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May the Lost Souls Be Found: Penny Dreadful, season 3 episode 7, “Ebb Tide,” Review and Recap

Spoilers:
Dark, Dreadful, Delish

“Ebb Tide,” the 7th episode of Showtime’s deliciously dark homage to Victorian horror literature Penny Dreadful, created and written by John Logan, left viewers breathless as it rushed down the strait, shadowy corridors toward its 2-episode, season 3 finale (Sunday 19 June). Virtually everyone was in danger, and because at least one of the storylines was neatly (and happily) tied up — without the show’s being renewed for a 4th season — I fear that the series, not just the season, may be coming to an end.

John Clare
aka The Creature
aka The Orderly

John Clare (Rory Kinnear), also known, this season, as the Orderly from the Banning Clinic, and as Frankenstein’s first Creature, visited Vanessa Ives last night, telling her he was in need of a friend. He told her he’d found his family but feared that they would reject him, given his appearance “from the accident.” Vanessa was as loving and accepting as she always is: she told him she saw the man he is inside, and urged him to give his family a chance to take him back into their lives. She also revealed that she knew the scarred man before her is the same man who was the Orderly at the Clinic. John Clare did not recall her from the time in the clinic, nor did he recall the clinic, but she assured him that he had been good to her and that she loved him for it. It was typical non-demon-possessed Vanessa: loving and accepting of the shunned, the different, the alienated.

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Part of Clare’s fear regarding his family was his own looks. Part of it was his son’s reaction from last episode: while Clare cared for the consumptive boy, who had his eyes closed, the boy spoke affectionately and longingly to his father. When the boy opened his eyes, however, he began to scream, causing Clare to run out into the streets, into an alley, where he grieved.

(These scenes as the Creature, along with those of Kinnear as the Orderly who is possessed by both Lucifer and Dracula as they attempt to seduce Vanessa, should, at the very least, garner Kinnear some award nominations. He is consistently strong and powerful in this role.)

Last night, after what seemed like hesitation but what ultimately may have been disbelief and shock, Clare’s wife threw her arms around Clare and hugged him tightly. She listened to his story, then assured him that he was the same man she had always loved. He told her he’d done things that were cruel and unnecessary — out of rage — but she said that he was now back home. Then she took him to the flat and told their son, Jake, that someone had come to visit, to stay, and Clare entered the room. The boy was silent and wide-eyed for a while, but when Clare knelt and helped with the model-ship, the boy grasped his hand, then hugged him. Clare was moved to tears, though this time from happiness over the love and acceptance of his family.

I was moved to tears, too (though it’s this happy ending for one of creator-writer Logan’s favorite characters that makes me fear, along with the fact that season 4 of Penny Dreadful has not been announced, that this may be the final season of the series).

Lily, Dorian,
Frankenstein, & Jekyll

Billie Piper has really come into her own since she was “transformed” from Brona to Lily. As Brona, she only had a relatively small part — as the consumptive lover of Ethan, as the presumptive bride-to-be of Frankenstein. As the re-animated Lily, Billie has been able to embody female rage at societal restrictions and at males’ abuse of females. Billie Piper may join Eva Green in the Emmy and Golden Globe nominations this season.

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Over at La Maison Gray, Lily (Billie Piper) gave the entire graduating class of Whore University their first “world experience” assignment: find “a bad man” and cut off his right hand. Dorian looked mighty uncomfortable as all the whores cheered.

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Next scene with the group, the women were “blood-drunk” and having an orgy,

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while a pile of bloody hands was shown on the table. Dorian seemed repulsed, though that may not be the right word for the look on his face, since he’s not a man who is easily revolted. Justine (Jessica Barden) asked him for a dance, which he declined, then taunted him about his manners, which are always perfect and upper-class.

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Dorian confronted her and eventually grabbed her throat; he told her that she was just learning the language of violence but he’d written the book on it; he called her “Kitten” and told her that if she wanted to play with him, she’d better show him her claws.

Since Dorian has his portrait to help him maintain immortality, Justine will not be able to defeat him. If she tries to kill him, it will just make a wound in the portrait, which viewers rarely get to see anyway, and which I know more about from the novel on which Dorian’s character is based than on the show itself. Take my word for it, however: the hidden portrait is the secret of Dorian’s longevity, beauty, and disdain for the rest of the world. I don’t believe Lily knows about it. Justine certainly doesn’t. If she did, she wouldn’t waste her time threatening Dorian: she’d just destroy the portrait, which would kill Dorian.

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Later, walking with Lily, Dorian told her that he was bored with her “revolution,” having been through so many of them before, and that one of them “had to change.” Then a carriage stopped and out jumped Victor Frankenstein (Harry Treadaway, below R) with Jekyll (Shazad Latif, below L) driving.

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Dorian seemed to be doing just another break-up with one of the women in his life, but he was actually helping Frankenstein and Jekyll kidnap Lily and take her to Bedlam. When she recovered consciousness, she was understandably frightened, and that was before she discovered that she was chained by the ankle. Bedlam (St. Bethlehem’s) is such a frightening institution that even Americans know what “Bedlam” stands for: insanity, imprisonment, no escape. Lily was reduced to “rebelling” by calling Dorian the nastiest name she could think of for a man, which he found amusing. Then the Boys told her they were going to “cure her, make her well, restore her,” etc.

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With fear on her face, Lily asked them what they were going to make her “better than,” and told Victor again that he had been the happy one in their relationship: not both of them, i.e., not Lily herself. They ended the scene with the nightmare-words heard by every woman who has ever not fit into society’s prescribed female role: we’re going to make you a proper lady.

Nightmare-City, Lil.

Ethan, Sir Malcolm,
& Kaetenay

Back in the Spanish-desert-pretending-to-be-the-American-Southwest, Ethan (Josh Hartnett), no longer dressed like Zorro but now going hatless in the desert heat, and his Apache surrogate father Kaetenay (Wes Studi), also hatless, argued about whether or not Ethan was “done with Hell.” Ethan claimed that he was, but Kaetenay informed Ethan that Hell wasn’t done with him. It was one of the better lines of the evening.

Then Kaetenay proved his status as the current season’s Wise Old Man archetype by falling back against a fence and having a vision.

A vision of Vanessa, whom he doesn’t even know.

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In the vision, Kaetenay saw Ethan return to Vanessa, whom he loves, as he informed Kaetenay last night. (And viewers finally got to see the much-anticipated “reunion” of Ethanessa: these photos have been circulating the ‘Net since before the series began its third season.)

The doomed couple’s feelings for each other are still strong.

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However, when Ethan went to Vanessa in the vision, though they love each other, she told him it was “too late.” Then the Lost Boys broke through the windows of Sir Malcolm’s mansion, where Vanessa is now living alone.

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That first vision was involuntary. Once Sir Malcolm (Timothy Dalton, below, background), Ethan, and Kaetenay were on the ship, Kaetenay induced a vision with his “bones” and “trinkets.”

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In this vision, Kaetenay himself was with Vanessa. At first, he seemed to want to help her.

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Then he called her a few TV-MA-rated words, saying that he loved her for who she was. That seems to be Vanessa’s theme song this season, although it may have always been her tune.

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In any event, Kaetenay ended the vision by saying that he knew Vanessa was made for the “day,” not for the night. Her eyes turned red like the vampire-Creature’s as she told him he was mistaken.

Kaetenay was freaked by the vision. He told Malcolm to get the Captain to hurry up, ’cause, you know, if you have a boatload of monies, you can get a ship to go faster across the Atlantic…

Anyhow, while Kaetenay was taking a post-vision nap in the cabin, Sir Malcolm (Timothy Dalton) and Ethan got caught up on some surrogate-father-son bonding, each revealing that they now feel themselves family to each other. It was a touching moment, but it made me wonder which one of them is going to get killed in the finale.

Not that I want to lose either of them: Ethan is, after all, the Lupus Dei, the Hound of God that protects Vanessa from Lucifer and Dracula, as well as an important component of Ethanessa; and Malcolm is, well, he’s played by Timothy Dalton, the only really sexy man my age on the show… sigh…

Vanessa & Dracula et al

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 In addition to appearing in Kaetenay’s visions, Vanessa was briefly mentioned by Dr. Seward (Patti LuPone), who was listening to the recordings made while Vanessa was hypnotized. Seward thought she was alone in the office at night, but Renfield (Samuel Barnett), in a super-spooky scene, appeared at the doorway.

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After Seward claimed that Vanessa was a multiple personality — in a serious breech of professional ethics, even if it was a new field –Renfield startled Seward with his creepy, non-sensical talk (à la the Lost Boy who cornered Vanessa in the Hall of Mirrors and told her that the Master had already visited her in the White Room).

If Dr. Seward is more than she seems to be, or if she has any of her “ancestor” Joan Clayton the Cut-Wife in her, Seward better do something quick, or Renfield is going to have her as his “sweetie,” and I don’t mean in the metaphorical or romantic sense, but in the same way as he meant when he asked Dracula for some “sweeties” and gorged himself, with Dracula’s permission, on the body of the dead man hanging in the warehouse.

The actor playing Renfield doesn’t have much of a part, but Barnett does a super-creepy job with his few scenes. Renfield is traditionally portrayed as deranged — that’s how he is after his encounter with Dracula in the Bram Stoker novel — and Penny Dreadful’s Renfield seemed to be going that direction earlier this season when he was sitting at his desk, writing Vanessa over and over and over, right before he snatched up and fly and crammed it into his mouth. Last night’s episode let the actor revel in the creepity-creeps while still acting scared bloodless himself by the appearance of his Master, Dracula. Renfield crawled up to the sleeping Vanessa (Eva Green), posed like Sleeping Beauty on a Victorian Fainting Couch in the Museum, licked her neck, then appeared to be about to bite her with his baby vampire teeth…

But wait…

Who’s that creeping up behind you, Renfield?

 A not too happy Dracula, still in the guise of Dr. Sweet (Christian Camargo).

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I gotta tellya, having grown up in the fang-baring, cape-as-bat-wings, bug-eyed era of Dracula (Bela Lugosi, in his iconic role, below),

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I’m fascinated by Camargo’s performance as the Master of all Darkness on the face of the earth. He rarely raises his voice, only occasionally tosses minions across rooms, and seldom is seen is the presence of extremely-recently-dead creatures. Furthermore, when the recently dead animals are human, this Master of Darkness on the earth is not feeding on the humans himself: instead, he’s talking about Vanessa.

No matter what the love-of-his-undead-life Vanessa tells him, like that “a Creature” is seeking her for his bride,

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Camargo doesn’t blink an eye.

Metaphorically, that is.

And his sexier-than-dark-chocolate voice is super-duper-calm when he asks her quasi-outré things (that he already knows the answer to), like, “And does this Creature have a name?

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Yowza!

This is why I’m a writer and not an actor. How does Camargo do it? I don’t have a clue, but he’s really spooky good at it, my lovely Dreadfuls. With writer John Logan’s script as the basis, Camargo has totally re-invented Dracula and put new spin on the spook factor.

But back to “Ebb Tide”…

Eva Green as Vanessa Ives and Samuel Barnett as Renfield in Penny Dreadful (season 3, episode 7). - Photo: Patrick Redmond/SHOWTIME - Photo ID: PennyDreadful_307_0478

Renfield was doing the kissy-neck on Sleeping Beauty when Dracula (Christian Camargo) walked in behind Renfield, grabbed him by the throat, lifted him off the ground — just enough to let the minion know that the Master was none too happy about the physical-sexual intimacy with the Girl of his dreams — and, while holding Renfield by the throat, Dracula ever so slightly shook his head in warning.

You can bet Renfield took off as soon as Dracula released him.

Then Dracula played the lovey-dovey-sweetie role for Vanessa, who said he was “too good” to her, to which Dracula-Sweetie replied, “I hope you’ll always think that.”

Poor girl.

Reeled in by the very best of them.

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Back at Sir Malcolm’s Manse, Vanessa has been doing all this research on Dracula, which the thanatologist Catriona Hartdegen (Perdita Weeks) dismisses as superstition, myth, literature, and a lot like “reading the Bible for history.”

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Cat  then told Van that Dracula would be “unexceptionable” so that he would, in effect, blend in. I mis-heard that line originally, thinking she said “unremarkable,” and it made me laugh since Camargo as Sweet-Dracula is most decidedly not “unremarkable looking.” His eyes alone are “remarkable,”

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and his voice is unusual enough to make him stand out.

Note: When I watched “Ebb Tide”  for the third time, I realized that Cat said “unexceptional” rather than “unremarkable.” I tried to think only of the character instead of the actor playing Dracula. Is the Director of the Natural History Museum “unexceptional”? I understand what Cat was trying to tell Vanessa, but it seemed an odd choice of words: whether it’s “unexceptional” or understood as “unremarkable:” Cat was telling Vanessa that Dracula will blend in. (Okay, perhaps it’s being picky, but when things bounce out at you like that, it means that something is “off,” whether or not you originally mis-heard the line. Thus, my reaction to the line.) End Note.

That issue aside, when Cat tells Vanessa that Dracula will “live among the Night Creatures,” you can bet she recalls that Dr. Sweet is preparing an exhibition of the Night Creatures — how can she forget since that’s where the two of them made passionate love and spent the night together?

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Now Vanessa knows that Dr. Sweet and Dracula — the mild-mannered milquetoast who kept forgetting her name, and the Dark Master of the earthly realm who has been seeking her — are one and the same. Armed in a low-cut gown and sporting a pistol, Vanessa returns to the museum to confront Sweet.

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He’s waiting for her.

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She makes the mistake that far too many people with pistols in dramas make: she doesn’t go ahead and shoot. She talks to him first. She tells him how hurt she is, how truly cruel he is (even more so than she ever imagined he would be), how he twisted her heart, blah blah blah. 

First mistake in drama when a character has a pistol: too much talk.

Then Vanessa makes an even more serious mistake: she lets him talk.

Oh, Vanessa, when will you learn not to listen to the Darkness?

Of course, he tells everything she wants to hear.

He tells her everything she’s always wanted to hear.

He loves her just as she is, how he doesn’t want her to change for him, how he doesn’t want her to be as society-family-doctors expect her to be, how he doesn’t even want her to be good, how he wants her just the way she is.

He admits that he was “seeking” her, but insists that he fell in love instead.

He doesn’t want her to “serve him” — instead, he wants to “serve” her, as the Mother of All Darkness…

Oy, vey, what red-blooded woman could resist?

Even if their union would start the Apocalypse.

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Meanwhile, with every line, he’s walking closer and closer.

She points the gun at him.

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He tells her to go ahead and shoot, saying something like, if he can’t have her the way he wants, then what’s the point of living any longer?

Does she shoot him?

No, she does not.

Instead, she lets him get even closer, like this.

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He keeps right on talking in that sexy-smooth totally “unexceptional” (cough, cough) voice that he has, telling her that she’s all he’s ever wanted, and that he only wants her just the way she is. He tells her that she will never be alone again. He says he will love her until “time ceases to exist.”

He keeps talking in that unexceptional voice until she’s like this:

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“Do you accept me?” he says.

“I accept,” she says, “myself.”

Dracula bares his teeth and bites her neck.

Vanessa’s voice comes over the two of them — as they stand there in some sort of erotic ecstasy — saying something about the end of life-as-we-know-it on earth and all the Darkness in the universe settling on the face of the world or something very like that.

If Logan had made that the cliff-hanger, I would’ve gone berserkers.

Fortunately, though season 4 of Penny Dreadful has not yet been announced and though the Creature’s storyline seems to have closed for all time and on a happy note, we have at least one more, 2-hour, season finale episode remaining.

Be there, my Dreadfuls, or be very scared.

Related Posts

Loving the Darkness:
Penny Dreadful, Season 3, Episodes 5-6,
Review and Recap

Embracing the Darkness:
Penny Dreadful, Season 3, Episode 4,
Review and Recap of “A Blade of Grass”

No Mercy Anywhere:
Penny Dreadful, season 3 episode 4,
“Good and Evil Braided Be,”
Review and Recap

Behind the Masks:
Penny Dreadful, Season 3, Episode 2,
“Predators Far and Near,”
Review and Recap

All the Unloved Ones:
Penny Dreadful, Season 3 Premiere,
“The Day Tennyson Died,”
Review and Recap

When Lucifer Fell:
My Penny Dreadful Blogs,
Seasons 1-2, Review and Recap

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Behind the Masks: Penny Dreadful s3 e2, Review & Recap “Predators Far and Near”

Spoilers
Most Dreadful

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“Predators Far and Near,” the second episode of Showtime’s third season of its horror classic Penny Dreadful, created and written by John Logan, once again showed us that every character wears  a mask in order to get what he most desires. From Sir Malcolm’s Apache guide Kaetenay to Ethan Chandler, from Dorian Gray to Lily and Victor Frankenstein, from Vanessa to Dr. Steward and Dr. Sweet, everyone wears a mask to hide his evil and his secrets. And, as expected, it’s when the characters take off those masks that we viewers get the frights and the shudders.

Dorian & Lily

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In season 1, the storyline of Dorian Gray (Reeve Carney) was virtually completely separate from those of the other characters. Though Dorian and Vanessa (Eva Green) had some interactions, one of them sexual, Dorian existed at the fringes of the major story: that of Vanessa, Sir Malcolm, and Ethan Chandler hunting the Creatures that had kidnapped Sir Malcolm’s daughter Mina. Dorian’s story, disconnected as it was — and unfamiliar to viewers who had not read Oscar Wilde’s novel The Picture of Dorian Gray — was confusing, to say the least.

This confusion was eliminated in season 2 when Dorian began a relationship with the transgendered Angelique (Jonny Beauchamp), then revealed his innate cruelty when he virtually abandoned his live-in love Angelique for Lily (Billie Piper). Dorian’s previous connection with Lily was when he hired the consumptive prostitute Brona — Lily’s identity before Victor Frankenstein killed her and re-animated her as a Bride for his Creature. When Lily revealed that she remembered her previous life, that she was filled with rage against men, and that she was attracted to Dorian because of his dark side, Dorian’s story became more integral to the other events in the show.

Now, with this episode, Dorian and Lily have moved to center stage, where they jointly commit atrocities. Last night, dressed in evening finery, the two of them went into a cellar, where the Bouncer informed them there would be some “butchery.” Dorian replied, with a smile, “I believe that’s what I paid for.” In the cellar, Dorian and Lily sat in a circle of  well-dressed, upper-class men, for a “show” which appeared to be a sort of “snuff film” in the flesh. A masked man brought in a naked, bound prostitute, who may have been slightly drugged. As the masked man picked up a whip to torture the girl, Dorian and Lily sprang into action, killing not only the masked man, but every one of the gentleman at the show. Dorian used a pistol and Lilly used a knife. It was gruesome but thrilling in a scary way. Then Lily walked up to the nude girl and said, “Now you are mine.”

Yowza!

What did these two have in mind?

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They took the girl — Justine — home to Dorian’s house, where Lily is living, and the young girl awoke in a magnificent bed, wearing a silk gown. When she went downstairs, she was a bit confused, wary, and overwhelmed by the beauty of her surroundings as well as by the cultured beauty and manners of Dorian and Lilly. It was Lily who told Justine (Jessica Barden) that they are going to seek revenge-retribution for all the men “with two bob” who made the girl “kneel” to them for sexual service.

Ah, Lily’s complaint from last season, in her tirade to Frankenstein’s Creature.

Lily has a lot of anger issues, there’s no doubt about that. Instead of talk-therapy, however, she plans to use violence to make herself — and the girl-prostitue Justine — feel better. That’s right up Dorian’s alley. I mean, this is a man who killed his transgender lover Angelique after she discovered his hidden portrait, which revealed that he is an aged, ugly “monster” inside, i.e., morally, and in the portrait, while he remains young and beautiful on the outside.

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Dorian rarely takes off his mask, but with Lily, he doesn’t have to: she seems to see beneath it. That makes him more comfortable with her than with any other woman he’s been with. And it makes him a perfect foil for the rage-filled, murderous Brona-turned-Lily.

I’m not sure why they need the girl to go on a killing spree, if that’s what they intend to do, but Lily told the girl that they will have a “monumental revenge” before kissing her like a lover.

Sir Malcolm, Kaetenay,
Ethan Chandler, and Inspector Rusk

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Continuing the plot line introduced in the premiere of season 3, Sir Malcolm (Timothy Dalton) has joined with an Apache named Kaetenay (Wes Studi), who claims that both he and Malcolm are surrogate fathers to Ethan Chandler (Josh Hartnett). As said fathers, they are morally obligated to rescue him from Inspector Rusk the Intrepid, who extradited Ethan to America,

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as well as to rescue Ethan from the brigands who, on Ethan’s father’s orders, kidnapped him in order to return him to his family home: The Talbot Range.

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Last week, viewers were left with the impression that Kaetenay had Ethan’s best interests at heart. In episode two, however, after Kaetenay has a vision — he actually summoned the vision — we learned that a fierce antipathy exists between Ethan and Kaetenay, at least on Ethan’s part. Kaetenay reached out to Ethan in the vision, found him in the New Mexico Territory desert, and Ethan attacked him.

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We know Ethan doesn’t like his biological father, whom we have never seen, but who is always sending Pinkertons after Ethan, but it was a surprise to learn that, even in the vision, Ethan reacted violently to Kaetenay’s presence and attacked him. Kaetenay never revealed this to Sir Malcolm. Instead, he continued wearing his “Wise Old Man” mask, and told Malcolm simply that Ethan was aware that they were coming.

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Considering the fact that, in the vision, Ethan fought with Kaetenay and threatened to kill him, we were left wondering what secrets Kaetanay is keeping from Sir Malcolm. And why Kaetenay needs Sir Malcolm’s help “rescuing” Ethan. After all, Kaetenay seems an adequate warrior, as demonstrated when he helped Sir Malcolm defeat the bandits who attacked him. Kaetenay has the further ability to not only see Ethan far away in New Mexico, but to communicate with Ethan.

Ethan did not welcome Kaetenay in his vision.

He threatened to kill Kaetenay if he shows up in person.

Kaetenay did not reveal that to Sir Malcolm.

More masks.

More secrets.

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Meanwhile, in the American Southwest, Ethan is simply biding his time, waiting for the moon to turn full, when he now realizes he will turn into a Wolf-Man, so that he can indiscriminately kill anyone around him. Since he’s made it clear since his capture that he knew it was only a matter of a few days or weeks until the full moon caused his transformation, Ethan hasn’t seemed unduly distressed by his captivity. Last night, the full moon came out, Ethan changed into the Wolf, and killed virtually everyone in the place where his captors were buying supplies.

Virtually everyone.

In a surprise move, the Witch Hecate helped Ethan.

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Hecate (Sarah Greene) was shown eavesdropping on Rusk the Intrepid as he told US Marshals that he was the one who was going to recapture Ethan Chandler, whom he calls by his biological name, Lawrence Ethan Talbot. (The name is an homage to the 1941 Wolfman film which starred Lon Chaney Jr. as Lawrence Talbot [below], as is the makeup designed for Ethan’s character in Penny Dreadful.)

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Though Ethan doesn’t appear to be able to control himself when he is on a rampage as the Wolf, he did not attack Hecate, who appeared in her Witch/NightComer guise as she helped him kill the people in the trading post. When the two of them came together at the end of the scene, Ethan-as-the-Wolf stopped before her. And she gazed up at him, mask-free, scarred and naked, and said she’d missed him.

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Very romantic.

But has she missed him because she’s drawn to Ethan’s dark side or because she wants to use him to get to Vanessa? After all, Ethan is the Lupus Dei — the Hound (or the Wolf) of God — who protects Vanessa. And Hecate is the daughter of the murdered NightComer Evelyn Poole, who was attempting to ensnare Vanessa for the Master, Lucifer.

Hecate and Ethan may seem to have faced each other without their masks, but Hecate seems to have more than a couple masks.

Watch out, Ethan

I’m guessing, considering Ethan’s curse, it should also be, Watch out, Hecate.

Frankenstien, Jekyll,
and company

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Poor Victor Frankenstein (Harry Treadawway, above R).

For a man who brings dead people back to life, he sure has crumbled emotionally after losing his lover Brona-turned-Lilly to Dorian Gray. Victor can’t eat, can’t sleep, can’t get off the morphine. And now he’s working with Dr. Jekyll (Shazad Latif, above L) on a way to “tame” Lilly.

As if…

Snort.

In a super-cool plot complication, the casting directors of Penny Dreadful used a British-Indian actor, so he gets to rant and rage about whites viewing him only by his skin color — “once a Wog, always a Wog” — and about his being an unaccepted “half-breed,” as well as permitting his character to make other political comments about British Imperialism while appearing only to be railing about racism and his selfish, white, rich, British father (who abandoned his “exotic whore” Indian mother).

Jekyll revealed last night that he works at Bedlam, not being welcome at any other British medical institution. At Bedlam, home to the most violent, crazed, and forgotten mental patients, who are treated like prison inmates, he gets to perform experiments on them. I’ve read Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde many times, and I was still creeped out by the fact that, in Penny Dreadful, Dr. Jekyll is experimenting on mental patients rather than only on himself.

Excellent writing, Mr. Logan.

Excellent socio-political commentary woven into Jekyll’s character.

Jekyll wants to put the mask of cultivated, tamed, controlled, civilized society on the most rabid and violently dangerous patients-criminals.

Victor, who helps him inject a violent, crazed criminal, and who witnesses the transformation from violent to civilized, wants to do that to Lilly.

Oh, if only he’d read the book…

Danger, Victor Frankenstein, Danger.

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To make matters worse, the love-sick Victor is stalking Lilly, sitting on a bench outside Dorian Gray’s house and watching her in her bedroom. She sees him and comes down to confront him.

Lilly warns Victor to go away, telling him that he will not like what she is becoming. We know Victor’s not going to listen to that: he wants to have Lilly-with-her-mask back in his arms and his bed again.

Despite the fact that Lilly took off her mask and told him that she is not the woman he thinks, that she is dangerous, that he would not like her, and that she is not in any way interested in him, Victor still did not get the message.

She’s taken off her mask several times.

But Victor is too blighted with unrequited love to see anything other than his unrealistic, romantic vision of her.

Much heartache and damage ahead for this fellow.

Vanessa Ives,
Dr Seward, and Dr. Sweet

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Poor, unlucky-in-love Vanessa (Eva Green, above, bottom).

The girl simply cannot win.

Despite the fact that she thinks she is filled with evil, she really tries to be a good person. Most of the time, anyway.

Like when she’s not seducing her best friend’s fiancé on the eve of the wedding.

And when she’s not setting Sir Geoffrey’s hounds on him to kill him as revenge for his burning the Cut-Wife at the stake.

This season, Vanessa has entered therapy: it’s a “new science,” and I’m not sure what name it’s called. In any event, Dr. Seward, who has already admitted to being related to the Joan Clayton (Cut-Wife) family, pushes Vanessa to discuss things “beyond murder.”

Like sin.

She’s recording all Vanessa’s sessions. Ostensibly, so she’ll save herself time taking notes. But really so that, behind her back and without her knowledge, her secretary Renfield can listen to the sessions and report back to his new Master, Dracula.

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Dr. Seward (Patti LuPone) did something beyond-strange in last night’s episode: at the end of the session, after Vanessa had her “homework” — to do something that gives her pleasure — and had left the office, Dr. Seward began to weep.

What on earth?

But perhaps that is, indeed, a mask Dr. Seward is wearing.

Perhaps she is more than “related” to Joan Clayton, the Cut-Wife who was burned at the stake for being a Witch.

Perhaps, at the last moment, as the flames engulfed her, the Cut-Wife learned that she did value life more than she’d realized.

Perhaps she finally made a bargain with the Devil.

To deliver Vanessa.

I can’t think of any other reason for a therapist to weep.

Something is going on behind that mask of hers.

I’m almost afeard to know exactly what it is.

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To find some pleasure, Vanessa (Eva Green) returned to the Natural History Museum, where she once again encountered the rather self-centered milquetoast Dr. Alexander Sweet (Christian Camargo). Once again, he forgot her name.

How many times, I wondered, is this man going to forget the name of a woman who is startlingly unusual looking, given the standards of the time period, and who is clever, articulate, and intelligent?

Vanessa invited him out for a “show” about Captain Nemo, whom Sweet had revealed as one of his childhood heroes. He seemed to enjoy himself. When she asked him to join her for coffee afterward, he declined. Then he kissed her hand, vowing that he would never forget her name again.

Talk about mixed messages.

And Vanessa keeps coming back.

penny-dreadful-season-3-episode-2-christian-camargo-eva-green

I’ve known from his character’s introduction last week that Dr. Sweet had some secret. Creator-writer John Logan is far too talented and careful to introduce a character that is a throw-away. So, it was just a matter of time until we discovered Sweet’s secret.

Until he took off his mask.

In one of most astounding reveals ever, Sweet took off his mask at the conclusion of last night’s episode.

To the viewers, not to Vanessa.

When Renfield returned to Dracula’s lair with information about Vanessa, Dracula — also known as The Master by the Lost Boys, who are following Vanessa all around the city — rewarded Renfield with some of the Master’s blood. As Renfield greedily lapped up blood from Dracula’s proffered wrist, the camera pulled up and back, revealing Dracula, who let his head fall back.

Holy Wooden Stake, Batman!

Dracula is none other than Dr. Alexander Sweet.

Talk about dropping a mask.

This milquetoast who can’t remember Vanessa’s name is the Master of Darkness on earth: Dracula?

That means he can, in fact, remember her name, because he’s been hunting her.

images-9

So, how did she just happen to end up at his museum?

Dr. Seward told Vanessa, at the end of their first session, to do something she’d never done before, and she went into the museum, where she met Dr. Sweet. Then, at the end of the next session, Seward told Vanessa to do something that would make her happy: she returned to the museum, reconnected with Dr. Sweet, asked him out for the evening, and asked him for coffee, though he declined the latter.

All this leads to many questions. Is Dr. Seward somehow connected to Dr. Sweet? He appears to be well-established at the musem, but viewers now know he is Dracula. If Dr. Seward is the Cut-Wife, Joan Clayton, did the Cut-Wife promise this Master the soul of Vanessa Ives in return for her own life? Wouldn’t the Cut-Wife have made a bargain with the Lucifer, who is the other Master in the show, reigning over Hell while his cast-out brother, Dracula, reigns on earth?

Much dropping of masks in “Predators Far and Near.”

Much shivery and shuddery happenings, my Lovelies.

Be afeard.

Related Posts

All the Unloved Ones:
Penny Dreadful, Season 3 Premiere

When Lucifer Fell:
My Penny Dreadful Blogs, Seasons 1-2

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When Lucifer Fell: My PENNY DREADFUL blogs, S1&2, Review & Recap

When Lucifer fell,
he did not fall alone

(The Cut-Wife to Vanessa, S2, Penny Dreadful)

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Spoilers,
Most Dreadful

One of the most successful horror series ever broadcast, Showtime’s Penny Dreadful gets its name from the Victorian penny dreadfuls. According to Judith Flanders of the British Library, these cheap, sensational, highly popular news-booklets, originally called Penny Bloods, initally concentrated on adventurous stories about pirates and highwaymen, but gradually shifted their focus onto crime and its detection. The penny dreadfuls replaced 18th century gothic horror, as they began to concentrate on supernatural and horror tales, including Varney the Vampire (cover of a vampire penny dreadful below), which influenced Bram Stoker, author of Dracula.

varney

Showtime’s Penny Dreadful takes the Victorian penny dreadfuls, as well as the Victorian literature inspired by them, and gives us the “origin stories” of their characters. Thus, Dracula‘s Mina Murray is given an entire family, while Frankenstein‘s titular character gets to create more than one Creature.

PennyDreadful

Original characters, such as Vanessa Ives, played by the brilliant Eva Green (above, standing), and Brona Croft (Billie Piper, above seated) further flesh out the series’ exploration of evil, and of human choice to consciously do either good or evil.

Season One

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The series begins with Vanessa Ives (Eva Green, above L) hiring a professional gun, Ethan Chandler (Josh Hartnett) for some dangerous “night work.” Along with the father of her childhood friend, Sir Malcolm Murray (Timothy Dalton), Vanessa is searching for her missing friend, Mina, who has been taken by some sort of Creature (also called Vampire, below).

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Dr. Frakenstein (Harry Treadaway) enters the story when he is hired by Sir Malcolm to do an autopsy on one of the dead Creatures.

Penny Dreadful - Episode 1...Penny Dreadful - Episodic - Unit 101 April 25th Sky Atlantic SHOWTIME 2014 No embargo

Dorian Gray (Reeve Carney) is also introduced in the first season, though his story isn’t as integrated into the main stories. Also, there are at least two “Creatures” initially: the Vampire Creature hunted by Sir Malcolm, as well as those created by Frankenstein, the most striking of which is played by Rory Kinnear (below).

Rory Kinnear as Frankenstein's Monster, also called The Creature

In addition to helping Sir Malcolm search for his missing daughter Mina, Vanessa has her own dark secrets, as does everyone else in the show, including Ethan, Sir Malcolm, Frankenstein, and Dorian. Of course, readers of the books will know some of Frankenstein’s and Dorian’s secrets. And viewers may guess Ethan’s secret.

Cast of PENNY DREADFUL season 1 (L to R): Danny Sapani as Sembene, Reeve Carney as Dorian Gray, Billie Piper as Brona Croft, Josh Hartnett as Ethan Chandler, Timothy Dalton as Sir Malcolm Murray, Eva Green as Vanessa Ives, Rory Kinnear (in doorway) as Frankenstein’s Monster/Creature, Harry Treadawell as Victor Frankenstein

In any event, the show’s initial season, despite its few weaknesses, was a stunning exploration of good and evil, in which everyone has a very dark secret. My blogs do contain Spoilers, since I wrote them after watching the episodes.

Penny Dreadful:
Be Not Afeard

So Many Monsters:
The Penny Dreadful Finale

The official season 1 trailer is below.

If you haven’t had a chance to watch Penny Dreadful yet, you can watch the Season Premiere Episode 1 free on its homepage on Showtime. You can catch up with the remaining episodes on ShowtimeAnytime.

The premiere of season 3 is Sunday 1 May at 10 p.m. ET.

Season Two

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In its second season, Penny Dreadful creator-writer John Logan introduces Witches who pursue Vanessa Ives (Eva Green) for their “Master,” Lucifer. The focus of the show changes from the characters’ hunting external evil, represented by the Vampire Creatures of the first season, to protecting Vanessa from her own internal evil, which the witches wanted to “give” their Master.

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The head witch, Evelyn Poole (Helen McCrory, above R) had been hunting Vanessa since season one, when she appeared at the séance as Madame Kali (below).

The storylines of Frankenstein and Dorian Gray become more complex even as they are more integrally tied to the story of Vanessa and Ethan. We also learn more about Vanessa’s past when the Cut-Wife (Patti LuPone) story appears in flashback.

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My blogs do contain Spoilers, since I wrote them after watching the episodes: you have been warned.

When the Hunters Become the Prey:
Showtime’s Penny Dreadful Season 2 Premiere

The Cut-Wife, The Day-Walkers,
and The Night-Comers: Penny Dreadful, s2 e3

Betrayal of the Blood:
Penny Dreadful, s2 e4-6

Welcome to the Night:
Penny Dreadful, s2 e7

The Lion Hunts Tonight:
Showtime’s Penny Dreadful
“Memento Mori,” s2 e8

Monsters, All:
Penny Dreadful, s2 e9

All By Myself:
Penny Dreadful, Season 2 Finale

Season Three

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Viewers don’t know quite what to expect from season three, although it looks like the members of the extended “family” have been scattered around the globe. Also, from the official trailer, we see that Patti Lupone, who played the Cut-Wife in season 2, is returning as Vanessa’s doctor.

You can watch both seasons of Penny Dreadful with a free trial of Showtime. The premiere of season three is already available for viewing on Showtime, but if you can wait, then the official premiere is Sunday. Afterward, you’ll be ready to join the rest of us #Dreadfuls on Twitter and buzz about the show.

Season 3 Premiere
Sunday 1 May
10 p.m. ET

After you’ve watched the first two seasons, or if you’ve already seen them, you might enjoy Wired’s gifs to catch you up on what’s happened.

The Books

If you want to read the books that Penny Dreadful‘s literary characters are based on, Showtime is offering them for sale on its site, but you can get them free as ebooks: Bram Stoker’s Dracula, Oscar Wilde’s The Picture of Dorian Gray, and Mary Wollstonecraft Shelley’s Frankenstein. And I’ve thrown in Robert Louis Stevenson’s  The Strange Case of Dr. Jekyll and Mr. Hyde simply because no exploration of the Victorian period and its literature would be complete without it — nor would any exploration of good and evil. Besides, I simply can’t believe the character of Jekyll and Hyde won’t show up, eventually, in Penny Dreadful, though I admit I’ve been saying that since its first season.


Penny Dreadful is rated MA for Adult Content, Brief Nudity, and Violence

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When the Hunters Become the Prey: Showtime’s PENNY DREADFUL Season 2 Premiere

Warning:
Spoilers Gory & Galore

images-28Showtime’s hit series Penny Dreadful, whose second season premiered last night with “Fresh Hell,” might be advertising itself with photos of the major characters stating No Rest for the Wicked, or videos where the characters move in slow motion, in blurred and changing images, saying, “The Devil is in us all: that’s what makes us human,” but the real theme of Season 2 was revealed last night in the premiere, and it seems to be changing from its initial season.

In Season 1, most of the characters were hunting: for Sir Malcolm’s “taken” daughter Mina, for Creatures suspected of working for the unnamed “Master,” for a cure for Mina should she be found, for a mate for Frankenstein’s Creature, for Ethan’s secret that made him say things like “There are such sins at my back that it would kill me to turn around,” for Dorian’s secret to eternal youth and perpetual boredom, for a way to save Vanessa from her inner demons.

Last night the premiere of Season 2 revealed that virtually all the hunters from last season have now become the prey.

images-21The premiere episode of Penny Dreadful Season 2 flowed seamlessly from the finale of Season 1 as if several months had not intervened. The writing was flawless, though the story itself still has a couple weaknesses.

Vanessa & the Night-Comers

penny-dreadful-season-2-570x379Poor Vanessa (splendidly played by the talented Eva Green) had enough trials and tribulations last year with the “Master” hunting her for his bride, and with, unbeknownst to her, the “Devil” — in the form of Amunra — hunting her, as his mate “Amunet.” Also, her own inner demons were released each time she viewed someone having sex (Sir Malcolm with her mother in the hedge-maze) or participated in the sex act herself (with Mina’s fiancé Captain Branson, or with Dorian Gray) — releasing the psycho-sexual demons that the Victorians so feared, especially in females.

images-6Last night, a woman from S1 E2 “Séance,” Madame Kali (Helen McCrory), who seemed so innocuous when Sir Malcolm (played by the excellent Timothy Dalton) met her later in the season and she revealed herself to be merely “Evelyn Poole from Brighton,” was shown to be “hunting” Vanessa for nefarious reasons.

images-12We first saw Evelyn chanting in a language we did not recognize, but which we later learned is Verbis Diablo — the language of the Devil, or God’s language turned inside out after Adam was cast from the Garden. Evelyn’s chanting caused Vanessa to stumble and fall as she was leisurely strolling through the snow.

penny-dreadful_612x380When Ethan (Josh Hartnett) came to tell Vanessa that he must go away so that he doesn’t hurt anyone he loves, the two were attacked. Vanessa was obviously the main target, and Ethan was considered — by Vanessa and the attackers — as her “protector.”

images-19We later saw Evelyn bathing in the blood of a murdered woman — like Countess Erszabet [Elizabeth] Báthory, one of history’s most notorious female serial killers — while casually smoking a cigarette (also considered unfeminine, radical, and rebellious during the Victorian age).

images-27The bald, nude, scarred, female attackers who went after Vanessa are shown, first at the side of the street, then in Evelyn’s home, as beautiful women, one of whom — Hecate — is addressed as “daughter” by Evelyn, and another of whom is murdered by Evelyn for “failing” to capture Vanessa.

penny-dreadful-season-2Vanessa is so terrified by the attack, and by the fact that she vaguely understood their language and rebuked them in it herself without really knowing what she was saying, that she keeps herself locked in Sir Malcolm’s house. His faithful servant Sembene (Danny Sapani), who got a new coat this year — and more lines last night than he got the entire season last year — kept watch over her inside the house. (Ethan kept watch outside.)

images-16When Sir Malcolm finally arrived home — he’d been burying Mina at their home in the country, and being told by his wife Gladys to stay away from her for the rest of their married lives — Vanessa flew into his protective arms. It was a touching moment.

images-26Vanessa has, indeed, become Sir Malcolm’s “daughter” this season, but instead of hunting for her, as he had to do for Mina last season, he has only to protect her from the “Night-Comers” or “Witches” who are themselves hunting Vanessa.

images-15Later that episode, though Vanessa tried to protect herself by drawing a bloody scorpion on the floor between two candles as she prayed, the naked Night-Comers appeared behind her: they are the evil behind her back this season. And it seems Vanessa’s prayers will not protect her since, as she was praying, Evelyn was pledging Vanessa to her own “Master” — Lucifer.

images-13Vanessa had blood on the floor. Evelyn had blood on the forehead. Vanessa was praying in Latin to God — or at least to Jesus Christ on the crucifix before her — but Evelyn seemed to be “praying” in Verbis Diablo to Lucifer. As of the end of the show last night, Evelyn’s “prayers” and pledges seemed much more powerful. It seems that Vanessa has even greater cause to “be afeard” this season than last. More than one version of the Devil seems to be hunting Vanessa this year.

Frankenstein &
the Creature’s Bride

images-11All last season, Frankenstein’s “first-born” Creature (brilliantly played by Rory Kinnear) — called “Demon” by Frankenstein himself, and Caliban by his fellow theatre workers — insisted that Frankenstein (Harry Treadaway) create an immortal mate for him, partly in retaliation for Frankenstein’s cruel and heartless abandonment of the Creature after his “agonizing” creation/birth, and partly to alleviate his subsequent loneliness and isolation from the rest of mankind.

The Creature slowly fell in love with the actress Maude, and it seemed she might become his “bride.” Though kind to him occasionally, because he reminded her of her brother “Luke” whose face was burnt in an industrial accident, Maude rejected the Creature’s amorous advances. And got him fired.

images-3Frankenstein was forced to seek another candidate for the Creature’s mate. He chose Ethan’s lover Brona (Billie Piper), a prostitute dying of consumption, hurrying her death along by smothering her with a pillow, instead of more mercifully overdosing her with morphine to which he himself is addicted.

imagesIn the premiere of S2 of Penny Dreadful, after the Creature helped lower Brona’s scarred body into a vat of water, Frankenstein announced that they had to wait for an electrical storm before anything more could be done. I’m not sure what the Y-shaped scar over Brona’s breasts and down her chest and abdomen are, unless Frankenstein replaced her consumption-ravaged lungs. Otherwise, Brona the intended Bride is un-scarred. Unlike the Creature himself, whose appearance frightens and disgusts onlookers.images-17

Alas, for the poor, love-lorn Creature, Frankenstein himself seems to have fallen in love, or in lust, with the lovely Brona. Talking to her, telling her he’ll miss her when she was made into the Bride for the Creature, touching her dead body in an openly sexual way (without her consent, since she’s… dead), Frankenstein’s inappropriate lustful behaviour seems to be setting up a vicious conflict for this second season. I’m guessing that the beautiful Brona will be desired by both Frankenstein and by the lonely Creature.images-4

The storm eventually came, with both men screaming loudly for her to come back to life Now! And slowly Brona’s hand, head, then her entire naked body appeared out of the electrified water. No doubt, both Dr. F and his Creature will want her. Whether she will want either of them remains to be seen, since Dr. F pointedly remarked that he didn’t know whether she would retain any memories of her previous life. She may decide to hunt her love, Ethan.

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The Bride v the Blind Girl

Having lost his job at the theatre because of his love and sexual advances toward Maude, however, the Creature was forced to seek alternate employment. He found work at a family-owned wax museum. The proprietor hopes that his new “crime scene re-creations” — along with the Creature’s face — will draw new customers. His wife scolded the husband for choosing an employee with such a face, and was scolded in return.

UnknownA more significant conflict appeared, however, when the Creature, calling himself “John Clare” for employment purposes, met the proprietors’ daughter, who is blind. She needed to “touch his face in order to meet him,” and made no remark or reaction when she carefully examined his severely scarred face.

images-29Because the daughter is not only blind but very beautiful, I suspect that she will come to care for the Creature, and he for her — even if he is torn with guilt about feeling “unfaithful” to his Bride Brona.

Of course, if Frankenstein’s feelings lead to a conflict between himself and the Creature for the Bride, who knows what will happen between the Creature and the blind girl? Will the Creature still be hunting for a mate, will he accept the potential love and affection of the blind girl, or will he continue hunting Frankenstein for taking the Bride Brona?

Ethan as Wolf-Man / Were-Wolf

One of the Wolf-Man's first victimsLast season, a vicious killer murdered and dismembered a mother and her young daughter. It was gruesome. At first, it was believed that The Ripper had returned. In one of the  episodes, the group hunting for the missing Mina was drawn to the London Zoo in the middle of the night, where they expected/hoped to find Mina and the (vampire) Creatures.

Josh Hartnett as Ethan Chandler and Eva Green as Vanessa Ives at the London Zoo at night, just before the encounter with the wolves Instead, they found a pack of wolves. Ethan ordered everyone to stay still. Then he lowered his body and held out his hand. One of the male wolves, snarling, approached and tentatively took Ethan’s hand gently into its mouth, acknowledging Ethan as the Alpha male. The Alpha male wolf.

Unknown-1From that episode on, bloggers and reviewers of the show predicted that Ethan’s secret was that he was the Wolf-Man, though there is no literary piece of the period dealing with such a creature. There is a Penny Dreadful which features  a Wolf-Man — Wagner the Werewolf — but no literature. Guy Endore’s 1933 novel The Werewolf of Paris was the first literary exploration of the Wolf-Man.

I assumed that the bloggers, critics, and reviewers who were proclaiming that Ethan was the Wolf-Man had to be mistaken since creator & writer John Logan had repeatedly stated that Penny Dreadful mixed Victorian literary characters, re-imagined, with his fictional characters.

The Wolf-Man v Dr. Jekyll & Mr. Hyde

Dr_Jekyll_and_Mr_Hyde_poster_edit2At that point, I was still convinced that Logan would introduce one of the most famous novels of the period which explores the nature of good and evil, Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde.

The Wolf-Man simply did not fit into the entire scheme of the first season of Penny Dreadful, where the characters chose to do good or evil. The Wolf-Man is cursed or bitten or somehow turned into a violent and dangerous creature against his will. He doesn’t consciously decide to go around during the full moon, tearing people apart and eating some of their internal organs.

In Stevenson’s novel, however, Dr. Jekyll makes a conscious choice to explore the evil aspects of his personality by concocting a formula which will allow his personality to separate into two parts: one entirely good, the other completely evil. Mr. Hyde is the evil, immoral part of Dr. Jekyll.

The importance of Jekyll and Hyde versus the Wolf-Man to Penny Dreadful and Ethan Chandler’s secret is choice. Choosing to do evil, choosing to harm others for selfish reasons, intentionally hurting others to achieve personal satisfaction or pleasure at the others’ expense — these were all themes of Penny Dreadful S1, and all of the characters made those choices repeatedly (though Dorian Gray’s evil or cruel choices were not actually shown: I know this from the novel itself).

Just as the characters in Penny Dreadful consciously chose to do evil and to hurt others to satisfy their own selfish desires or to exact revenge, Dr. Jekyll chooses to allow his evil side to come out. As Edward Hyde, he seriously hurts children, dismembers women, and murders famous politicians. Hyde enjoys it.

Dr. Henry Jekyll enjoys it, too, because it allows him to do whatever evil he wishes — as Hyde — while maintaining his good reputation and respected standing in society as Dr. Jekyll. Unfortunately for Jekyll, Hyde also has free will, and he chooses to take over Jekyll’s life to the point where Hyde can gain control of their shared body at will, without any potion, and Jekyll is unable to get it back. Jekyll commits suicide when he realizes that the good part of himself is being subsumed by the evil part of himself.

Therefore, if the bloggers and reviewers who predicted that Ethan’s secret was that he was a Wolf-Man, it took away Ethan’s choice to do evil, which went against the very premise of the show in season 1. It also eliminated the literary basis for his story since no Wolf-Man literature existed till 1933, and the show takes place in 1891. Also, throughout S1, Ethan objected to extreme violence — unless it was in the interest of self-preservation or to save those he’d been hired to protect — as well as to cruelty, especially in the case of the captured Fenton (Olly Alexander), whom the others tortured and experimented on, in an attempt to find a “cure” for Mina, whom they’d not even discovered yet.

Unknown-1Imagine my dismay when, in the penultimate scene of the S1 finale, Ethan did transform into a Wolf-Man and murder the Pinkertons his father had sent from America to forcibly bring Ethan home, as well as everyone else in the restaurant-bar-hotel where Ethan was staying.

UnknownIt wasn’t just a disappointment because Ethan’s being a Wolf-Man didn’t fit with the theme of the rest of the season 1 of Penny Dreadful. It was a disappointment because so many people had predicted it weeks beforehand, and they were correct.

Ethan & his Blackoutsimages

It appears that S2 of Penny Dreadful is also eliminating Ethan’s choice to do evil, separating him from the remainder of the characters. He told Vanessa that he has blackouts, during which he assumes bad things happen, because there’s a lot of blood, and that he is the one who’s done them, since he’s the one who’s still alive.

images-2The final episode of S1 showed that in addition to being a paid hunter, Ethan was also one of the hunted: the Pinkertons sent from America by his father were hunting him, determined to chain and drag him back home. This year, those hunters are dead, but since there was a survivor — mentioned once by Police Inspectors, and shown only briefly, completely bandaged, in a hospital bed — Ethan may be more prey than hunter this season.

Dorian

Reeve Carney as Dorian GrayThe only major character we didn’t get to see in the premiere episode of S2 of Penny Dreadful was Dorian Gray, whom I also felt was greatly neglected and unexplored last season. Anyone unfamiliar with Oscar Wilde’s novel The Picture of Dorian Gray, for example, had no idea what that secret, hidden portrait he was always looking at displayed.

The portrait is of Dorian, of course, and shows his external evil and ugliness in the portrait without its showing on his own face or body, but without reading the book itself, viewers could have thought it was a portrait of God, angels, Jesus, or the Devil. Of course, they could tell from the scene following his sexual encounter with Vanessa last year that the portrait has the power to heal physical wounds, but beyond that… Nothing.

Season Two Predictions

UnknownOf course, Penny Dreadful may be changing its theme of all the characters’ choosing to do evil this season. That would mean that the “weakness” of not giving Ethan a choice concerning evil would not longer be a weakness. Sembene has already been given more lines, so perhaps, he will “have a story,” this year, unlike last season. Dorian Gray has not yet appeared — which surprised me since creator & writer John Logan worked every other major character in the series into the premiere. In any event, unless Dorian radically changes his character, he will still be a hunter, seeking personal pleasure even if it involves the pain or death of others. Otherwise, only the Night-Comers — of which Evelyn Poole aka Madame Kali is the leader — are choosing to do evil as far as I can determine.

Ethan’s “curse” of being a Wolf-Man and his blackouts prevent his choice. Vanessa has become the prey rather than the “cruel little girl” who intentionally caused best friend Mina’s distress and ultimate entanglement with the “Master.” Frankenstein is attempting to give the Creature a Bride, though Dr. F is getting a little too involved with her himself, before she’s even brought back to life. Sir Malcolm has become Vanessa’s surrogate father rather than her judge and jury, constantly and cruelly reminding Vanessa of her “sin” and “betrayal.”

Since the S2 premiere so carefully integrated the various storylines set up in S1, I was surprised that we never saw Dorian, but I’m sure he’ll be along shortly. He’s probably just picking up some more manuscripts in Italy.

What I don’t know is if Dorian, too, will become one of the prey rather than one of the hunters.images-23Catch up on Season 1 of Showtime’s horror-thriller Penny Dreadful on Amazon ($1.99-2.99/episode, SD v HD). Watch the premiere of Penny Dreadful S2 “Fresh Hell” free on Showtime Anytime.

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On Screensavers & Equality of the Sexes

I’ve always had screensavers on my computer, and not just the ones provided by Microsoft or Apple. I like to put up an image of my favorite heartthrob of the moment. It gives me something pleasant to view while I’m thinking about how to write, edit, or revise something. I never thought much about it until the day my boyfriend, who uses my computer occasionally to check his business email, accidentally clicked on my account, and saw this:

Christopher Walken

Christopher Walken

“Why do you have Christopher Walken on your computer screen?” he said.

“Because I put him there. You must be in my account.”

Since this happened after I had just made the change from a PC to a Mac, my boyfriend didn’t know how to get into his own account. I showed him. He looked at me.

“You have Christopher,” he said, “and I have that?”

Apple's Mountain Lion

Apple’s Mountain Lion

“I thought you liked animals,” I said, trying not to sound defensive.

“Why can’t I have a cool picture?” he said, pouting ever so slightly.

“Of Christopher Walken?”

He narrowed his eyes.

“I think, that if you can have a photo of Christopher Walken as your screensaver,” he said, arms over his chest, “I should be able to have someone I find attractive as my screensaver.”

“Fair enough. Which gorgeous woman would you like to have?”

“Angelina Jolie, Rosanna Arquette, Uma Thurman…”

“All of them?” I said.

“Can’t you rotate them?”

I was starting to see visions of every gorgeous woman in Hollywood floating across his screen, with him requesting new photos each time he “fell in love” with someone new.

“If you get multiple women,” I said, hoping to discourage him somewhat in order to reduce my work looking for photos, “then I get multiple men.”

“Agreed.”

So, I immediately found another photo for my screensaver.

Clive Owen

Clive Owen

The next time my boyfriend accidentally clicked onto my account instead of his own, I heard him exclaim, all the way from my office, “Clive? Now you have Clive? And he’s not even all the way dressed?”

“You have three women as screensavers.”

“You have Clive in a sleeveless body-shirt.”

I sighed.

“And now you want…”

“Lucy,” he said, meaning his then-current love: Lucy Lawless as Lucretia in Starz’s Spartacus.

Lucy Lawless as Lucretia in SPARTACUS

Lucy Lawless as Lucretia in SPARTACUS

He was happy with that screensaver until he fell in love with Viva Bianca, who played Ilythia in the show.

Lucy Lawless as Lucretia & Viva Bianca as Ilythia in SPARTACUS

Lucy Lawless as Lucretia & Viva Bianca as Ilythia in SPARTACUS

He actually didn’t fall madly in love with Viva until she did a nude scene. Well, she wasn’t completely nude. I believe she was wearing earrings. That’s the screensaver he wanted. I told him I couldn’t find it. He was most severely disappointed.

Until the next time he checked his email and discovered that I’d put the photo of Viva as Ilythia, nude, up as his screensaver.

He ran into the room where I was, hugged me, and said I was the “best girlfriend in the whole entire world.”

Hey, if that’s all it takes.

He hasn’t asked me to change screensavers since. Though Spartacus is over except for reruns, which he watches faithfully, he’s still in love with Viva as Ilythia.

Which is fine with me. After all, I still have Clive.

And I’m currently looking at Timothy Dalton as he appeared in Penny Dreadful. Since male celebrities are rarely nude, or even have their entire shirts off, or are dressed as Romans to show off their fine legs, I figure I get to have as many gorgeous men as I want as my screensavers. It’s only fair. Besides, it is my computer.

Timothy Dalton as Sir Malcolm Murray in Showtime's PENNY DREADFUL

Timothy Dalton as Sir Malcolm Murray in Showtime’s PENNY DREADFUL

The only problem I’ve found with this equality of the sexes and screensavers is taking your computer in for repair. At Apple, when I was picking it up, my boyfriend had to accompany me because I have a 27″ screen and cannot carry it myself. He came along to put it in the backseat of my Jeep. When the Apple employees turned on the computer to show me it was fixed, Clive’s photo came up.

They looked at Clive, at my boyfriend, at Clive, at my boyfriend.

“We assume this isn’t you,” said one of the boys.

“That was before I needed glasses,” said my boyfriend, without missing a beat.

“Let’s make sure his account works,” said the other Apple employee, switching accounts before I even remembered what my boyfriend’s screensaver was.

Both young men stood there, transfixed, eyes wide, mouths hanging open.

“Whoa,” one whispered.

“Sorry,” I said. “I forgot she was on there.”

“Fair’s fair,” said my boyfriend.

The two Apple boys looked at him.

“My girlfriend would kill me if I had a picture like that as my screensaver,” said one.

“You have the greatest girlfriend in the world,” said the other, without, however, looking away from the screen.

“Who is that?” said the man sitting on the stool in the Apple store at the Genius Bar next to me, staring at my computer screen.

“Ilythia from Spartacus,” said the young man on the opposite side of him, gazing longingly at the screen.

Boys will be boys, I thought to myself.

Just then, an Apple manager came out of the back, passed the computer, and, basically, squealed as he held up a notebook over the front of my computer.

“Customers should take down their screensavers before they bring them in for repair,” he said, passing by as quickly as he could.

The two Apple boys and the two Apple customers all looked over at my boyfriend.

“You are so lucky,” they said, glancing only cursorily at me.

Just then, the manager passed behind them again, screeching like a wounded rabbit, holding up his notebook to the side of his head, begging them to “please turn that computer off.” The Apple boys proceeded to do as he’d requested.

“Don’t let your manager see the picture of Clive,” said my boyfriend. “He might fall in love.”

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