It’s October, and that means it’s time for scary movies. When I was young, vampires and ghosts and werewolves usually did the trick. As I’ve gotten older, I find movies where the events could actually happen even more frightening than those supernatural beings of my childhood horror films. One of the scariest is 1956’s The Bad Seed, which was considered so potentially scary to viewing audiences that all the actors appeared to “take a bow” at the end of the film — much as they had in the stage play of the same name on which it was based — to remind everyone that it was fictional.
The Bad Seed may be fictional, but that doesn’t mean it’s not scary. And the most terrifying part of the film is that it could actually happen. To anyone. So don’t let the fact that the actors “take a bow” at the end of the film keep you from watching this horror classic. Psychologically realistic and terrifying in the extreme, The Bad Seed contains not a single paranormal character or hint, but that doesn’t mean it’s not scary.
The film stars Nancy Kelly as Christine Penmark, who begins to feel uneasy around her 8-year-old daughter Rhoda (Patty McCormack) after a little boy who’s Rhoda’s school rival dies in an accident. As Christine begins to re-evaluate things about Rhoda’s character that make her uneasy, she is faced with opposition from neighbors and family, all of whom insist Christine herself is imagining things about her angelic little girl.
Every time Christine manages to convince herself that she’s jumpy and unreasonably suspicious, however, Rhoda does something that’s less than angelic, throwing Christine into doubt all over again.
Though the film is a little heavy-handed on the heredity vs. environment discussions, it’s worth watching. The supporting cast is excellent even when their parts are minor, and include Eileen Heckart as the grief-stricken mother of the dead boy,
Paul Fix as the doting crime-writer Grand-dad who thinks his beloved daughter is just worrying about nothing in particular,
and Henry Jones as LeRoy the suspicious handyman who just knows that something is not right with pretty little Rhoda.
Despite everyone’s assurances that Rhoda is a beautiful, sweet, highly intelligent little girl, Christine has her doubts and suspicions about Rhoda’s true nature and potential for violence. After all, not everyone gets to see Rhoda when she’s upset. Or annoyed. Or even angry.
The film’s content is so scary — and so very possible — that even the original trailer had to “remind” viewers that they were watching an advertisement for a film based on a play based on William March’s novel, just so, you know, people didn’t get too creeped out. Further, The Bad Seed was so unusual for its time that it had a notice at the end of the film, asking viewers not to reveal its ending to others.
McCormack as the young girl Rhoda and Kelly as her mother Christine received Oscar nominations for their performances. 60 years later, the film and its exploration of evil remain pertinent.