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I’m Your Huckleberry: 5 More Top Westerns

No Spoilers

The Magnificent Seven (original) ©

Most of the Westerns I favor fall into what are usually considered the sub-genres, with some of them not even taking place in the American West, for example, but containing the iconic character motifs and themes present in Western films. Sometimes called “Spaghetti Westerns” and sometimes classified as “Action & Adventure,” all these films still resonate with elements that make the Western iconic in Hollywood, and imitated worldwide.

My top Western films and mini-series are sometimes set in the American West; often they are not. But their characters, storylines, and themes make them powerful films that I watch over and over. They don’t always end happily, but they end honestly, with the finale of the movie developing out of the characters’ natures, their conflicts, and the decisions they’ve made previously.

And, yes, Deadwood — the series — is one of my favorite Westerns of all times, and can read about it in detail in No One Gets Out Alive, but it’s a series, and I’ve dealt with it in detail elsewhere. This group of five westerns originally appeared in a post about 10 films, but I shortened that post to update it, including trailers and availability, and so that people might have a chance to explore the films without feeling overwhelmed. The top five films are in I Ain’t Like That No More: Top 5 Westerns. Here are the remaining of my five top Western films.


Red River
(1948)

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John Wayne, Montgomery Clift, and Walter Brennan, Red River ©

I’ll be the first to admit that I’m not a big John Wayne fan. Whether Hollywood pushed him into “The Duke” mold or whether audiences simply preferred that role, many of Wayne’s films portray him playing basically the same character. (That kind of thing always leads the viewer to wonder if the actor is acting or just being himself.) But Wayne’s early work in Westerns was much more daring as well as varied. In fact, he should have received Oscar nominations for quite a few of his early Westerns, rather than the token one he received (and won) for playing Rooster Cogburn in True Grit.

One of Wayne’s finest roles and one of his best Westerns is 1948’s Red River, directed by Howard Hawks.

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John Wayne and Montgomery Clift, Red River ©

Starring Walter Brennan (Groot) and Montgomery Clift (Matt) along with John Wayne (Dunson), Red River is a fictional account of the first cattle drive from Texas to Kansas along the Chisholm Trail. As a boy, Matt — sole survivor of an Indian attack — joins Dunson’s group and is adopted by Dunson. Though Matt is his adopted adult son, Dunson is continually forcing Matt to prove himself, leading to many conflicts, as well as to a split in the group on the cattle-drive.

Dunson is tyrannical and angry; Matt, who is fair and stalwart, rebels, taking many men with him. Dunson sends a posse after the group, intending to force his authority on all of them, but especially on his adopted son. The final showdown is stunning and effective.

Red Riversome of the best acting that Wayne and Clift ever did, is available for rent, starting at $2.99, from Amazon, iTunes, and YouTube. Free for Starz subscribers.


Open Range

(2003)

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Kevin Costner and Robert Duvall, Open Range ©

Beginning as a relatively quiet film that deals with free-grazing, or individuals or small groups with small herds grazing on public lands, and who come into conflict with larger corporations or ranchers who want the land exclusively for themselves, Open Range (2003, directed by Costner) is a powerful statement on individual rights, expansion in the west, land ownership, and power.

Kevin Costner (Charley) and Robert Duvall (“Boss”) as the free-ranging partners are the principals, with an excellent supporting cast which includes Annette Benning as the town Doctor’s sister Sue, who becomes Charley’s love interest, and Michael Gambon as the ruthless and powerful Irish immigrant rancher Baxter who “don’t want no free-grazers” and uses violence and murder to terrorize them into leaving the area.

Though Boss, Charley, Sue, and other characters don’t seek violence, it becomes inevitable as they must defend their lives, property, freedom, and individual rights, which incorporates many of the themes of the most enduring Westerns.

Open Range, which was both a critical and box-office success, is available for rent ($2.99-3.99)  from Amazon, iTunes, and YouTube.


Tombstone
(1993)

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Bill Paxton, Kurt Russell, Sam Elliott, and Val Kilmer, Tombstone ©

Concentrating on the story of the Earp family — all three brothers and their wives — and Doc Holliday after their move to Tombstone AZ, this movie usually ranks high in any Western “Top Ten” list, not just because of the historical characters and events, but because of its fine acting and production values.

Wyatt Earp (Kurt Russell) convinces his brothers Virgil (Sam Elliott) and Morgan (Bill Paxton) to join him “for retirement” in Tombstone, where Doc Holliday (Val Kilmer, in his Oscar-winning, and most brilliant career performance) is already settled and winning outrageous amounts at gambling.

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Kurt Russell and Val Kilmer, Tombstone ©

The Earp brothers “acquire” interest in their own gambling establishment, and seem only to want to make money and live comfortably with their wives. Their gunslinger pasts, however, cause them to come into conflict with a red-sashed gang, The Cowboys, and with the Dalton Gang. Once the Earps become lawmen, they are bound for the historical confrontation at the OK Corral.

The film’s unique and interesting interpretation of historical characters and events, along with plenty of action and love interest, make it worth watching. But Kilmer’s Oscar-winning performance as Doc Holliday is mesmerizing. Tombstone is available for rent ($2.99-3.99) from Amazon, iTunes, and YouTube.


The Magnificent Seven
(1960)

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Cast of The Magnificent Seven, including from L to R, Yul Brynner, Steve McQueen, Robert Vaughn (4th), Charles Bronson (5th), and James Coburn (last) ©

Based on Japanese filmmaker’s Akira Kurosawa’s 1954 film Seven Samurai, these seven are transformed into gunslingers and hired to protect a small Mexican village from a notorious bandit who is extorting money, livestock, and grain from the villagers, leaving them to starve. Yul Brynner, Steve McQueen, Charles Bronson, James Coburn, and Robert Vaughn are among the magnificent seven, each of whom has a past he’s running away from.

Though notorious or shady in their previous lives, they are convinced to help protect the villagers for virtually no pay whatsoever, reluctantly showing their moral side as the film progresses.

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Eli Wallach, The Magnificent Seven ©

As the seven teach the villagers to defend themselves against the bandit Calvera (Eli Wallach) and his gang, the 7 become emotionally attached to their charges. Some of the scenes with the young boys and Charles Bronson’s character are among the most amusing yet moving.

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The Magnificent Seven ©

Set to a rousing score by Elmer Bernstein, the film embodies the iconic Western theme of the strong protecting the weak, and landowners (or townspeople) defending themselves against villainous intruders (or outsiders).

McQueen was apparently envious of Brynner’s mega-stardom [from The King and I] and was constantly trying to upstage him, even standing on his tiptoes to be taller than Brynner [who was shorter than McQueen in any event]. Producers eventually supplied a box for Brynner to stand on when they were in set scenes together, to prevent McQueen’s antics. The Magnificent Seven is available for rent ($2.99-3.99) from Amazon and YouTube. Free for Starz subscribers.


The Good, the Bad, and the Ugly

(1966)

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The Good, The Bad, and The Ugly, top to bottom, Clint Eastwood, Eli Wallach, and Lee Van Cleef ©

No list of great Western films would be complete without Sergio Leone’s classic “Spaghetti Western” (because shot by the Italian director) The Good, the Bad, and the Ugly, supposedly represented by Blondie (Clint Eastwood), Tuco (Eli Wallach), and Angel Eyes (Lee van Cleef), respectively, as each searches for stolen and buried Confederate gold during the American Civil War. They need each other because none has the complete list of clues as to the gold’s burial place.

As you might guess, nobody trusts anyone in this film, least of all the three protagonists who, despite the title and the heavy-handed identification as “good,” “bad,” and “ugly,” are actually all comprised of those characteristics. This combination of good, bad, and ugly in each of the major protagonists makes them some of the most fascinating characters in any Western.

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Lee Van Cleef (back to camera), Eli Wallach (kneeling), and Clint Eastwood, The Good, The Bad, And The Ugly ©

Besides many memorable images and music, Eli Wallach supposedly improvised one of the film’s most famous lines. While bathing, his character is confronted by other gunslingers who argue with him about revealing the gold’s location, and explain repeatedly that they’re going to kill him if he doesn’t reveal it. Wallach’s Tuco raises his gun out of the murky bathwater and kills them all, stating afterward to their corpses: “If you’re going to shoot, shoot: don’t talk.” (In interviews, Wallach still expresses surprise that such a simple line garnered so much attention.)

The final showdown and gunfight in the cemetery, accompanied by an unforgettable score by the venerable Ennio Morricone, make The Good, The Bad, and The Ugly a classic. Available for rent ($2.99-3.99) from Amazon, iTunes, and YouTube.

My original Top 10 Westerns post 
If You’re Going to Shoot,
Shoot: Don’t Talk

is now divided into two posts,
updated with official trailers and film availability:


We All Have It Coming:
Top 5 Westerns

and


I’m Your Huckleberry:
5 More Top Westerns

(originally films #6-10)

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No One Gets Out Alive:
Why You Need to Watch HBO’s Deadwood

Deadwood Strikes Gold!
Again! Still!

The Sutherlands’ Forsaken Is No Unforgiven,
Though It Tries to Be

My Favorite Film & TV Villains

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Filed under Actors, Classic Films, Classics, Film Videos, Films, Films/Movies, Historical Drama, Movies/Films, Official Film Trailers, Official Movie Trailers, Official Trailers, Westerns

“If you’re going to shoot, shoot: don’t talk”: Top 10 Westerns

My original Top 10 Westerns post If You’re Going to Shoot, Shoot: Don’t Talk is now divided into two posts,
updated with official trailers and film availability:

We All Have It Coming:
Top 5 Westerns

and

I’m Your Huckleberry:
5 More Top Westerns

(originally films #6-10)

Related Posts

It Ain’t How You’re Buried That’s Important:
3 Western Coming-of-Age Films

I Ain’t Never Been No Hero:
More Great Westerns

No One Gets Out Alive:
Why You Need to Watch HBO’s Deadwood

Deadwood Strikes Gold!
Again! Still!

The Sutherlands’ Forsaken Is No Unforgiven,
Though It Tries to Be

My Favorite Film & TV Villains

Share

Leave a Comment

Filed under Actors, Movies/Films, Movies/Television

DEADWOOD Strikes Gold! Again! Still!

#No Spoilers

To celebrate the 10th anniversary of its award-winning  & critically acclaimed series Deadwood, HBO had a marathon of all 3 seasons (36 episodes) on a weekend in March, and weeknights in April and May. Though we have the DVD collection, I hadn’t watched it since it originally aired from 2004-2006. What a mistake. Viewing it again during April and May, I realized just how magnificent a show it is. Even 10 years later, it was as exciting and fresh as ever.

Created, produced, and mostly written by David Milch, Deadwood explores the growth of Deadwood SD in the 1870s, before and after its annexation by the Dakota Territory. Previously, Deadwood was on land ceded to the Native Americans, so whites were on it illegally; once gold was discovered in the Black Hills, however, whites went there in droves while the government turned its back on any treaty violations.

The Cast & Characters

Great cast playing fascinating characters, some of whom were really in Deadwood SD, make Deadwood a standout series. The fictional characters are mixed with historical ones: Gem Saloon owner Al Swearengen (Ian McShane),

Hardware-store owner & Sheriff Seth Bullock (Timothy Olyphant, L) and his partner Sol Star (John Hawkes, R),

Wild Bill Hickock (Keith Carradine),

and Calamity Jane (Robin Wiegert)

are just a few of the historical personages who interact with fictional ones in this great drama.

Most of the cast members have gone on to star in other important series and films. Dayton Callie, who plays Charlie Utter,

stars in Sons of Anarchy, Timothy Olyphant in Justified, Paula Malcolmson, who plays Trixie the whore, stars in Ray Donovan as his wife,

and Anna Gunn, who plays Seth’s wife Martha, went on to star  in Breaking Bad as Skyler.

Some cast members were stars when they arrived, like Ian McShane as Al Swearengen — creator David Milch has said he wrote the character with McShane in mind — Powers Boothe as rival saloon/brothel owner Cy Tolliver,

Gerald McRaney as George Hearst,

Brad Dourif as Doc Cochran,

and William Sanderson, in the best role he’s ever had, as scheming sycophant E. B. Farnum,

while Deadwood propelled others to international celebrity status. The cast alone makes the show worth watching. I can’t think of another series, besides The Tudors, that consistently had such a stellar cast, all with outstanding performances.

Integration of Dramatic Elements

So many writers and shows fail because the dialogue, character development, and action are all presented as separate entities. Long monologues interrupt action. Character studies could be entirely eliminated or replaced by commercial breaks without losing anything. Not so in Deadwood, where the language and character development are not only integral to the action, but where the action itself evolves from the language and the characters themselves.

This scene, where Gem Saloon owner and brothel-master Al Swearengen (Ian McShane) insults Sheriff Seth Bullock (Timothy Bullock) who is married (his wife hasn’t arrived yet) but is sexually involved with widowed Alma Garrett (fictional), whose gold-claim Al Swearengen covets, vividly demonstrates the integration of all three elements: dialogue, character development, and action (plot). When Al Insults Bullock.

Warning: Language

The Language & Writing

Yes, there’s lots of obscenity on Deadwood, but there’s also language so poetic, it sounds like some of the best Shakespearean lines ever written. And the actors say it all so naturally. I guess that’s just what really good actors do. Still, the writing itself does allow the actors to ascend to the realm of poetry, even when they’re arguing. This clip contains a montage, and the first four minutes are mostly funny because it’s so many of the characters cussing, but then you get to see the poetry and beauty of the language in Deadwood.

Warning: Language

The Humor

Even in its most serious situations, Deadwood was filled with humor. Some of it made me laugh aloud, the first time I viewed it, and during the 10th anniversary marathon. I honestly don’t know how some of the actors did their lines without laughing through the entire scenes. This one, where Chinese “Boss” Mr Wu (Leone Young) is attempting to tell Al Swearengen, whom Wu calls “Swi-jen,” is one of the classics. Wu tells Al about the “CockSuckas.”

Warning: Language

The show was cancelled far too early — after its third season — when, clearly, future seasons were planned by the creator/writer David Milch and by the actors. HBO gives various reasons for the cancellation, the most oft-cited  is that “Deadwood, as a costume-drama, was too expensive to produce.” Ian McShane was known to respond to that by saying that his character wore the same suit and long underwear through all 3 seasons, while his whores wore basically nothing at all.

Bravo, Ian, for showing such a ridiculous cancellation of a fine series for what it was: A mistake. One which HBO still regrets.

As for me, I’m not waiting another 10 years to watch the entire series again. It’s going to become an annual ritual, at the very least. After all, I have the boxed-set of the DVDs.

Even if I didn’t, I could watch the entire series free on either HBO-Now or on Amazon Prime.

Being able to watch the magnificent series Deadwood any time I want makes either subscription worth its price.

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Filed under Actors, Film Videos, Movies/Television, Research, Screenplays/Plays, Videos, Writing