Tag Archives: pre-raphaelite brotherhood paintings

#ArtSaturday John William Waterhouse 1849-1917
English painter, worked in in the Pre-Raphaelite style after it was out of style pic.twitter.com/ndouWp3hZU

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Pre-Raphaelite painters formed 1848 by painters Hunt, Millais, Rossetti: wanted to reform art

Magic Circle pic.twitter.com/lkWteuV7dd

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Pre-Raphaelites believed classical poses of Raphael had had corrupting influence on academic teaching of art

Waterhouse at easel pic.twitter.com/bhoyv4CL3V

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse borrowed techniques from the Pre-Raphaelites and also from his contemporaries, the Impressionists

Circe Invidiosa pic.twitter.com/52fxdh6Rsa

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
His paintings are known for his depiction of women from Greek myths & Arthurian legends, something popular with Pre-Raphaelite painters

Circe Offering the Cup to Odysseus pic.twitter.com/QP9QKb5J6B

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
His first exhibited painting, Sleep and His Half-Brother Death, was hugely popular with critics and public pic.twitter.com/jQSEGu168V

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse and his work were hugely popular in London art scene

1876: After the Dance was given the prime position in the summer exhibition pic.twitter.com/1FdR1fSiAi

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Some critics believe Waterhouse’s popularity may have led to his paintings becoming larger as his career progressed

Tristan and Isolde with the Potion pic.twitter.com/BOTiT1elti

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse is often considered a “Pre-Raphaelite” painter, though that movement had passed, due to his fondness for painting beautiful women, often femme fatales, who were mostly from classical mythology or Arthurian legends

Lamia & Soldier pic.twitter.com/uPpPlCbKcp

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse painted females from various famous myths, stories, and tales, but he seemed drawn to women featured in brutal or tragic stories

Lamia (version 2) pic.twitter.com/wHUyczyXn9

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse found the “beauty or calm” in these brutal and tragic stories, say some critics. Waterhouse’s audience may have been more classically educated so may have known more of these stories on which paintings were based

Diogenes pic.twitter.com/gfEmv4o0Dv

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
St Eulalia (martyred during Roman Empire) displays the body without showing any horrific injuries that were the cause of the victim’s death and without showing any contortions of body, which seems almost as if it were sleeping (albeit in public in winter) pic.twitter.com/l0DgaR3qzl

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

A Roman Offering pic.twitter.com/F5zsffCWky

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Boreas pic.twitter.com/Y6pBxpsM4u

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Cleopatra pic.twitter.com/90ASx5vKF2

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Destiny pic.twitter.com/jORVksWaBm

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Enchanted Garden pic.twitter.com/y1v2yi7VAM

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Even Waterhouse’s “grieving” women are perfectly coiffed and dressed, wearing jewelry, even visiting a tomb

Gone But Not Forgotten pic.twitter.com/pMrUniwZRQ

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
This painting depicts Jason and Medea after Jason has told his wife Medea that he is leaving her for a younger woman because, though calm, she is preparing the poison with which she will kill their two sons

Jason and Medea pic.twitter.com/dlV3S26wlU

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Dolce Far Niente pic.twitter.com/TMWdRpqe8s

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

La Belle Dame Sans Merci pic.twitter.com/aw4iSjXg2i

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
All of Waterhouse’s works are in Public Domain, which means images can be used without paying Permissions Fees

Spring Spreads One Green Lap of Flowers pic.twitter.com/NICkYsAa5o

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse didn’t often portray Christian stories

The Annunciation pic.twitter.com/Isc8x8DP25

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Charmer pic.twitter.com/WKnugluIsg

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Crystal Ball pic.twitter.com/DAfAY0VRrT

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse rarely painted pictures featuring only males

The Favorites of Emperor Honorius pic.twitter.com/VHZXG6Qqf9

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Missal pic.twitter.com/Ax7ZewqVxP

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Remorse of Emperor Nero After the Murder of His Mother pic.twitter.com/jyR2ChjyMs

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Shrine pic.twitter.com/mDIGp0st9m

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

The Soul of the Rose (also known as Sweet Rose) pic.twitter.com/4IOArsaXAt

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

A Mermaid pic.twitter.com/NW0Rqg9MMp

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Penelope and the Suitors pic.twitter.com/J8BrfsFoD0

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Miranda (from Shakespeare’s The Tempest) pic.twitter.com/wnGRu0wUl3

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse

Waterhouse’s more popular Miranda (from Shakespeare’s The Tempest), version 2 pic.twitter.com/1nIvC073tM

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
One of Waterhouse’s favorite subjects was Ophelia from Shakespeare’s Hamlet, who went mad from grief after Hamlet broke off their engagement and who, accidentally or intentionally, drowned herself

Ophelia, 1910 pic.twitter.com/VixT0UZWoM

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
After Hamlet wrongly accused Ophelia of treachery toward him, she went mad and brought everybody flowers (symbolic of their crimes) before she drowned

Ophelia, 1889 pic.twitter.com/LkYWhlVXwR

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Hamlet treated Ophelia quite shabbily, which led to her despair, madness, and death by drowning, which may have been suicide

Waterhouse’s most famous Ophelia, with flowers and water, 1894 pic.twitter.com/2rQXq8OeEe

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Waterhouse’s Ophelia gets more physically active at later dates, with her actually seeming to be walking in final version

Ophelia, three versions: 1889, 1894, 1910 pic.twitter.com/NcBRpYmKbv

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Lady of Shallot another of Waterhouse’s favorite subjects: he did 3 paintings of her. Lady Shallot the major character in Tennyson poem: she lives isolated in a tower until she views Sir Lancelot from afar

Lady of Shallot Looking at Lancelot pic.twitter.com/7Tf071xYZX

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Lady of Shallot lives under some mysterious cures: she is forbidden to look directly upon the world; instead, she must view it through a mirror and weave “shadows of the world”

I Am Half-Sick Of Shadows, Said The Lady Of Shallot pic.twitter.com/8R1ZkaGcT3

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Once the Lady of Shallot leaves her tower and floats down the river toward Camelot, she is doomed to die because of curse. Lancelot sees her for the first time after her death, when he pronounces her “lovely”

Waterhouse’s most famous Lady of Shallot pic.twitter.com/dnNvFLsMz0

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
The Lady of Shallot, 3 versions, showing the most important moments of her life: seeing Lancelot in the real world (not via mirror), becoming sick of the “shadows” in her reflected world, before her death after she leaves her tower & attempts to join world pic.twitter.com/bVlXy7LqXi

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
In Boccaccio’s Decameron, a group of beautiful, wealthy aristocrats retire to the country to escape the Plague; they entertain themselves telling stories
10 people tell a story/day for 10 days = 100 stories
influenced Chaucer’s Canterbury Tales

Decameron pic.twitter.com/c1AC2msYDU

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
When Ulysses was attempting to return home after Trojan War, he was cursed to wander 20 years. Sirens drove men mad with their song: Ulysses stuffed ears to mute their singing and lashed himself to mast to guide ship

Ulysses and the Sirens pic.twitter.com/gtg34F9bKn

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
In Ovid’s Metamorphosis, Pyramus and Thisbe are a classical Romeo & Juliet, forbidden to wed due to family rivalry, but who fall in love anyway by whispering to each other through the crack in a garden wall. Their story does not end well

Thisbe pic.twitter.com/uMJbHTMfv8

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Also from Ovid’s Metamorphosis, Hylas goes to get a drink of water and the Nymphs of the water become so enamored of him that they don’t want him to leave: they pull him into water so he can be with him, and he drowns.

Hylas and the Nymphs pic.twitter.com/ENIYvhwLuO

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Naiads (Nymphs) were Greek water spirits. They were always female and frequently dangerous since the men they loved drowned in their stories. Naiads & Nymphs represented the danger of female sexuality in Victorian period, as in dangerous to men

Naiad pic.twitter.com/zgDWCcBOSS

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Also from Ovid’s Metamorphosis, Narcissus is beautiful young man who “rejects” women & sexuality, then falls so in love with himself after seeing his own image in water that he ignores Echo, who loves him but can only repeat his words

Echo and Narcissus pic.twitter.com/inM55pn8T9

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
Though forbidden to do so, Pandora opened the box that contained all the evil things that plague mankind, releasing evil into world, closing box against just as final thing remained: Hope.

Pandora pic.twitter.com/1ftat6ngEU

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018

#ArtSaturday Waterhouse
1915: Waterhouse became gravely ill with cancer. He died 2 years later

Nymphs Finding the Head of Orpheus pic.twitter.com/U87cHS5zfH

— Alexandria Constantinova Szeman, Ph.D. (@Alexandria_SZ) March 10, 2018