(Updated to include Video of Lily & John Clare)
Wow, I didn’t think Showtime’s brilliant series Penny Dreadful, created and written by John Logan, could get any better this season, but last night’s episode, “Memento Mori,” was stunning and relentless. Actually, only one person got killed, but everyone was reminded of death because the lions were relentlessly hunting.
Many people have expressed their disappointment that Vanessa (Eva Green) and Ethan (Josh Hartnett) were not in “Memento Mori,” but they had virtually the entire previous episode, “Little Scorpion,” to themselves, so I found it rather refreshing to concentrate on some of the other characters, most of whom are directly involved in the storyline which involves Vanessa and Ethan, but almost all of whom are peripherally involved.
So Victor Frankenstein (Harry Treadaway, above L) has gotten his heart broken by a lying Lily (Billie Piper, first photo, center), who had sexual relations with a stranger whom she strangled during intercourse. Victor confessed his suffering to Sir Malcolm (Timothy Dalton, R), who then explained that he, too, is suffering from the disease of love.
In previous episodes, however, Sir Malcolm has been happy and carefree in his love for Mrs. Poole (Helen McCrory). Not so in “Memento Mori.” He expressed his dismay that he is no longer his “mono-maniacal self,” since that’s who he really is. He was so much a comfort to poor Victor as a fellow traveler on the path of those who suffer for love.
Sir Malcolm is also missing his dead family members, like his wife Gladys, daughter Mina, and son Peter. All of his family, actually. He was glancing sadly and pensively through their photos. His own personality and ego may be much stronger than the Night-Comer (witch) Evelyn Poole imagined when she enchanted him.
Despite massaging the heart of his fetish, then ripping it from the doll’s body and holding it in her hand while she attempted to completely submerge Sir Malcolm in her spell, he was able to break free, with Sembene’s (Danny Sapani, below) help: Sembene wrestled Sir Malcolm after he went nuts and tossed over the table containing the story of the Verbis Diablo, scattering their carefully constructed puzzle; dragged Sir Malcolm across the hall, kicked open a door, pushed Sir Malcolm in, and shouted, “Know who you are.”
As Lyle (Simon Russell Beale), Victor, and Sembene (L to R, below) watched, Sir Malcolm roamed around an empty, dusty room, where — in his mind — he was seeing and interacting, in a miniature ball, with his own dead family members.
He broke free of Evelyn’s enchantment, she was aware of it, and fought with her daughter over that fact when her daughter suggested rather brazenly that her mother was perhaps too old and not attractive enough to maintain her hold on Sir Malcolm. Maybe, the daughter Hecate (Sarah Greene) suggested, she herself should give it a try with Sir Malcolm. She got shoved out of the room by her face for that impertinence.
Actually, the only person who got killed last night — though they all might have been reminded that death is always imminent — was poor transgendered Angelique (Johnny Beauchamp), left alone for the second night in a row while her lover Dorian (Reeve Carney) took Lily (Billie Piper) out to dinner again.
Alas for poor Angelique, she’s inquisitive and clever as well as beautiful: when the wind in a room without windows blew out some candles, she discovered the secret door that led to the room which hides the picture of Dorian Gray.
The picture that allows Dorian to remain forever young, beautiful, immortal — unmarked physically by all his internal ugliness. When Dorian returned home and found that Angelique had discovered his secret, he poisoned her, despite the fact that she said she could still love him.
The picture itself, shown for the first time last night, wasn’t that interesting. But then, unless you’ve read the book, you wouldn’t think Dorian had ever done anything except drink and eat to excess, have sex with members of both sexes and genders. You wouldn’t know the lies, betrayals, murders, drug use, alcohol abuse, etc because Dorian’s a rather minor character in this show, and his story isn’t much tied in to that of the other characters, except peripherally.
The only thing that was interesting about Dorian’s portrait — and I was the only one in our household who found it interesting because I’m the only one who’s read the book and who’s also seen previous film adaptations of it — was the chains on Dorian in the painting. That was an intriguing touch, since Picture-Dorian was pretty tame and dull, to be completely honest. It looked like a ragged mummy or dirty ghost.
The chains symbolized Dorian’s evil being trapped in the portrait, but they also represent the fact that Dorian is chained to the portrait of himself: if anything happens to it, Dorian ages, gets ugly, and could die.
The most stunning part of “Memento Mori” was Lily (Billy Piper), who should have looked like the demonic photo below instead of the sweet one above.
She’s broken Victor’s heart and caused him to attempt suicide (there seemed to be pills on the floor around his unconscious form when the Creature (Rory Kinnear) threw a bucket of water on him to wake him: then Victor vomited, which made me suspect he’s attempted suicide out of despair).
Lily is a Creature, like her intended, the original Frankenstein creation, now going by the name of John Clare (Rory Kinnear, first photo above R, and below), who, despite his rages at Frankenstein himself, has often shown himself more passionate, loyal, loving, and decent than many of the human beings in the show.
His love for poetry, his philosophical musings, his intellect, his suffering all make him a tragic hero extra-ordinaire, and I compliment creator-writer John Logan for his brilliant interpretation of this Creature, so different from the origin source, Frankenstein by Mary Wollestonecraft Shelley, so much more sophisticated, and so wonderfully acted by Kinnear. The Creature is one of the most fascinating and interesting characters in the series.
Lily, however, was the surprise of the night. Not only did she seem to prefer her murdered stranger dead, nuzzling and love-talking his nude body after she killed him, she blatantly lied to Victor about where she’d been all night, then turned Monster herself when the Creature came calling.
It was a tour-de-force performance, with Creature-Clare dumbfounded — even, perhaps, frightened — as his Intended Bride, Lily, ranted about how women suffer because of men; as she tossed him about as if he were a rag-doll; as she questioned him about his dream that they’d walk country fields “quoting f***ing poetry to f***ing cows.”
Her rant against the societal expectations of women, the inequities they suffer, and men’s roles in all of it — with a few hints of dead prostitute Brona’s Irish accent — was phenomenal writing, social commentary, and acting. Then, as if Creature-Clare weren’t terrified enough, and the viewers not shocked enough, Lily then started making love to him, literally and figuratively, calling him her “ugly little monster” and saying that no one would ever love him like she did.
She also said lots of things about their having children, taking over the world, and being the future, but I’m not sure if the Creature got all that since she was sitting on his lap, making the beast with two backs, as she predicted their glorious future together.
Penny Dreadful, Season 2
Welcome to the Night: Penny Dreadful, S2E7
Betrayal of the Blood: Penny Dreadful, S2 E4-6
The Cut-Wife, the Day-Walkers, & the Night-Comers: Penny Dreadful, Season 2, Episode 3
When the Hunters become the Prey: Showtime’s Penny Dreadful Season 2 Premiere
Penny Dreadful, Season 1