Tag Archives: outer limited point of view

by Alexandria | 2 November 2018 · 11:52 am

Multiple Points of View

Don’t confuse Point of View w/ things that have nothing to do with POV: writing in past or present tense, using flashbacks or foreshadowing, good character development or realistic dialogue. None of those is POV & POV is not concerned w/ those separate writing issues #WritingTips pic.twitter.com/XlheSGvV9c

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Don’t confuse literary Point of View with people expressing different opinions in real life. In writing, different characters’ views of the same events is Perspective, not POV. Point of View is HOW something is written, and there are very few POVs in writing. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Don’t confuse POV with how emotionally connected (or distant) your readers feel to your characters. If you have character development, your readers will get attached to your characters no matter what POV you’ve written the book in, as evidenced by many classics. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Unlimited POV, in grammatical 3rd person (he, she, it, they). Sometimes called “God” or omniscient POV. No limits to the information the author provides to readers, including ALL characters’ thoughts, motivations, feelings, pasts, & moral judgment. Can be ambiguous. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

First Person POV, in grammatical 1st person (I, we). The only POV with a narrator. Everything in the story is LIMITED to what the narrator thinks, feels, etc and what s/he can observe about other characters’ actions/behavior. Narrators can be reliable or unreliable. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Inner Limited POV, in grammatical 3rd person (he, she, it, they). LIMITED to the INNER life (thoughts, feelings, motivations) of ONE character (or 1 character at a time, different sections). Similar to First Person POV limitations but creates more emotional distance. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Second Person POV, in grammatical 2nd person (you), directly addresses a “you” but NOT in dialogue. The default audience for “you” is the reading audience, and it is always up to the author to make it clear who is being directly addressed if it is NOT the readers. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Outer Limited Point of View, written in the grammatical 3rd person (he, she, it, they), is LIMITED to the OUTER life of ALL the characters in the story. Sometimes called the “camera” or “fly on the wall” POV. The most challenging POV for any author to master. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Outer Limited POV only reveals the external, observable behaviors of ALL the characters in the work. NO thoughts, feelings, motivations, or memories are revealed to readers unless they are expressed in dialogue, letters, etc to other characters at the same time. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

To write in Multiple Points of View, you must know the difference between Perspective and Point of View in literature and writing. Point of View is HOW something is written. Perspective gives different views or versions of the events in story. Perspective is not POV #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

If you have 3 different characters telling their version of the story, each in a different section, each operating as a narrator, i.e., in First Person POV (written in grammatical 1st person: I, we), you have ONE POV in book, but 3 different Perspectives of events. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Epistolary novels, in which all characters communicate through letters, present the story through several characters’ letters to each other, each writing in First Person POV, with each letter writer as narrator while reader is reading his/her letter. That is ONE POV #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

If your narrator finds a diary of some ancient relative and reads the story of the diary writer’s life, in which the diary writer is the narrator of that life, both sections are written in First Person POV. It is not Multiple POVs. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

To write in Multiple POVs, you must change HOW the work is written. You must use more than one POV (e.g., First Person and Inner Limited, First Person and Second Person, First Person and Unlimited, First Person and Second Person and Unlimited, etc). #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

If you choose to write in Multiple Points of View, you must have a good reason for it, & each different POV must be successfully written or your readers will think you don’t know what you’re doing. Readers are very sophisticated: they know when you make mistakes #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

To successfully write in Multiple POVs, you should first read books that successfully use Multiple POVs. Faulkner’s The Sound and the Fury, for instance, has 3 First Person POV sections followed by a section in Unlimited POV = multiple Perspectives AND Multiple POVs #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Henry Fielding’s Tom Jones has Multiple POVs. 90% of the book is Unlimited POV, where the author tells readers everything about every character. Fielding “interrupts” story frequently with First Person POV (I = Fielding as author) & Second Person POV (you = readers) #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Crime fiction often has Multiple POVs. Inner Limited POV (he, she, it, they) is LIMITED to INNER life of 1 character, creating emotional distance. Crime writers use this POV for victims or killers or both, and use Unlimited POV or First Person POV for protagonist(s). #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Tammy Hoag very skillfully uses Inner Limited POV for criminals/killers and for their victims, each in a separate chapter so readers do not get confused, and Unlimited POV for the crime fighters and investigators in Ashes to Ashes. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Crime writer Anne Frasier does the unexpected in her novel Play Dead, using Inner Limited POV for crime fighters (not First Person POV), anyone related to crime fights, & victims. She uses First Person POV for a serial killer, making that Perspective more “intimate.”#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Despite the myth of “you can’t use more than one POV in a book,” Multiple POVs have been successfully used by many authors in many genres since fiction writing began. You can write in as many POVs as you wish in the same work, as long as you make all clear to readers #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Successful books in Multiple POVs:
Stephen King, Gerald’s Game = Unlimited & First Person
Anne Rice, Queen of the Damned = Unlimited & First Person
Susan Krinard, Once A Wolf = Unlimited & Second Person
Stephanie Meyer, Twilight Saga = First Person & Second Person#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Successful books in Multiple POVs:
Michael Crichton, Disclosure = Unlimited & First
JRR Tolkien, The Hobbit = Unlimited & First & Second
Virginia Woolf, The Waves = Unlimited & First
Herman Melville, Moby-Dick = Unlimited & First & Second#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Remember that if you are using more than one POV, you must make it clear to your readers what you are doing and WHY you are doing it. Separate sections with different POVs or otherwise make it very clear to readers that you are changing POV.#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Lapsing from chosen POV = author unintentionally makes mistake. Hemingway, who often wrote in Outer Limited (he called it “fly on the wall”) occasionally lapses e.g., writing “He saw the train” since that POV cannot reveal what characters see, only what they say/do. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Patricia Cornwell often lapses from First Person POV in the Kay Scarpetta novels: whenever Cornwell as the author tells readers something that ALL the characters already know, e.g., the meaning of VICAP, she lapses from her chosen POV. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

If you use Multiple POVs, readers must feel that the work is enriched by these different POVs. They should not be confused and wonder what on earth you are doing. They may wonder why you changed POVs, but, if it’s well written, they should be able to figure out WHY. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Multiple Points of View:
• does not = multiple Perspectives
• does not = multiple First Person POV sections
• must change literary POV, First Person to Second, Unlimited to First, etc
• must enhance work
• clear to readers
• intentional POV change & not a lapse#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

An author CHOOSES which Point of View s/he wishes to write in. Only Unlimited POV has NO limitations to the information an author provides to readers. All other POVs are limited in some way. By choosing a POV other than Unlimited, an author agrees to its limitations. #WritngTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

All writing has POV, no matter the type — poetry, fiction, nonfiction — or genre within each type — fantasy, science fiction, literary, romance, action/adventure, etc — and you should be aware of POV itself AND of most common POV in the type/genre you’re writing. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Although all types and genres of writing are done in all the various POVs, some POVs show up more regularly in certain genres, e.g., Unlimited in historical fiction or science fiction since the author must give readers more information the characters already know. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

If you choose to write your work in a POV that is not expected in that type/genre, your readers will be automatically “on guard” because you have gone against their expectations: you must be doubly sure that your chosen POV is done carefully AND successfully. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Any time you write in Multiple POVs, you are challenging your readers to both read the story AND to notice HOW the story is written. Multiple POVs challenge readers: it forces them to be more conscious of its artistry. They can’t skim or watch TV while reading.#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

If you write in Multiple POVs, readers are forced to be more conscious of HOW you are writing the story. Conscious readers are more “critical” readers: if you lapse from your POV, they’ll know it. If you confuse readers, they’ll be annoyed & leave bad reviews. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

If you want to write a work in Multiple POVs, make sure you have mastered each individual POV before attempting to combine them. Some POVs are naturally easier than others (Unlimited, First Person, Second Person) and some are dreadfully challenging (Outer Limited). #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

If you want to write in Multiple POVs, you need to be hyperconscious of the LIMITATIONS of each individual POV since all POVs are LIMITED in some way except for Unlimited POV, hence its name. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Never assume you know more about POV than your readers: there are many writers, authors, critics, literature majors & professors who read books in many genres & these people know POV. If you use Multiple POVs, they’ll certainly know what you’re doing right AND wrong. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Remember, an author voluntarily & consciously chooses the Point of View s/he wishes to write in. If you don’t want any limitations to the information you present to readers, use Unlimited POV. Don’t @ me & say “I want to write Unlimited POV w/ a 3rd person narrator” #WritingTips pic.twitter.com/CcENkU4q4I

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Want no limits whatsoever to the information you present to your readers, including all characters’ thoughts, feelings, motivations, as well as your own moral judgments on all your characters? Then you want Unlimited Point of View. https://t.co/3kO8aslkUb

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Want a narrator to tell the story? You want First Person Point of View, which limits all the information in the story to narrator’s internal life (thoughts, feelings, etc) and to what the narrator can observe of other characters’ actions. #WritingTips https://t.co/pPSstrcf6r …

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Want to limit the story to the inner life of one character (or one character at a time, in different sections)? Want more emotional distance between readers and character than First Person POV provides? You want Inner Limited POV. #WritingTips https://t.co/Hl9IKxDP5u

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Want to address the readers (or someone else who is external to the story) directly, or want the narrator to address someone (in or out of the story) directly and NOT in dialogue? Then you want Second Person POV, even if it’s only temporarily. #WritingTips https://t.co/2Ye2xVURlF

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Want to pretend you’re behind a camera filming your characters without VoiceOver, never showing any of their inner lives, and limiting everything to what can be observed or heard? You want Outer Limited POV, the most challenging POV.#WritingTips https://t.co/56E7PLOFUG

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Want to grow artistically or use other POVs in order to get over writer’s block or determine which POV would best suit your work? You want to try multiple POVs, making sure you master each individual POV before you try combining them. Good luck and Happy Writing! #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) November 2, 2018

Second Person Point of View

Don’t confuse POV with things that have nothing to do with POV: writing in past or present tense, using flashbacks or foreshadowing, good character development or realistic dialogue. None of those is POV and POV is not concerned with those separate writing issues. #WritingTips pic.twitter.com/OtEHUVHC8v

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Don’t confuse literary Point of View with people expressing different opinions in real life: in writing, different characters’ views of the same events is Perspective, not POV. Point of View is HOW something is written, and there are very few POVs in writing. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Points of View
• Unlimited, in grammatical 3rd person: he, she, it, they
• First Person, in grammatical 1st person: I, we
• Inner Limited, in 3rd person: he, she, it, they
• Second Person, in 2nd person: you
• Outer Limited, in 3rd person: he, she, it, they #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Unlimited POV, in grammatical 3rd person (he, she, it, they). Sometimes called “God” or omniscient POV. No limits to the information the author provides to readers, including ALL characters’ thoughts, motivations, feelings, pasts, moral judgment. Can be ambiguous.#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

First Person POV, in grammatical 1st person (I, we). The only POV with a narrator. Everything in story is LIMITED to what the narrator thinks, feels, etc and what s/he can observe about other characters’ actions/behavior. Narrators can be reliable or unreliable. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Inner Limited POV, in grammatical 3rd person (he, she, it, they). LIMITED to the INNER life (thoughts, feelings, motivations) of ONE character (or 1 character at a time, different sections). Similar to First Person POV limitations but creates more emotional distance.#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Second Person Point of View, in grammatical 2 person (you). Only a POV when it is NOT used in dialogue. The “you” indicates a direct address, and someone specific is being addressed in the work. If you use Second Person POV, you must know who is being addressed. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

In Unlimited POV, if the author intentionally switches to Second Person POV, the author is addressing someone OUTSIDE the work. The default audience for the “you” being directly addressed by the author is always the readers. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

In Unlimited POV, switch to “you” of Second Person POV can be humanity in general, specific historical, political, fictional, or well well-known figures OUTSIDE the work who are NOT the readers of the work. Readers must be able to tell who is addressed by the “you.” #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

When an author switches from Unlimted POV to Second Person POV, it is generally considered that the author is the one addressing the “you” outside the work, whether or not “you” is the readers themselves, and the author must have a reason for doing so. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

When the novel was a new art form, many authors used Second Person POV to address the readers directly & bring them into the story. This technique makes the readers more aware of author as storyteller. For this reason, many post-modern or experimental writers do it. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

He lived in Ohio all his life, but no one can understand Midwest values unless he’s lived there = Unlimited POV

He’s lived in Ohio all his life, but you can’t understand Midwest value unless you’ve lived there = Unlimited POV with a switch to Second Person POV#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Early novelists often included First Person POV w Second Person POV, reminding readers that authors = storytellers.

He lived in Ohio all his life, but I assure you that you can’t understand Midwest values unless you’ve lived there = Unlimted + First + Second POV#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

You lived in Ohio all your life, and you cannot understand Midwest values unless you’ve lived there = Second Person POV but there are 2 different “you” here

“You” has become both the subject of story AND anyone reading story. This can distance readers emotionally.#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

First Person POV, in grammatical 1st person (I, we) has a narrator who is telling the narrator’s version of events. If the narrator addresses a “you” and does NOT do it in dialogue, the narrator can be addressing another actual or implied character in the story. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

He wished he could tell them he loved them, but he was afraid = Unlimited POV
I wished I could tell them I loved them, but I was afraid = First Person POV
You wished you could tell them you loved them, but you were afraid = Second Person POV #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

I wished I could tell you that I loved you, but I was afraid = First Person POV with narrator directly addressing SOMEONE as “you” but NOT in dialogue which means author switched briefly to Second Person POV to emphasize narrator’s awareness of self as storyteller. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

I wished I could tell you that I loved you, but I was afraid
Second Person POV means narrator is talking to someone not there with him (otherwise it would be in dialogue). The “you” in that sentence could be readers, other implied/actual characters, famous persons. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Whether the bulk of the work is written in Unlimited POV (he, she, it, they) or First Person (I, we), the author must know the identity of the “you” being directly addressed AND make it clear to the readers when switching to Second Person POV (you), however briefly. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

You must have a reason for switching from your chosen POV to another. If you don’t have a reason, readers will quickly figure out you don’t know what you’re doing. If you have a reason but readers can’t figure it out, they’ll assume you don’t know what you’re doing. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Advantages of Second Person POV: when “you” addresses readers, they may feel they are part of the author’s storytelling process so may feel more connected to characters
Disadvantage: makes readers more aware of PROCESS of storytelling, creating emotional distance #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

When Second Person POV is used within First Person POV, the narrator is addressing someone, NOT the author. Famous, often misinterpreted example: Jane Eyre’s “Reader, I married him” is narrator Jane, obviously WRITING her story, telling reader she married Rochester #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

When the narrator of LOLITA says that his wife asked him to leave the room and says, “Reader, I did,” it is the NARRATOR of the story who tells his reading audience that he left the room, NOT the author Nabokov telling the book’s readers that he went out of a room. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Jay McInerney’s novel Bright Lights, Big City is written entirely in Second Person POV, which actually is part of what makes its story of a drug addict more successful since the author is involving readers by addressing them directly. Here’s the opening paragraph #WritingTips pic.twitter.com/7tg0iGs1sT

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Second Person POV Advantages: makes readers more consciously aware of storytelling process, which could make them feel more connected to author
Second Person POV Disadvantages: makes readers more consciously aware of storytelling process, distancing them emotionally #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Second Person Point of View:
• written in grammatical 2nd person: you
• directly addresses a “you” NOT in dialogue
• author must make “you” clear to readers
• default “you” audience = readers
• other “you” audiences = people outside story, characters in story #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Don’t want any limits on the information you provide to your readers? Then you want to write in Unlimited Point of View. Missed those #WritingTips? Here they are: Unlimited Point of Viewhttps://t.co/3kO8asCVLJ

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Want the emotional intimacy (and possible unreliability) of a narrator? Then you want First Person Point of View so you can limit the readers’ view of the story to the version inside the narrator’s head. Missed the #WritingTips? First Person Point of Viewhttps://t.co/pPSstrtPXZ

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

Want the readers to understand all the complex workings of a character’s thoughts and feelings but don’t want them to be as emotionally connected as they’d be to a narrator? Try Inner Limited Point of View. Missed those #WritingTips? Inner Limited POV: https://t.co/Hl9IKxmdGU

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

I’m only doing #writingtips for one POV each week. Want to know more before next week? Want examples? check out Who’s Afraid of Point of View?https://t.co/112r8aTYFk

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 21, 2018

♦

Related Posts

Unlimited Point of View
#writingtips

First Person Point of View
#writingtips

Inner Limited Point of View
#writingtips

Who’s Afraid of Point of View?

Myths about Point of View

Writing Tips
(all my #writingtips on one page)

First Person Point of View

Don’t confuse POV with things that have nothing to do with POV: writing in past or present tense, using flashbacks or foreshadowing, good character development or realistic dialogue. None of those is POV and POV is not concerned with those separate writing issues. #WritingTips pic.twitter.com/ArFAPPVGao

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

Don’t confuse literary Point of View with people expressing different opinions in real life: in writing, different characters’ views of the same events is Perspective, not POV. Point of View is HOW something is written, and there are very few POVs in writing. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

Points of View
• Unlimited, in grammatical 3rd person: he, she, it, they
• First Person, in grammatical 1st person: I, we
• Inner Limited, in 3rd person: he, she, it, they
• Second Person, in 2nd person: you
• Outer Limited, in 3rd person: he, she, it, they #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

Unlimited POV is the only one without any limits to the information an author can give readers about the characters, including all their thoughts, feelings, motivations, history, etc. All other POVs are limited in some way. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

If you want NO LIMITS to the information you can provide readers, you should use Unlimited POV. All other POVs have limits: if you choose to write in any other POV besides Unlimited, you are also voluntarily choosing to follow the limitations of those other POVs.#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

Please don’t tell me that you don’t want to follow the writing tips for other POVs. Just write in Unlimited POV. These aren’t “rules” but guidelines for writers who want to challenge themselves artistically. If you don’t want to do that, use Unlimited POV. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

First Person Point of View is written in grammatical 1st person (I, we) and is the only POV with a narrator. This is a LIMITED POV. You can only present your narrator’s thoughts, feelings, motivations, history, etc. You (and your readers) are IN your narrator’s head.#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

If you choose First Person POV, then you are choosing to LIMIT your view of the story’s events to the perspective of your chosen narrator. Unless your narrator can read others’ minds, you cannot show their thoughts or feelings unless they are spoken aloud or written.#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

If you wish to show multiple PERSPECTIVES of same events in your story, then you need to change POVs or clearly change perspective. You can have multiple Fist Person POV sections, but it must be clear to readers who the “I” in each section (chapter, part, etc) is. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

First Person POV is considered the most intimate POV since readers get to know absolutely everything about the narrator’s feelings, thoughts, and motivations: they view all the events from the narrator’s perspective. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

First Person POV seems like it would be the easiest POV because writers think they just have to write down everything their narrator thinks, but this POV is the one most new writers accidentally lapse in when they tell something their narrator could not know. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

When writers lapse from their chosen POV, they have revealed information to readers that is not available to the other characters in the limited POV they’ve chosen to write in. In First Person POV, such information is not available to the narrator telling the story. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

He regarded me with his usual expression, and it angered me = First Person POV

He regarded me with disdain, and it angered me = LAPSE from First Person POV

The narrator cannot know what someone else is feeling & “disdain” is narrator’s interpretation. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

This doesn’t mean you cannot ever show your narrator’s interpreting or misinterpreting others’ feeling or reactions but you must make it clear that it is the narrator’s interpretation or readers will think you have lapsed from your chosen POV.#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

He regarded me with his usual expression, and it angered me = First Person POV

He SEEMED TO regard me with disdain, and it angered me = First Person POV = NOT a lapse from POV since it’s clear narrator is interpreting expression so still limited to chosen POV#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

After I spoke, he SEEMED angry (he ACTED angry, he LOOKED angry) = First Person POV because narrator interpretation is clear

After I spoke, he WAS angry = LAPSE in First Person POV because the narrator cannot know another’s feelings unless the other TELLS narrator#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

First Person POV can use plural grammatical 1st person (we) to indicate group-think, when narrator identifies with a group with same feelings.

I hated them = narrator
We hated them = narrator sees himself as part of a larger group who thinks & feels the same way#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

A narrator can be either reliable or unreliable. If the readers deem a narrator reliable, it means that, for the most part, readers can trust what the narrator is telling them to be a reasonable interpretation of the events in the story. #WritingTps

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

If a narrator is UNRELIABLE, his interpretation and presentation of the events cannot be considered the most accurate version of the story events. It is up to the author to present evidence that the narrator is reliable or unreliable. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

Unreliable narrators are not necessarily lying: they may be unaware that there are different interpretations of the events they are describing. They may be in denial about something that another is doing, and this could make their narration unreliable. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

Dostoevsky’s NOTES FROM UNDERGROUND narrator says, “I’m lying,” seeming to indicate that he is an unreliable narrator. Later, he says, “I lied when I said I was lying,” which would seem to indicate he is telling the truth, though he is still not a reliable narrator. #WrtingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

It is up to the author to make it clear to the readers whether a narrator is reliable or unreliable, i.e., if the narrator’s story can be considered an accurate portrayal of events, but unreliable narrators are considered more psychologically realistic. #WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

First Person Point of View
• uses grammatical 1st person I, we
• only POV with a narrator
• limited to what the narrator thinks, feels, sees, hears, remembers, interprets
• readers in narrator’s head
• a narrator can be reliable or unreliable
* most intimate POV#WritingTips

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) September 7, 2018

♦

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