“Predators Far and Near,” the second episode of Showtime’s third season of its horror classic Penny Dreadful, created and written by John Logan, once again showed us that every character wears a mask in order to get what he most desires. From Sir Malcolm’s Apache guide Kaetenay to Ethan Chandler, from Dorian Gray to Lily and Victor Frankenstein, from Vanessa to Dr. Steward and Dr. Sweet, everyone wears a mask to hide his evil and his secrets. And, as expected, it’s when the characters take off those masks that we viewers get the frights and the shudders.
Dorian & Lily
In season 1, the storyline of Dorian Gray (Reeve Carney) was virtually completely separate from those of the other characters. Though Dorian and Vanessa (Eva Green) had some interactions, one of them sexual, Dorian existed at the fringes of the major story: that of Vanessa, Sir Malcolm, and Ethan Chandler hunting the Creatures that had kidnapped Sir Malcolm’s daughter Mina. Dorian’s story, disconnected as it was — and unfamiliar to viewers who had not read Oscar Wilde’s novel The Picture of Dorian Gray — was confusing, to say the least.
This confusion was eliminated in season 2 when Dorian began a relationship with the transgendered Angelique (Jonny Beauchamp), then revealed his innate cruelty when he virtually abandoned his live-in love Angelique for Lily (Billie Piper). Dorian’s previous connection with Lily was when he hired the consumptive prostitute Brona — Lily’s identity before Victor Frankenstein killed her and re-animated her as a Bride for his Creature. When Lily revealed that she remembered her previous life, that she was filled with rage against men, and that she was attracted to Dorian because of his dark side, Dorian’s story became more integral to the other events in the show.
Now, with this episode, Dorian and Lily have moved to center stage, where they jointly commit atrocities. Last night, dressed in evening finery, the two of them went into a cellar, where the Bouncer informed them there would be some “butchery.” Dorian replied, with a smile, “I believe that’s what I paid for.” In the cellar, Dorian and Lily sat in a circle of well-dressed, upper-class men, for a “show” which appeared to be a sort of “snuff film” in the flesh. A masked man brought in a naked, bound prostitute, who may have been slightly drugged. As the masked man picked up a whip to torture the girl, Dorian and Lily sprang into action, killing not only the masked man, but every one of the gentleman at the show. Dorian used a pistol and Lilly used a knife. It was gruesome but thrilling in a scary way. Then Lily walked up to the nude girl and said, “Now you are mine.”
What did these two have in mind?
They took the girl — Justine — home to Dorian’s house, where Lily is living, and the young girl awoke in a magnificent bed, wearing a silk gown. When she went downstairs, she was a bit confused, wary, and overwhelmed by the beauty of her surroundings as well as by the cultured beauty and manners of Dorian and Lilly. It was Lily who told Justine (Jessica Barden) that they are going to seek revenge-retribution for all the men “with two bob” who made the girl “kneel” to them for sexual service.
Ah, Lily’s complaint from last season, in her tirade to Frankenstein’s Creature.
Lily has a lot of anger issues, there’s no doubt about that. Instead of talk-therapy, however, she plans to use violence to make herself — and the girl-prostitue Justine — feel better. That’s right up Dorian’s alley. I mean, this is a man who killed his transgender lover Angelique after she discovered his hidden portrait, which revealed that he is an aged, ugly “monster” inside, i.e., morally, and in the portrait, while he remains young and beautiful on the outside.
Dorian rarely takes off his mask, but with Lily, he doesn’t have to: she seems to see beneath it. That makes him more comfortable with her than with any other woman he’s been with. And it makes him a perfect foil for the rage-filled, murderous Brona-turned-Lily.
I’m not sure why they need the girl to go on a killing spree, if that’s what they intend to do, but Lily told the girl that they will have a “monumental revenge” before kissing her like a lover.
Sir Malcolm, Kaetenay,
Ethan Chandler, and Inspector Rusk
Continuing the plot line introduced in the premiere of season 3, Sir Malcolm (Timothy Dalton) has joined with an Apache named Kaetenay (Wes Studi), who claims that both he and Malcolm are surrogate fathers to Ethan Chandler (Josh Hartnett). As said fathers, they are morally obligated to rescue him from Inspector Rusk the Intrepid, who extradited Ethan to America,
as well as to rescue Ethan from the brigands who, on Ethan’s father’s orders, kidnapped him in order to return him to his family home: The Talbot Range.
Last week, viewers were left with the impression that Kaetenay had Ethan’s best interests at heart. In episode two, however, after Kaetenay has a vision — he actually summoned the vision — we learned that a fierce antipathy exists between Ethan and Kaetenay, at least on Ethan’s part. Kaetenay reached out to Ethan in the vision, found him in the New Mexico Territory desert, and Ethan attacked him.
We know Ethan doesn’t like his biological father, whom we have never seen, but who is always sending Pinkertons after Ethan, but it was a surprise to learn that, even in the vision, Ethan reacted violently to Kaetenay’s presence and attacked him. Kaetenay never revealed this to Sir Malcolm. Instead, he continued wearing his “Wise Old Man” mask, and told Malcolm simply that Ethan was aware that they were coming.
Considering the fact that, in the vision, Ethan fought with Kaetenay and threatened to kill him, we were left wondering what secrets Kaetanay is keeping from Sir Malcolm. And why Kaetenay needs Sir Malcolm’s help “rescuing” Ethan. After all, Kaetenay seems an adequate warrior, as demonstrated when he helped Sir Malcolm defeat the bandits who attacked him. Kaetenay has the further ability to not only see Ethan far away in New Mexico, but to communicate with Ethan.
Ethan did not welcome Kaetenay in his vision.
He threatened to kill Kaetenay if he shows up in person.
Kaetenay did not reveal that to Sir Malcolm.
Meanwhile, in the American Southwest, Ethan is simply biding his time, waiting for the moon to turn full, when he now realizes he will turn into a Wolf-Man, so that he can indiscriminately kill anyone around him. Since he’s made it clear since his capture that he knew it was only a matter of a few days or weeks until the full moon caused his transformation, Ethan hasn’t seemed unduly distressed by his captivity. Last night, the full moon came out, Ethan changed into the Wolf, and killed virtually everyone in the place where his captors were buying supplies.
In a surprise move, the Witch Hecate helped Ethan.
Hecate (Sarah Greene) was shown eavesdropping on Rusk the Intrepid as he told US Marshals that he was the one who was going to recapture Ethan Chandler, whom he calls by his biological name, Lawrence Ethan Talbot. (The name is an homage to the 1941 Wolfman film which starred Lon Chaney Jr. as Lawrence Talbot [below], as is the makeup designed for Ethan’s character in Penny Dreadful.)
Though Ethan doesn’t appear to be able to control himself when he is on a rampage as the Wolf, he did not attack Hecate, who appeared in her Witch/NightComer guise as she helped him kill the people in the trading post. When the two of them came together at the end of the scene, Ethan-as-the-Wolf stopped before her. And she gazed up at him, mask-free, scarred and naked, and said she’d missed him.
But has she missed him because she’s drawn to Ethan’s dark side or because she wants to use him to get to Vanessa? After all, Ethan is the Lupus Dei — the Hound (or the Wolf) of God — who protects Vanessa. And Hecate is the daughter of the murdered NightComer Evelyn Poole, who was attempting to ensnare Vanessa for the Master, Lucifer.
Hecate and Ethan may seem to have faced each other without their masks, but Hecate seems to have more than a couple masks.
Watch out, Ethan
I’m guessing, considering Ethan’s curse, it should also be, Watch out, Hecate.
Poor Victor Frankenstein (Harry Treadawway, above R).
For a man who brings dead people back to life, he sure has crumbled emotionally after losing his lover Brona-turned-Lilly to Dorian Gray. Victor can’t eat, can’t sleep, can’t get off the morphine. And now he’s working with Dr. Jekyll (Shazad Latif, above L) on a way to “tame” Lilly.
In a super-cool plot complication, the casting directors of Penny Dreadful used a British-Indian actor, so he gets to rant and rage about whites viewing him only by his skin color — “once a Wog, always a Wog” — and about his being an unaccepted “half-breed,” as well as permitting his character to make other political comments about British Imperialism while appearing only to be railing about racism and his selfish, white, rich, British father (who abandoned his “exotic whore” Indian mother).
Jekyll revealed last night that he works at Bedlam, not being welcome at any other British medical institution. At Bedlam, home to the most violent, crazed, and forgotten mental patients, who are treated like prison inmates, he gets to perform experiments on them. I’ve read Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde many times, and I was still creeped out by the fact that, in Penny Dreadful, Dr. Jekyll is experimenting on mental patients rather than only on himself.
Excellent writing, Mr. Logan.
Excellent socio-political commentary woven into Jekyll’s character.
Jekyll wants to put the mask of cultivated, tamed, controlled, civilized society on the most rabid and violently dangerous patients-criminals.
Victor, who helps him inject a violent, crazed criminal, and who witnesses the transformation from violent to civilized, wants to do that to Lilly.
Oh, if only he’d read the book…
Danger, Victor Frankenstein, Danger.
To make matters worse, the love-sick Victor is stalking Lilly, sitting on a bench outside Dorian Gray’s house and watching her in her bedroom. She sees him and comes down to confront him.
Lilly warns Victor to go away, telling him that he will not like what she is becoming. We know Victor’s not going to listen to that: he wants to have Lilly-with-her-mask back in his arms and his bed again.
Despite the fact that Lilly took off her mask and told him that she is not the woman he thinks, that she is dangerous, that he would not like her, and that she is not in any way interested in him, Victor still did not get the message.
She’s taken off her mask several times.
But Victor is too blighted with unrequited love to see anything other than his unrealistic, romantic vision of her.
Much heartache and damage ahead for this fellow.
Dr Seward, and Dr. Sweet
Poor, unlucky-in-love Vanessa (Eva Green, above, bottom).
The girl simply cannot win.
Despite the fact that she thinks she is filled with evil, she really tries to be a good person. Most of the time, anyway.
Like when she’s not seducing her best friend’s fiancé on the eve of the wedding.
And when she’s not setting Sir Geoffrey’s hounds on him to kill him as revenge for his burning the Cut-Wife at the stake.
This season, Vanessa has entered therapy: it’s a “new science,” and I’m not sure what name it’s called. In any event, Dr. Seward, who has already admitted to being related to the Joan Clayton (Cut-Wife) family, pushes Vanessa to discuss things “beyond murder.”
She’s recording all Vanessa’s sessions. Ostensibly, so she’ll save herself time taking notes. But really so that, behind her back and without her knowledge, her secretary Renfield can listen to the sessions and report back to his new Master, Dracula.
Dr. Seward (Patti LuPone) did something beyond-strange in last night’s episode: at the end of the session, after Vanessa had her “homework” — to do something that gives her pleasure — and had left the office, Dr. Seward began to weep.
What on earth?
But perhaps that is, indeed, a mask Dr. Seward is wearing.
Perhaps she is more than “related” to Joan Clayton, the Cut-Wife who was burned at the stake for being a Witch.
Perhaps, at the last moment, as the flames engulfed her, the Cut-Wife learned that she did value life more than she’d realized.
Perhaps she finally made a bargain with the Devil.
To deliver Vanessa.
I can’t think of any other reason for a therapist to weep.
Something is going on behind that mask of hers.
I’m almost afeard to know exactly what it is.
To find some pleasure, Vanessa (Eva Green) returned to the Natural History Museum, where she once again encountered the rather self-centered milquetoast Dr. Alexander Sweet (Christian Camargo). Once again, he forgot her name.
How many times, I wondered, is this man going to forget the name of a woman who is startlingly unusual looking, given the standards of the time period, and who is clever, articulate, and intelligent?
Vanessa invited him out for a “show” about Captain Nemo, whom Sweet had revealed as one of his childhood heroes. He seemed to enjoy himself. When she asked him to join her for coffee afterward, he declined. Then he kissed her hand, vowing that he would never forget her name again.
Talk about mixed messages.
And Vanessa keeps coming back.
I’ve known from his character’s introduction last week that Dr. Sweet had some secret. Creator-writer John Logan is far too talented and careful to introduce a character that is a throw-away. So, it was just a matter of time until we discovered Sweet’s secret.
Until he took off his mask.
In one of most astounding reveals ever, Sweet took off his mask at the conclusion of last night’s episode.
To the viewers, not to Vanessa.
When Renfield returned to Dracula’s lair with information about Vanessa, Dracula — also known as The Master by the Lost Boys, who are following Vanessa all around the city — rewarded Renfield with some of the Master’s blood. As Renfield greedily lapped up blood from Dracula’s proffered wrist, the camera pulled up and back, revealing Dracula, who let his head fall back.
Holy Wooden Stake, Batman!
Dracula is none other than Dr. Alexander Sweet.
Talk about dropping a mask.
This milquetoast who can’t remember Vanessa’s name is the Master of Darkness on earth: Dracula?
That means he can, in fact, remember her name, because he’s been hunting her.
So, how did she just happen to end up at his museum?
Dr. Seward told Vanessa, at the end of their first session, to do something she’d never done before, and she went into the museum, where she met Dr. Sweet. Then, at the end of the next session, Seward told Vanessa to do something that would make her happy: she returned to the museum, reconnected with Dr. Sweet, asked him out for the evening, and asked him for coffee, though he declined the latter.
All this leads to many questions. Is Dr. Seward somehow connected to Dr. Sweet? He appears to be well-established at the musem, but viewers now know he is Dracula. If Dr. Seward is the Cut-Wife, Joan Clayton, did the Cut-Wife promise this Master the soul of Vanessa Ives in return for her own life? Wouldn’t the Cut-Wife have made a bargain with the Lucifer, who is the other Master in the show, reigning over Hell while his cast-out brother, Dracula, reigns on earth?
Much dropping of masks in “Predators Far and Near.”
Much shivery and shuddery happenings, my Lovelies.