty and courageous personality


Yes, there were plenty of good things in season 6, but there were also quite a few really bad things. Most of The Bad wasn’t in the story itself, but, instead, in its presentation. The poor dramatization of the story resulted in stuttering plot advancement (inconsistent pacing, according to CheatSheet), predictability (like knowing who’s going to die and who isn’t), and poor use of guest stars. When Game of Thrones 6 was good, it was very, very good, but when it was bad, oh, my, it was absolutely horrid.

Why White Walkers?

I’m afraid I just don’t get what’s so scary about the White Walkers. I mean, didn’t the Wildlings used to offer them babies to pacify them? Yeah, there are a lot of them, and they’re often accompanied by their Wight buddies, who seem to be crazed skeletons, but the White Walkers, despite being led by the Night King, just haven’t really made much of an emotional impact on me. I don’t know if it’s because of their fantasy element, or because they just aren’t the monsters everyone acts like they are.

Every time White Walkers come into the series, which isn’t too often considering that’s how the book series and show started in the first place, I just lose interest. Oh, I can appreciate all the money HBO has spent on extras and on make-up, but in terms of the story, the White Walkers don’t work for me. They don’t work for other reviewers either, if only because they’re not villains yet.

The Talk-Walkers

Oy, vey, talk about bad drama. How many scenes did we have to sit through in season 6 where the characters just walked around talking (Tyrion and Varys), while waiting for Queen Daenerys to return? Or rode horses around, talking (Ser Jroah and Daario), while ostensibly searching for Daenerys)? Or sat around, drinking, and talking (Tyrion, Missandei, and Grey Worm)? Or just sitting around talking (Tyrion, Varys, and the Traders of Slavers’ Bay)? Or just stand around talking (all the Iron Island residents)?

It was scary-sad to see the show degenerate to these talking head moments. The poor actors had to be bored silly, especially the actors whose characters had previously been such important members of the show. Tyrion (Peter Dinklage, above L) and Varys (Conleth Hill, R) spent so many scenes wandering around Mereen that it seemed about as big as all of the American West. Unfortunately, neither the scenery nor their discussions were interesting. And the that scene where Tyrion tried to get Missandei (Nathalie Emmanuel) and Grey Worm (Jacob Anderson) to drink and tell jokes, ugh-ness to the max.

Margery’s Bible Study

We never got to learn if Queen Margery’s (Natalie Dormer) “conversion” to the Faith of the Seven was authentic or if she was merely attempting to escape imprisonment. The scene where she visited her brother Loras in prison and cautioned him not to say anything aloud that would jeopardize himself — or her — made it seem as if Margery was playing the High Sparrow. Later scenes with her grandmother Olenna (Diana Rigg), when Margery urged her to leave the Capitol, reinforced that view. Despite the fact that Margery also convinced her husband King Tommen to convert and become devout, Margery’s faith still seemed false. Because she died, trapped in the Sept with the High Sparrow and everyone else whom Cersei killed in the finale, we never got to learn if Margery’s Bible Studies were all show without substance. Because Tommen killed himself by jumping out of a window after Margery was killed, we’ll never know if the conversion routine was real or an act.

Death Means Nothing

I’m not talking about the deaths of characters like Ned and Catelyn Stark, because those characters appear to be dead, and they don’t seem to be coming back, no matter the Lady Stoneheart teasers before season 6.

I’m not talking about the resurrected Ser Gregor Clegane, aka The Mountain, who doesn’t ever say anything or seem to do anything independently from Cersei’s command. I’m talking about Jon Snow, most specifically, who not only seems none the worse for death, but who acts like he’s never been dead or resurrected in the first place. And I’m not talking about the teasers with him in it either, where he looked like he might come back but be another Lady Stoneheart or even a White Walker.

I’m talking about Jon’s character, most specifically in the Battle of the Bastards, when the dead and dying and wounded were piling up on and around him, threatening to suffocate him or bury him alive. Though the scene itself was powerful, I did find myself wondering why no one seemed to remember that Jon was already dead. I mean, he did get killed by the Members of the Night’s Watch at the finale of season 5. The Red Woman resurrected him this season, but he still was dead. Doesn’t that mean he should be different? Is he still mortal if he already died?

Even if author George R R Martin hadn’t claimed that Jon would be different after having been dead, I still would have expected Jon Snow to be vastly if not completely different, if only because he now knows that the Brothers killed him.

On Jon’s death and possible resurrection, author Martin  insisted that Jon would be different.

I do think that if you’re bringing a character back, that a character has gone through death, that’s a transformative experience. My characters who come back from death are worse for wear. In some ways, they’re not even the same characters anymore. The body may be moving, but some aspect of the spirit is changed or transformed, and they’ve lost something.

Martin may be talking about his book characters, but he’s certainly not talking about the Jon Snow in the series. I would never have known that Jon Snow died if I hadn’t seen it myself, and I forgot about it many times during the sixth season because, apparently, death doesn’t mean anything in this Game of Thrones universe if you’re a fan favorite, as Kit Harrington is. That takes away all the dramatic tension, and it’s disappointingly bad writing.

Arya Can’t Die

I realized when I first read the books that the character Arya Stark (Maisie Williams, above, foreground) was one of the author’s favorite characters. In the show, however, this favoritism has gone to extremes. Arya has not only completely replaced her mother, revived in the books as Lady Stoneheart, in seeking revenge for the deaths of her family members, including Walder Frey, but no matter what happens to Arya, she can’t die. I mean, Arya has had the most horrific things happen to her, including being blinded for failing to give up her personal plans of revenge, yet no matter how viciously the Waif attacks and wounds Arya, she escapes and survives.

Is it something in the Stark bloodline? I think it’s more the fan-fave-thing operating here. That makes me take Arya’s storyline less intensely. If she can’t die, I don’t need to worry about what happens to her.

The Play’s The Thing

And while we’re on the subject of bad dramatization… Those plays that Arya watched, where the characters in the play performed scenes from the Capitol, scenes with which Arya was already familiar, like the death of her father, and the marriage of her sister Sansa to King Joffrey, and the marriage of Sansa to Tyrion Lannister. If the viewers had not also seen all these things, in detail, in the earlier seasons of Game of Thrones, then having Arya watch them again in plays might have been interesting.

Emphasize might have been.

Since everyone in the show and watching it already knew these stories, however, the play’s were tedious in the extreme. It doesn’t matter that Arya was supposed to kill one of the actors, that she grew somewhat attached to her (for some unknown reason) and couldn’t kill her, or that Arya eventually returned to the actor and then unintentionally caused her death. It was the plays being performed that were bad writing because all the viewers, and the character of Arya herself, already knew all the stories behind them. I mean, talk about bad writing, HBO-guys. If a viewer can get up and go get a snack in the kitchen and not miss anything important that happens while he’s away, that’s really bad writing.

Emilia Clark (Daenerys )
Still Has To Do Nude Scenes

Enough said.


There was lots more of The Good than The Bad in season 6 of Game of Thrones, and I’m eternally grateful, but there was another aspect of good and bad in the show, and that involved the deaths of the characters. I’ve categorized them as follows:

  • The Good, as in, viewers were most likely glad that the character died;
  • The Bad, as in, viewers were pretty upset;
  • The Meh, as in viewers didn’t know enough about the characters to really care about their deaths: and
  • The Ugly, as in, viewers were totally and completely devastated by the character’s death, and the Internet lit up like a Christmas tree after the episode.

The Good
(viewers collectively cheered)

  • Walder Frey
  • Roose Bolton
  • Ramsay Bolton (Iwan Rheon, above)
  • High Sparrow
  • Jon Snow’s murderers (yes, even Ollie)
  • The Dothroki (from this season, the ones who were constantly threatening to rape Dany)

The Bad
(viewers didn’t expect it or were pretty upset)

  • The Giant (the only fantasy element I liked)
  • Roose’s Wife (Ramsay’s Stepmother) and her Newborn Infant Son
  • Margery
  • Tommen
  • Osha
  • Rickon (Art Parkinson, above)
  • The Three-Eyed Raven
  • Ian McShane’s Sept character, whose name I don’t even recall because he was only in about 10 minutes of the entire season.

The Meh
(mostly because viewers didn’t get to know them
well enough to care about their deaths):

  • Myrcella (above)
  • Doran Martell
  • Blackfish
  • The Wildling who put her children in the boat to be saved and then got killed by White Walkers

The Ugly
(because his death literally traumatized fans and viewers
and because there’s no possible way for George R R Martin
to do a better job in his books that HBO did with the show)


Hodor deserves an entire blog on his death, and I’ve already written one about Losing Hodor, as did most of the other critics and reviewers for “The Door.”

There you have it, my Lovelies, The Good, The Bad, and The Dead of HBO’s sixth season of Game of Thrones. And, please, if I left out any of the Dead, do let me know.

Related Posts
(No Spoiler Reviews, Seasons 1-6)

Love and Betrayal amidst Swordplay,
Dragons, and White Walkers:
Game of Thrones, Season 1

The Summer of Our Discontent:
Game of Thrones, Season 2

What Crawls Out of Nightmares:
Game of Thrones, Season 3

The Dead Can’t Hear Us:
Game of Thrones, Season 4

The Last Thing You See Before You Die:
Game of Thrones, Season 5

Winter is Coming:
Game of Thrones seasons 1-6,
No Spoiler Reviews

Season 6 Episode Reviews

The Red Woman and the Crone:
Game of Thrones season 6:1 Premiere,
Review & Recap

Don’t Eat The Help:
Game of Thrones 6:2-3 Review & Recap

A Man Must Have A Name:
Game of Thrones 6:4 Review & Recap

Losing Hodor:
Game of Thrones 6:5 “Hold the Door” Review

Miss Game of Thrones?
Can’t wait for next season?
Let Game of Drones put you to sleep
with all the previous seasons’ episodes,
by @DearestScooter & Drew Ackerman
of Sleep With Me Podcast

Game of Drones:
Game of Thrones, Bore-i-fied

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