Tag Archives: wes studi

This is The End, My Only Friend, The End: Penny Dreadful Series Finale, Episodes 8-9, “Perpetual Night” and “Blessed Dark,” Review & Recap

Spoilers,
Most Dreadfully Dreadful

Josh Hartnett as Ethan and Eva Green as Vanessa Ives in Penny Dreadful (season 3, episode 9). - Photo: Patrick Redmond/SHOWTIME - Photo ID: PennyDreadful_309_1596
We knew it would end some time, that deliciously dark and dreadful exploration into faith, into good and evil, and into mankind’s choice to do moral or immoral acts. The end came last night when Penny Dreadful completed its three-season run with a two-part finale, including episodes 8 and 9: “Perpetual Night” and “Blessed Dark.”  John Logan’s thrilling horror story Penny Dreadful did not end because of low ratings, series cancellation, or unavailability of the actors. Instead, like Soderbergh’s and Cinemax’s 2-year series The Knick,  the series Penny Dreadful ended because its creator and writer ended it, because he had always intended ending it at the conclusion of the third season, because it was the logical and reasonable end to the stories of its characters.

There is much grief among viewers over the loss of Vanessa (Eva Green), one of the belovèd characters of fictional drama. There is grief and mourning over the fact that the star-crossed lovers, Ethan (Josh Hartnett) and Vanessa did not, in fact, end up together, despite their great love for each other. There is some disbelief, and outrage, about Vanessa’s choosing the darkness, in the form of Dracula (Christian Camargo), because she is such a good person.

Those “outraged” viewers are ignoring or forgetting the evil in Vanessa herself. They’re also forgetting Vanessa’s previous choices to consciously do evil. Vanessa seduced her best friend’s fiancé on the eve of their wedding, knowing full well that the infidelity would betray her friend Mina and pollute the marriage, even if the act itself were never discovered. When Vanessa confronted the fetish of herself in the basement of Night-Walker Evelyn Poole’s mansion, she told it to “meet [its] Master” just before she destroyed it, proving pretty well that she could take care of herself when confronted with evil. When Vanessa intentionally said the Verbis Diablo in a spell that set Sir Geoffrey’s hounds on him,  she embraced the evil within her, knowing that she could never go back from that act. It was, fact, this evil act that turned Ethan away from her morally. Vanessa has consistently proven that she can consciously choose to do evil, especially when it benefits her. Even if those benefits are short-term.

Of course, the Apocalypse is not supposed to be short-term: it’s supposed to be the End of everything. Once again, in “Blessed Dark,” Vanessa displayed her moral ambivalence about the evil inside her by using her own death to subvert her previously conscious choices.

images-9

Like all the characters in Logan’s Penny Dreadful, Vanessa is both good and evil, and she made a choice, earlier, to abandon her faith, to abandon God, and to embrace her dark destiny as well as her evil nature. For three seasons, we have seen Vanessa struggle against the two Dark Masters who have been hunting her as their Bride. The “fallen angel brothers,” Dracula and Lucifer have been sparring over her soul and her body for the entire run of Penny Dreadful.

It wasn’t really such a surprise that she eventually gave in to Dracula, who promised her eternal love, devotion, and companionship. However heart-wrenching it was for viewers who knew that Vanessa’s surrender to Dracula meant the End of Days for everyone else, it seemed a logical emotional choice for Vanessa.

How long can one person be expected to hold out against the eternal forces of Darkness, especially when said forced are continually presented as physically and emotionally attractive, as unwavering and articulate lovers, as devoted companions, as eternal and never-ending love?

images-12

Vanessa tried to bind her destiny to that of Ethan Chandler (Josh Hartnett), but at the conclusion of season 2, Ethan left her and turned himself in for his crimes, ostensibly because he expected to be executed immediately, not extradited back to America to face his crimes there, or to face his father. It doesn’t matter to Vanessa why Ethan left her: only that he left her, and that she felt abandoned. That is one of the things that clearly shaped her decision to give in to her fate, her destiny, her tragic and ominous union with the Dark Master.

Dracula knew all about the Lupus Dei, the Hound of God who protects Vanessa and who threatens Dracula himself. He knew that Ethan is the Hound of God, though he often called him the “Wolf of God” instead. Dracula knew, furthermore, that Ethan was no longer there to protect Vanessa. When Dracula asked her about her former love, she said he had abandoned her. Dracula knew exactly what to say to the damaged and vulnerable Vanessa.

Dracula won the Vanessa-prize because everyone else abandoned Vanessa: Ethan, Sir Malcolm, Lyle. There was no one to whom she could turn except Dr. Seward (Patti LuPone), who unwittingly advised her to seek out Dr. Alexander Sweet, who was Dracula in his human form.

That doesn’t mean Vanessa was entirely happy with Dracula. After all, she embraced him saying that she was “accepting herself,” rather than “accepting him,” as he’d asked. I suppose he took her words to mean what he wanted them to mean, not a surprising thing given the Victorian setting of the drama, and the way men often treated women they desire. The Dark Master got what Vanessa gave him: it may have been only her body, it may have been the Apocalypse, it may have been her soul, albeit briefly (he claimed in The White Room that he had no need for her soul, and that, furthermore, his brother Lucifer was “welcome to it”).

We got a brief glimpse of something less than accord between Vanessa and Dracula when one of the Lost Boys reported on the Wolf-induced carnage outside the abandoned slaughterhouse. With her hand on his shoulder, Vanessa told Dracula that she could smell “the fear” on him. When he moved his hand to take hers, she moved away, while he looked vaguely surprised and distressed. It seems that all was not well in Apocalypto-Land, despite Dracula’s having the woman he’d searched for since the beginning of time.

Despite Vanessa’s being the Mother of all Evil, despite her being worshiped by all Dracula’s minions and Lost Boys, despite her being with the companion of her choice, Vanessa is not entirely happy.

This is one of the common themes in literature of the Victorian era, no matter the country of the author’s origin, and no matter the gender of the author. No matter what a fictional Victorian woman chooses, she will not be completely happy. No matter what a woman does, she will be “punished.” No matter a woman’s choices, her life is, in fact, severely constricted by her society. A woman must pay for whatever freedom and happiness she manages to attain.

Consider Flaubert’s Madame Bovary, where Emma’s adulterous affairs and self-indulgent debt lead to her husband’s ruin financial ruin. None of Emma’s lovers care for anything but their own self-satisfaction. Once they have Emma sexually, she loses attraction for them. Eventually, in despair, she commits suicide.

In Tolstoy’s Anna Karenina, Anna’s adulterous affair with the love of her life, Vronsky, leads to Anna’s loss of her son as well as to the loss of her status in Russian society. Eventually, it leads to her drug use, jealous rages that alienate her lover, and to her eventual suicide.

In Hardy’s Tess of the d’Urdervilles, the young and naïve Tess falls in love with her “cousin,” gives in to him sexually, and bears a child that dies shortly after; later, after marrying and revealing to her husband her initial sexual relationship, she is abandoned by her husband because of her “immorality;” Tess kills her first lover in the hopes that it will bring her husband back to her. Instead, she is executed for her crimes.

In Charlotte Brontë’s Jane Eyre, Jane must first “pay penance” for loving a married man, despite the fact that she did not know he was married when she fell in love with and agreed to marry him herself. She “punishes” herself for her “sins” by leaving him and by being unhappy. Even after she returns to Mr. Rochester, he is blind, and needs her as much as a caregiver as a companion. Jane’s ultimate “happiness” is purchased at a great price.

In Emily Brontë’s Wuthering Heights, Catherine and Heathcliff never do find happiness; instead, Catherine dies giving birth to (their?) child, cursing Heathcliff for having abandoned her, though he insists that it was Catherine who initially abandoned him by claiming she could never marry Heathcliff. She haunts Heathcliff after her death: the two are never together in life.

Even in American literature, women of the literary era are punished for sexual alliances and for love. Hawthorne’s heroine Hester, in The Scarlet Letter, bears her lover’s child after the older husband of her arranged marriage is pronounced dead. Because Hester will not reveal the name of her illicit lover, and because he never comes forward to claim her and the child, Hester is forced to endure the public scorn and repudiation of her society. Her lover dies without ever claiming the two of them. Hester’s “reward” for her loyalty and her love is a lifetime alone.

images

One could argue that, in making Vanessa Ives choose death as the logical conclusion of her moral choices, creator-writer Logan was merely creating yet another doomed Victorian heroine. Furthermore, by  having Vanessa request that the love-of-her-life Ethan kill her, to release her from her own moral choices, Logan is showing that Vanessa must have a man help her “atone” for her life choices and actions, as though she is unable to do so on her own.

I realize that death seemed the sole, logical conclusion for Vanessa’s moral choices, according to Penny Dreadful’s male creator. I realize that having the Apocalypse and the death of all mankind on one’s conscience would be an extremely heavy burden. But what happened to the Vanessa who “accepted [herself]”? Where was the woman who consciously embraced her dark side?

She defined herself, again, by a man, and by a man’s actions.

images-1

Ethan may be considered her “saviour,” but, in the end of Vanessa’s story, he was simply the man who decided her fate: it was Ethan who ultimately pulled the trigger and killed her. One could argue that Vanessa decided her own fate by asking Ethan to kill her, but other Victorian heroines have chosen to end their own lives, and not asked that a man do it for them.

What was Vanessa but another Victorian heroine who had to suffer for being different? A Victorian heroine who could not fit in to society’s definition of a “proper woman.” A heroine of Victorian-era literature who was not “allowed” to be happy, who was not permitted to be either sexually or emotionally content.

Ah, well… we could wonder all we want at what Logan was attempting to do. I would argue that Logan, while re-inventing some of the characters from the literature of the Victorian era, fell into the same constricted societal judgements of all persons, but especially of women, who are different from that which society expects.

A woman without a man is incomplete.

A woman who chooses sexual independence is morally repugnant.

A woman who chooses sexual or moral freedom must be punished.

Logan and Penny Dreadful gave us yet another doomed Victorian woman who must die, or otherwise by “punished,” for her sexual and moral choices.

That doesn’t mean I don’t love Vanessa Ives and Penny Dreadful. I think she is one of the finest characters ever created, and the series is one of the best ever written. I’m devastated to see it end. It simply means that, as a woman, I’m saddened to see yet another fictional heroine forced to “choose” death as the “punishment” or as the ultimate end of her moral and sexual choices.

Still, Vanessa’s fate was, no doubt, decided long beforehand, and with her constant pleas to others, and especially to Ethan, to end her “suffering,” her death shouldn’t have been a surprise to any viewers.

Vanessa died. By Ethan’s hand. At her request.

Then, to appease anyone who was too tremendously upset about Vanessa’s having chosen Dracula and the Darkness instead of waiting for Ethan to return (though mating with him would have also been a morally dubious choice, given that he’s a WolfMan), Vanessa began to pray again, half-way through Ethan’s recitation of The Lord’s Prayer, while he remained silent, just before he shot her.

As if her being able to pray again weren’t clear enough for viewers, Vanessa claimed to see “our Lord” as she was dying.

In case anyone thought that Lucifer might scoop her up as she attempted to avoid the consequences of her having chosen, in life, his earthly brother of Darkness, Dracula.

It was sad to lose her.

But, somehow, it was not a surprise.

images-20

Meanwhile…
The Remaining Stories

Dorian (Reeve Carney), having given Lily to the love-lorn Victor Frankenstein so that Victor and his colleague Henry Jekyll could “make her into a proper woman,” returned to his mansion, threw out all the whores, and killed Justine (Jessica Barden), who didn’t want to live in a world without Lily. When Lily returned, she viewed Justine as another “dead child,” having related earlier, to Victor, her loss of her natural born child, Sarah. Despite Dorian’s assurance that life without emotional engagement was the only way to survive immortality, and that he was the only partner suited for her, Lily left Dorian alone.

Unknown-3

Dorian’s story has never been as integrally woven with the story of Vanessa and the others, and this end was no different. Despite Dorian’s being sexually involved with Vanessa in season one, Dorian is ultimately alone. An outsider in the world of Penny Dreadful.

images-17

Victor Frankenstein (Harry Treadaway, above L) gave up trying to mold Lily (Billie Piper) into a “perfect woman,” by which he meant a woman who loved him but had no independent thoughts, life, or impulses. After Lily begged him not to take away the memory of her dead child Sarah, Victor finally saw her as a human being with desires and a life separate from his own.

Despite Jekyll’s (Shazad Latif, above R) insistence that Lily could have been changed, and Jekyll’s lament that he never should have left Victor alone with Lily, Victor won the moral high ground in this “battle” over good and evil. Though Jekyll gloated that he, at last, had inherited his father’s estate and title, and would thereby achieve societal acceptance as “Lord Hyde,” viewers probably guessed that Jekyll-Hyde would never be part of the society as he wished, even if they’ve never read the book on which his character was based.

images-19

Frankenstein’s first Creature (Rory Kinnear, above, center), also sometimes known as John Clare, was reunited with his family only to be confronted with the death of his young son. After his wife insisted that he take the boy’s body to Dr. Frankenstein so that the boy could be re-animated as was the Creature himself, Clare was faced with a moral decision. He had to choose life with the woman who claimed to love him and accept him totally, but who insisted that he have their son “re-animated” so that she could love him again, “better this time,” or Clare had to choose life alone. He chose to “bury” his son in the ocean rather than to have him re-animated and to suffer as the Creature himself had.

images-14

Dr. Seward (Patti LuPone) was not revealed as the re-incarnated Joan Clayton, which LuPone played in Season 2, but she did come to Vanessa’s aid. She acquitted herself admirably alongside Sir Malcolm (Timothy Dalton), Ethan, Catriona (Perdita Weeks, below), Frankenstein, and Kaetenay as they fought Dracula’s minions, the Lost Boys.

images-15

After Vanessa’s death, Sir Malcolm, who was wounded by a vampire but had his wound cauterized by thanatologist Cat, bonded with Ethan. Each affirmed that they had to find a new life now that Vanessa was no longer alive, but that they considered each other family. Malcolm and Ethan have become the ideal father and son that neither had in reality.

Unknown-1

After finding a dead wolf hanging in Vanessa’s room at Sir Malcolm’s mansion, but before finding Vanessa herself, Ethan learned that it was his spiritual father Kaetenay (Wes Studi) who turned Ethan into a WolfMan. Though Ethan’s hostility toward Kaetaney has been present from the beginning of the season, if only in visions, Ethan did not know that Kaetenay intentionally turned (and cursed) him until last night.

penny-dreadful-season-3-finale-kaetenay

(I’m actually not sure what happened to Kaetenay, which could mean I was too absorbed in the group’s search for Vanessa to notice. On the other hand, it could mean that Kaetanay’s fate was not remarkable enough for me to notice. I’ll update the post after I watch the episode again.)

sddefault

Dracula (Christian Camargo) vanished tout de suite after Ethan appeared, bearing Vanessa’s body. Everyone else seemed to be paying too much attention to Ethan to notice that Dracula had escaped. He was never mentioned again.

Rory Kinnear as The Creature in Penny Dreadful (season 3, episode 9). - Photo: Jonathan Hession/SHOWTIME - Photo ID: PennyDreadful_309_3197

The Creature appeared at the cemetery during Vanessa’s funeral, and his poignant Voice-Over of Wordsworth’s famous “Ode: Intimations of Immortality from Recollections of Early Childhood” was a lovely tribute to the entire show.

images-5

Were there loose ends? Unfortunately. We never got to see how Amunet or Amun-ra were related to either Dracula, Vanessa, or Lucifer, the other Prince of Darkness. As I wrote earlier in this post, Dorian’s story was never as integrally tied into the remaining tales, but we know that he’s alone. We don’t know what happened to Lily, but if she’s like Frankenstein’s other Creature, she’s going to be roaming the world an an immortal being, always alone. Frankenstein himself, after pining after and plotting over Lily all season, seemed relatively quickly resigned to life without her. Jekyll’s story didn’t have near the moral consequences that it does in the novel, when its protagonist tries to separate his evil impulses from the good ones, failing when the evil side cannot be conquered unless the physical body is destroyed. Renfield ended up in a cell in Bedlam. What happened to Dr. Seward and Catriona, the other two strong women in the show? They helped save Vanessa. That seems to be their sole purpose. What happened to Dracula? We’ll never know.

It’s over, my fellow Dreadfuls.

It’s been quite a tumultuous ride.

Related Posts

May the Lost Souls Be Found:
Penny Dreadful, Season 3 Episode 7,
“Ebb Tide” Review & Recap

Loving the Darkness:
Penny Dreadful, Season 3, Episodes 5-6,
Review and Recap

Embracing the Darkness:
Penny Dreadful, Season 3, Episode 4,
Review and Recap of “A Blade of Grass”

No Mercy Anywhere:
Penny Dreadful, season 3 episode 4,
“Good and Evil Braided Be,”
Review and Recap

Behind the Masks:
Penny Dreadful, Season 3, Episode 2,
“Predators Far and Near,”
Review and Recap

All the Unloved Ones:
Penny Dreadful, Season 3 Premiere,
“The Day Tennyson Died,”
Review and Recap

When Lucifer Fell:
My Penny Dreadful Blogs,
Seasons 1-2, Review and Recap

Leave a Comment

Filed under Actors, Authors, Books, Classics, Movies/Television, Penny Dreadful, Recap, Review, Violence

May the Lost Souls Be Found: Penny Dreadful, season 3 episode 7, “Ebb Tide,” Review and Recap

Spoilers:
Dark, Dreadful, Delish

“Ebb Tide,” the 7th episode of Showtime’s deliciously dark homage to Victorian horror literature Penny Dreadful, created and written by John Logan, left viewers breathless as it rushed down the strait, shadowy corridors toward its 2-episode, season 3 finale (Sunday 19 June). Virtually everyone was in danger, and because at least one of the storylines was neatly (and happily) tied up — without the show’s being renewed for a 4th season — I fear that the series, not just the season, may be coming to an end.

John Clare
aka The Creature
aka The Orderly

John Clare (Rory Kinnear), also known, this season, as the Orderly from the Banning Clinic, and as Frankenstein’s first Creature, visited Vanessa Ives last night, telling her he was in need of a friend. He told her he’d found his family but feared that they would reject him, given his appearance “from the accident.” Vanessa was as loving and accepting as she always is: she told him she saw the man he is inside, and urged him to give his family a chance to take him back into their lives. She also revealed that she knew the scarred man before her is the same man who was the Orderly at the Clinic. John Clare did not recall her from the time in the clinic, nor did he recall the clinic, but she assured him that he had been good to her and that she loved him for it. It was typical non-demon-possessed Vanessa: loving and accepting of the shunned, the different, the alienated.

images-13

Part of Clare’s fear regarding his family was his own looks. Part of it was his son’s reaction from last episode: while Clare cared for the consumptive boy, who had his eyes closed, the boy spoke affectionately and longingly to his father. When the boy opened his eyes, however, he began to scream, causing Clare to run out into the streets, into an alley, where he grieved.

(These scenes as the Creature, along with those of Kinnear as the Orderly who is possessed by both Lucifer and Dracula as they attempt to seduce Vanessa, should, at the very least, garner Kinnear some award nominations. He is consistently strong and powerful in this role.)

Last night, after what seemed like hesitation but what ultimately may have been disbelief and shock, Clare’s wife threw her arms around Clare and hugged him tightly. She listened to his story, then assured him that he was the same man she had always loved. He told her he’d done things that were cruel and unnecessary — out of rage — but she said that he was now back home. Then she took him to the flat and told their son, Jake, that someone had come to visit, to stay, and Clare entered the room. The boy was silent and wide-eyed for a while, but when Clare knelt and helped with the model-ship, the boy grasped his hand, then hugged him. Clare was moved to tears, though this time from happiness over the love and acceptance of his family.

I was moved to tears, too (though it’s this happy ending for one of creator-writer Logan’s favorite characters that makes me fear, along with the fact that season 4 of Penny Dreadful has not been announced, that this may be the final season of the series).

Lily, Dorian,
Frankenstein, & Jekyll

Billie Piper has really come into her own since she was “transformed” from Brona to Lily. As Brona, she only had a relatively small part — as the consumptive lover of Ethan, as the presumptive bride-to-be of Frankenstein. As the re-animated Lily, Billie has been able to embody female rage at societal restrictions and at males’ abuse of females. Billie Piper may join Eva Green in the Emmy and Golden Globe nominations this season.

1600

Over at La Maison Gray, Lily (Billie Piper) gave the entire graduating class of Whore University their first “world experience” assignment: find “a bad man” and cut off his right hand. Dorian looked mighty uncomfortable as all the whores cheered.

Unknown-1

Next scene with the group, the women were “blood-drunk” and having an orgy,

Unknown-3

while a pile of bloody hands was shown on the table. Dorian seemed repulsed, though that may not be the right word for the look on his face, since he’s not a man who is easily revolted. Justine (Jessica Barden) asked him for a dance, which he declined, then taunted him about his manners, which are always perfect and upper-class.

images-2

Dorian confronted her and eventually grabbed her throat; he told her that she was just learning the language of violence but he’d written the book on it; he called her “Kitten” and told her that if she wanted to play with him, she’d better show him her claws.

Since Dorian has his portrait to help him maintain immortality, Justine will not be able to defeat him. If she tries to kill him, it will just make a wound in the portrait, which viewers rarely get to see anyway, and which I know more about from the novel on which Dorian’s character is based than on the show itself. Take my word for it, however: the hidden portrait is the secret of Dorian’s longevity, beauty, and disdain for the rest of the world. I don’t believe Lily knows about it. Justine certainly doesn’t. If she did, she wouldn’t waste her time threatening Dorian: she’d just destroy the portrait, which would kill Dorian.

images-8

Later, walking with Lily, Dorian told her that he was bored with her “revolution,” having been through so many of them before, and that one of them “had to change.” Then a carriage stopped and out jumped Victor Frankenstein (Harry Treadaway, below R) with Jekyll (Shazad Latif, below L) driving.

images-18

Dorian seemed to be doing just another break-up with one of the women in his life, but he was actually helping Frankenstein and Jekyll kidnap Lily and take her to Bedlam. When she recovered consciousness, she was understandably frightened, and that was before she discovered that she was chained by the ankle. Bedlam (St. Bethlehem’s) is such a frightening institution that even Americans know what “Bedlam” stands for: insanity, imprisonment, no escape. Lily was reduced to “rebelling” by calling Dorian the nastiest name she could think of for a man, which he found amusing. Then the Boys told her they were going to “cure her, make her well, restore her,” etc.

Unknown-2

With fear on her face, Lily asked them what they were going to make her “better than,” and told Victor again that he had been the happy one in their relationship: not both of them, i.e., not Lily herself. They ended the scene with the nightmare-words heard by every woman who has ever not fit into society’s prescribed female role: we’re going to make you a proper lady.

Nightmare-City, Lil.

Ethan, Sir Malcolm,
& Kaetenay

Back in the Spanish-desert-pretending-to-be-the-American-Southwest, Ethan (Josh Hartnett), no longer dressed like Zorro but now going hatless in the desert heat, and his Apache surrogate father Kaetenay (Wes Studi), also hatless, argued about whether or not Ethan was “done with Hell.” Ethan claimed that he was, but Kaetenay informed Ethan that Hell wasn’t done with him. It was one of the better lines of the evening.

Then Kaetenay proved his status as the current season’s Wise Old Man archetype by falling back against a fence and having a vision.

A vision of Vanessa, whom he doesn’t even know.

1600-1

In the vision, Kaetenay saw Ethan return to Vanessa, whom he loves, as he informed Kaetenay last night. (And viewers finally got to see the much-anticipated “reunion” of Ethanessa: these photos have been circulating the ‘Net since before the series began its third season.)

The doomed couple’s feelings for each other are still strong.

Unknown

However, when Ethan went to Vanessa in the vision, though they love each other, she told him it was “too late.” Then the Lost Boys broke through the windows of Sir Malcolm’s mansion, where Vanessa is now living alone.

images-11

That first vision was involuntary. Once Sir Malcolm (Timothy Dalton, below, background), Ethan, and Kaetenay were on the ship, Kaetenay induced a vision with his “bones” and “trinkets.”

images-5

In this vision, Kaetenay himself was with Vanessa. At first, he seemed to want to help her.

Unknown copy

Then he called her a few TV-MA-rated words, saying that he loved her for who she was. That seems to be Vanessa’s theme song this season, although it may have always been her tune.

Unknown

In any event, Kaetenay ended the vision by saying that he knew Vanessa was made for the “day,” not for the night. Her eyes turned red like the vampire-Creature’s as she told him he was mistaken.

Kaetenay was freaked by the vision. He told Malcolm to get the Captain to hurry up, ’cause, you know, if you have a boatload of monies, you can get a ship to go faster across the Atlantic…

Anyhow, while Kaetenay was taking a post-vision nap in the cabin, Sir Malcolm (Timothy Dalton) and Ethan got caught up on some surrogate-father-son bonding, each revealing that they now feel themselves family to each other. It was a touching moment, but it made me wonder which one of them is going to get killed in the finale.

Not that I want to lose either of them: Ethan is, after all, the Lupus Dei, the Hound of God that protects Vanessa from Lucifer and Dracula, as well as an important component of Ethanessa; and Malcolm is, well, he’s played by Timothy Dalton, the only really sexy man my age on the show… sigh…

Vanessa & Dracula et al

images-4

 In addition to appearing in Kaetenay’s visions, Vanessa was briefly mentioned by Dr. Seward (Patti LuPone), who was listening to the recordings made while Vanessa was hypnotized. Seward thought she was alone in the office at night, but Renfield (Samuel Barnett), in a super-spooky scene, appeared at the doorway.

images-5

After Seward claimed that Vanessa was a multiple personality — in a serious breech of professional ethics, even if it was a new field –Renfield startled Seward with his creepy, non-sensical talk (à la the Lost Boy who cornered Vanessa in the Hall of Mirrors and told her that the Master had already visited her in the White Room).

If Dr. Seward is more than she seems to be, or if she has any of her “ancestor” Joan Clayton the Cut-Wife in her, Seward better do something quick, or Renfield is going to have her as his “sweetie,” and I don’t mean in the metaphorical or romantic sense, but in the same way as he meant when he asked Dracula for some “sweeties” and gorged himself, with Dracula’s permission, on the body of the dead man hanging in the warehouse.

The actor playing Renfield doesn’t have much of a part, but Barnett does a super-creepy job with his few scenes. Renfield is traditionally portrayed as deranged — that’s how he is after his encounter with Dracula in the Bram Stoker novel — and Penny Dreadful’s Renfield seemed to be going that direction earlier this season when he was sitting at his desk, writing Vanessa over and over and over, right before he snatched up and fly and crammed it into his mouth. Last night’s episode let the actor revel in the creepity-creeps while still acting scared bloodless himself by the appearance of his Master, Dracula. Renfield crawled up to the sleeping Vanessa (Eva Green), posed like Sleeping Beauty on a Victorian Fainting Couch in the Museum, licked her neck, then appeared to be about to bite her with his baby vampire teeth…

But wait…

Who’s that creeping up behind you, Renfield?

 A not too happy Dracula, still in the guise of Dr. Sweet (Christian Camargo).

images-7

I gotta tellya, having grown up in the fang-baring, cape-as-bat-wings, bug-eyed era of Dracula (Bela Lugosi, in his iconic role, below),

images-11

I’m fascinated by Camargo’s performance as the Master of all Darkness on the face of the earth. He rarely raises his voice, only occasionally tosses minions across rooms, and seldom is seen is the presence of extremely-recently-dead creatures. Furthermore, when the recently dead animals are human, this Master of Darkness on the earth is not feeding on the humans himself: instead, he’s talking about Vanessa.

No matter what the love-of-his-undead-life Vanessa tells him, like that “a Creature” is seeking her for his bride,

03-penny-dreadful.w529.h352.2x

Camargo doesn’t blink an eye.

Metaphorically, that is.

And his sexier-than-dark-chocolate voice is super-duper-calm when he asks her quasi-outré things (that he already knows the answer to), like, “And does this Creature have a name?

images-4

Yowza!

This is why I’m a writer and not an actor. How does Camargo do it? I don’t have a clue, but he’s really spooky good at it, my lovely Dreadfuls. With writer John Logan’s script as the basis, Camargo has totally re-invented Dracula and put new spin on the spook factor.

But back to “Ebb Tide”…

Eva Green as Vanessa Ives and Samuel Barnett as Renfield in Penny Dreadful (season 3, episode 7). - Photo: Patrick Redmond/SHOWTIME - Photo ID: PennyDreadful_307_0478

Renfield was doing the kissy-neck on Sleeping Beauty when Dracula (Christian Camargo) walked in behind Renfield, grabbed him by the throat, lifted him off the ground — just enough to let the minion know that the Master was none too happy about the physical-sexual intimacy with the Girl of his dreams — and, while holding Renfield by the throat, Dracula ever so slightly shook his head in warning.

You can bet Renfield took off as soon as Dracula released him.

Then Dracula played the lovey-dovey-sweetie role for Vanessa, who said he was “too good” to her, to which Dracula-Sweetie replied, “I hope you’ll always think that.”

Poor girl.

Reeled in by the very best of them.

Unknown copy

Back at Sir Malcolm’s Manse, Vanessa has been doing all this research on Dracula, which the thanatologist Catriona Hartdegen (Perdita Weeks) dismisses as superstition, myth, literature, and a lot like “reading the Bible for history.”

images-7

Cat  then told Van that Dracula would be “unexceptionable” so that he would, in effect, blend in. I mis-heard that line originally, thinking she said “unremarkable,” and it made me laugh since Camargo as Sweet-Dracula is most decidedly not “unremarkable looking.” His eyes alone are “remarkable,”

images-9

and his voice is unusual enough to make him stand out.

Note: When I watched “Ebb Tide”  for the third time, I realized that Cat said “unexceptional” rather than “unremarkable.” I tried to think only of the character instead of the actor playing Dracula. Is the Director of the Natural History Museum “unexceptional”? I understand what Cat was trying to tell Vanessa, but it seemed an odd choice of words: whether it’s “unexceptional” or understood as “unremarkable:” Cat was telling Vanessa that Dracula will blend in. (Okay, perhaps it’s being picky, but when things bounce out at you like that, it means that something is “off,” whether or not you originally mis-heard the line. Thus, my reaction to the line.) End Note.

That issue aside, when Cat tells Vanessa that Dracula will “live among the Night Creatures,” you can bet she recalls that Dr. Sweet is preparing an exhibition of the Night Creatures — how can she forget since that’s where the two of them made passionate love and spent the night together?

CkQ7yfXWUAAkLfh

Now Vanessa knows that Dr. Sweet and Dracula — the mild-mannered milquetoast who kept forgetting her name, and the Dark Master of the earthly realm who has been seeking her — are one and the same. Armed in a low-cut gown and sporting a pistol, Vanessa returns to the museum to confront Sweet.

Unknown-5

He’s waiting for her.

images-3

She makes the mistake that far too many people with pistols in dramas make: she doesn’t go ahead and shoot. She talks to him first. She tells him how hurt she is, how truly cruel he is (even more so than she ever imagined he would be), how he twisted her heart, blah blah blah. 

First mistake in drama when a character has a pistol: too much talk.

Then Vanessa makes an even more serious mistake: she lets him talk.

Oh, Vanessa, when will you learn not to listen to the Darkness?

Of course, he tells everything she wants to hear.

He tells her everything she’s always wanted to hear.

He loves her just as she is, how he doesn’t want her to change for him, how he doesn’t want her to be as society-family-doctors expect her to be, how he doesn’t even want her to be good, how he wants her just the way she is.

He admits that he was “seeking” her, but insists that he fell in love instead.

He doesn’t want her to “serve him” — instead, he wants to “serve” her, as the Mother of All Darkness…

Oy, vey, what red-blooded woman could resist?

Even if their union would start the Apocalypse.

Unknown-8

Meanwhile, with every line, he’s walking closer and closer.

She points the gun at him.

images-10

He tells her to go ahead and shoot, saying something like, if he can’t have her the way he wants, then what’s the point of living any longer?

Does she shoot him?

No, she does not.

Instead, she lets him get even closer, like this.

Unknown-8

He keeps right on talking in that sexy-smooth totally “unexceptional” (cough, cough) voice that he has, telling her that she’s all he’s ever wanted, and that he only wants her just the way she is. He tells her that she will never be alone again. He says he will love her until “time ceases to exist.”

He keeps talking in that unexceptional voice until she’s like this:

Unknown-4

“Do you accept me?” he says.

“I accept,” she says, “myself.”

Dracula bares his teeth and bites her neck.

Vanessa’s voice comes over the two of them — as they stand there in some sort of erotic ecstasy — saying something about the end of life-as-we-know-it on earth and all the Darkness in the universe settling on the face of the world or something very like that.

If Logan had made that the cliff-hanger, I would’ve gone berserkers.

Fortunately, though season 4 of Penny Dreadful has not yet been announced and though the Creature’s storyline seems to have closed for all time and on a happy note, we have at least one more, 2-hour, season finale episode remaining.

Be there, my Dreadfuls, or be very scared.

Related Posts

Loving the Darkness:
Penny Dreadful, Season 3, Episodes 5-6,
Review and Recap

Embracing the Darkness:
Penny Dreadful, Season 3, Episode 4,
Review and Recap of “A Blade of Grass”

No Mercy Anywhere:
Penny Dreadful, season 3 episode 4,
“Good and Evil Braided Be,”
Review and Recap

Behind the Masks:
Penny Dreadful, Season 3, Episode 2,
“Predators Far and Near,”
Review and Recap

All the Unloved Ones:
Penny Dreadful, Season 3 Premiere,
“The Day Tennyson Died,”
Review and Recap

When Lucifer Fell:
My Penny Dreadful Blogs,
Seasons 1-2, Review and Recap

2 Comments

Filed under Actors, Books, Horror, Movies/Television, Penny Dreadful

No Mercy Anywhere: Penny Dreadful s3 e3, Review & Recap

Spoilers, Most Dreadful

Despite its tongue-twisting title, “Good and Evil Braided Be,” episode 3 of Showtime’s popular Penny Dreadful continues to demonstrate strong writing, by creator John Logan, and acting, by all the principals, as it ramps up the intensity and the blood-spill. Viewers learned more about characters’ secrets, characters learned more about themselves and their pasts, and characters spilled blood galore — and reveled in it.

Ethan & Hecate

images-5

The witch Hecate Poole (Sarah Greene) is gravely mistaken if she thinks she will win Wolf-Man Ethan’s (Josh Harnett) heart by committing more atrocities than he does. After all, by the very nature of his curse, Ethan doesn’t consciously choose to be evil and massacre people. In fact, during all of the first season of Penny Dreadful, Ethan didn’t even realize that he was a werewolf, though he did acknowledge that there was a string of dead bodies at his back, and he assumed that he was responsible for them. It wasn’t till season 2, when Ethan asked Sembene (Danny Sapani) to watch over him — as he was chained to the basement wall during the first night of the full moon — that Ethan finally discovered what happens to him during his blackouts. Still, despite being a Were-Wolf or a Wolf-Man, whichever you prefer, Ethan has consistently been one of the few characters in Penny Dreadful who seems to consistently have a conscience.

images-7

Though Hecate helped Ethan escape from the men his father hired to kidnap him and bring him home to Talbot Range, Hecate seems to be completely misinterpreting Ethan’s character. In episode 3, after she’d slaughtered a small rancher and his wife, she told Ethan that, essentially, the two of them were the same kind of people. I guess she missed the look on Ethan’s face as he stared up at her over the body of the murdered rancher. Ethan obviously recognizes that his killing people during his wolfman-induced-blackouts is not the same as consciously killing innocent people, as Hecate does. She seems to believe that the two of them are soul-mates, and insisted that she is trying to bring out his true nature.

Ethan seems unconvinced.

And extremely wary.

Sir Malcolm & Kaetenay

Sir Malcolm (Timothy Dalton) and the Apache Kaetenay (Wes Studi) arrived in the American West, where they are hot on the trail of Ethan, whom they now suspect is not traveling alone. Finding the dead bodies, Malcolm remarks that such atrocities could not have been committed by the Ethan Chandler that he knows. Kaetenay remarks that, no matter what kind of person Ethan may have been in the past, Sir Malcolm and Kaetenay are morally bound to destroy the evil creature that he may have become.

1920

That makes viewers, again, question Kaetenay’s role in this search for Ethan.

Kaetenay has already proven himself unreliable by not revealing to Sir Malcolm the animosity that exists between the Apache and Ethan (which viewers know from the vision of Kaetenay and Ethan in the desert). Even after Sir Malcolm confronted Kaetenay on the train, questioning why Kaetenay needs Malcolm’s help, Kaetenay claimed only that Ethan trusted Malcolm more. From Ethan’s vision-behavior, I’m guessing that Ethan doesn’t trust Kaetenay at all. But he’s keeping this secret from Malcolm to get to Ethan. We don’t know what Kaetenay wants from Ethan: the Apache guide claims to be his spiritual or surrogate father, along with Sir Malcolm, but also continually says that he and Malcolm are obligated to destroy Ethan.

Malcolm doesn’t seem to believe Kaetenay. That’s reasonable, given that Sir Malcolm is a man who “murdered and raped” his way across the African continent — according to Vanessa in one of her trance-induced episodes of revealing other characters’ lives to them — so he doesn’t seem the sort to blindly accept everything Kaetenay is telling him. Malcolm already questioned Kaetenay while they were on the train, although Malcolm later defended him from ignorant cowboys who insisted that “Indians ride with the luggage.”

It seems that Sir Malcolm is as wary of his traveling companion as Ethan is of his.

The Creature,
aka John Clare

images-16

Frankenstein’s first Creature (Rory Kinnear), who was using the name John Clare last season, is looking to his past this season. Having had a glimpse of his family while on the ship in the premiere, he returned to London in last night episode. Finding the predominantly Chinese neighborhood where he and his family rented lodgings — and briefly glimpsing Vanessa and Dr. Sweet together on the streets — Clare went into the room he shared with his family. Then he set off in search of them. He found his wife and son, who is dying from consumption, in another rented room, spied on them from above (in a homage to the novel, where the Creature spies on a family from an adjoining structure), wept at their condition, then stole a watch from a rich man, and left it for the wife to find.

John Clare, previously called The Creature, has often been more humane and decent than most of the human characters in the series. Last night, his weeping over his wife and son, as he himself remained hidden from them, revealed his suffering. At this point, viewers are still not aware of how John Clare died in the first place: only that Frankenstein re-animated him, then abandoned him in terror.

Will Clare reveal himself to his wife and son?

Or will his monstrously scarred visage prevent him from doing so?

Dorian, Lily, & Justine

images-4

The story of this trio started with Lily (Billie Piper, above R) and Justine (Jessica Barden, above L) at an outdoor café while female suffragettes staged a protest, agitating for the right to vote. The police responded with violence. Thinking, I suppose, that Lily wants the same thing as the suffragettes, Jessica commented on them. Viewers know Lily’s feelings about men, as well as her rage toward them. Despite any apparent moral or socio-economic connection with the suffragettes, however, Lilly ironically revealed that she does not, in fact, want mere equality with men: she wants to dominate and conquer them.

PennyD 3.2 Dorian Girl_zpstl3ecyja

Then, in a series of scenes so gruesome and bloody, they could have been part of the grotesque (novel and film) American Psycho, Dorian (Reeve Carney), Lily (Billie Piper), and Justine (Jessica Barden) had an orgy after committing atrocities. Dorian and Lily presented Justine with the bound and gagged man who had taken Justine when she was 12, used her sexually, then hired her out after he tired of her himself. Dorian and Lily taunted Justine, calling her “whore” other things, as if they thought she had no rage.

They were mistaken.

Justine, it seems, has almost as much rage as Lily. Grabbing the knife from Dorian, Justine slashed the throat of the man who used her, then stabbed him so often that she was covered in blood. Dorian kissed her.

Cut to the three of them in bed, covered in blood, having an intense — and apparently quite satisfactory — sexual encounter.

images-6

These three amply demonstrate the “excitement” (physiological arousal) from having the power of life and death over another human being that serial killers interpret sexually. The three had sex, covered in the blood of their victim, then laid out the plan to conquer the world.

Or, to start a war, in Lily’s version, and to found a religion of sorts, in Dorian’s.

Either way, Justine, who is neither re-animated, like Lily, nor living an abnormal life, like Dorian, is in for a penny, in for a pound, as they say.

In her case, in for a drop, in for a bucketful, I guess.

Drs. Frankenstein & Jekyll

Unknown-1

Victor Frankenstein (Harry Treadaway, above L), having been suitably impressed by Jekyll’s (Shazad Latif, above R) serum on a crazed and violent Bedlam patient, interviewed the patient on his memories during his calm vs violent phases. Right in the middle of the interview, however, to Frankenstein’s surprise — though not to that of viewers familiar with Robert Louis Stevenson’s novel The Strange Case of Dr. Jekyll and Mr. Hyde — the patient suddenly and dramatically reverted to his violent self (only without the mouth restraint).

Unknown-3

That allowed Jekyll to rant and rave, not on his favorite topic of British Imperialism and racism, but, rather, on the short-acting nature of his serum. Instead of blaming himself — because, of course, he’s infallible — Jekyll seems to blame the serum itself, as if he were not the one who formulated it. Bordering on violence himself, Jekyll insisted, in his almost out-of-control, maniacal rant, that man could be separated from his evil self, leaving only the good intact.

By which, I suppose, he means, make man other than what he actually is: a combination of good and evil.

Dang.

If only that serum would do what it’s supposed to.

Permanently.

Victor jumped on that train to Fantasy Island with Henry Jekyll, asserting that if his own method of electricity were combined with Jekyll’s elixir-serum, they would conquer evil by separating it from the good.

Which is what Victor wants to do with the re-animated Brona-turned-Lily, returning her to an “innocent” state, which viewers know was probably an act, so that he can have her back as his love and his lover.

Neither Frankenstein nor Jekyll seems to question where the evil goes once it’s driven out of the test-subject.

Neither seems to believe that he himself is evil either.

I wonder why.

Vanessa & Dr. Seward

images

Like John Clare, Vanessa is attempting to recall her previous life, trying to learn how to live her life now, and in the future, by remembering what happened to her in the past. Eva Green, as Vanessa Ives, and Patti LuPone, as Dr. Seward (above), continue to display their on-screen chemistry and their superb talent as actors in this episode of Penny Dreadful. Dr. Seward, whose character originated in Bram Stoker’s Dracula, is practicing “Alienism,” a new science that seems to be the precursor to psychiatry-psychology and talk-therapy. Last night, Vanessa, pacing like a caged animal, exploded at Dr. Seward.

images-1

Vanessa felt that Seward was being condescending: saying Seward believed that Vanessa believed in vampires, witches, and the Devil, rather than actually believing in them herself. Seward insisted that the distinction wasn’t necessary for them to continue to work together. Vanessa insisted that Dr. Seward is the Cut-Wife Joan Clayton (played by Patti LuPone in season 2, above), resurrected or re-incarnated or somehow returned to life as Dr. Seward.

images-5

Then, in a move similar to that which the Cut-Wife forced Vanessa to do, Vanessa grabbed Seward’s wrist and revealed part of her past. Vanessa claimed that Seward killed a man before he was able to kill her. And we know from experience that whatever Vanessa “sees” when she does this, it’s the truth.

Startled by Vanessa’s other-worldly ability, Seward agrees to hypnotize Vanessa so that she can recover her memories from her time in the Psychiatric Clinic of Dr. Banning where, as Vanessa correctly reports, she was “tortured.”

Vanessa & The White Room

After a conversation in the Hall of Mirrors (more on that later in this post) about The White Room, where past and present don’t exist, with one of the Lost Boys (Jack Greenlees, below),

Unknown-2

Vanessa decides that she must be hypnotized to recall her confinement in the padded room of Dr. Christopher Banning’s Clinic (from season 1). Despite Dr. Seward’s warnings that repressed memories are repressed for a reason, Vanessa (Eva Green, below) insists on revisiting that horrifying place, if only in her memory.

images-2

In a brief image that revealed Dr. Seward’s profile against the wall of the padded room, we were given the impression that Dr. Seward might have the metaphorical or otherworldly ability to be with Vanessa in that White Room (which would explain the image above, circulating on the Internet, with Dr. Seward comforting Vanessa in said “prison”).

images

Vanessa claims to have had no visitors while in The White Room besides the orderly who brought her meals and the attendants who came to take her to “treatment,” which viewers know included torturous cold water baths and fire-hosing, as well as skull-drilling — in an attempt to release the madness or the demons or whatever Dr. Banning thought he was getting to by drilling holes in the poor girl’s skull.

Unknown

To the surprise of viewers, Vanessa remembered the face of the orderly who brought her meals while she was locked in the padded cell: it was none other than the former self of the Creature, John Clare (Rory Kinnear).

This leads to startling questions, especially as to the manner of Clare’s death, which enabled Frankenstein to acquire his corpse and re-animate him as the first Creature.

We know he must have died: otherwise, he could not have been brought back to life by Frankenstein. Now we wonder if Vanessa herself, who is known to have been quite violent during her time before, during, and sometimes after, her stay in the sanatorium, is responsible for the death of John Clare.

A man with whom she formed an unlikely but charming friendship in season 2.

Unknown

We don’t know yet whether Vanessa will associate the living “John Clare” — the shy, scarred man she met while volunteering to feed the poor and homeless — with the orderly in Banning’s clinic, but the viewers have no doubt of it. From the first episode on this third season, we have been treated to images of actor Rory Kinnear without his Creature-makeup, so we know what he looked like in his previous life with his wife and son.

Unknown-1

When the orderly announced that he’d brought Miss Ives’ food, and the camera panned up to his face, we saw exactly who that orderly was.

“John Clare,” in his previous life.

Now we wonder if Vanessa was the one who killed him.

Vanessa & Dr. Sweet & Dracula

images-3

Last week, it was revealed to viewers, though not to his prey Vanessa Ives, that the pseudo-milquetoast Dr. Sweet (Christian Camargo) is, in reality, the terrifying Master, Dracula. Despite Sweet’s continually feigning to have forgotten Vanessa’s name, we now realize that he knows exactly who she is, since he has been hunting her since season one. In the first season, Dracula was never shown, though his Creatures were.

dracula_0

At the end of the first season, Mina thanked her father, Sir Malcolm Murray, for bringing Vanessa to her at the Grand Guignol Theatre, where Sir Malcolm’s group had just encountered yet another of the red-eyed Creatures and killed him. Mina said that the Master, which viewers assumed to be Dracula, wanted Vanessa as his bride. (In a surprising move, given that he’d been searching for his daughter throughout the first season, Sir Malcolm shot his vampire daughter Mina in order to save Vanessa’s life.)

Now, viewers know that Vanessa is in more danger than she herself realizes. Lulled to inattention by Dr. Sweet’s apparent harmlessness, Vanessa seems to actually be falling in love with the man. Despite her previous sexual encounters, all of which have led to unleashing the darkness within her, when the Dark Master, whoever he is, speaks to her and invites her to love him, Vanessa is pursuing the relationship with Dr. Sweet. In last night’s episode, he met her in London’s Chinatown (where John Clare briefly spotted her, his face alighting with a smile, before he saw Dr. Sweet arrive and take her arm). Sweet then took her to the Hall of Mirrors, or some such place, where the two gamboled and laughed and mocked their distorted appearances in the mirrors (leading a couple of reviewers to remark on seeing Dracula-Dr.-Sweet’s reflection, but this show traditionally takes the fictional sources as well as the traditional legends and turns them into something brand new).

1920

Suddenly, Vanessa found herself alone, in a maze of mirrors, where she was confronted by one of the Lost Boys (Jack Greenlees) who’s been following her all around the town. After speaking in a sort of nursery rhyme-riddle, the Lost Boy revealed that Vanessa had previously met the Master, though she didn’t recall doing so.

Lost Boy, in the mistake of his undead life, told her she’d met the Master in The White Room.

images-1

This revelation caused Vanessa so much distress that she “broke off” the blossoming relationship with Dr. Sweet, telling him to consider her leaving him a sign that she feels “something, like love” for him. In a scary move, he shattered the teacup after she left.

Then he confronted the Lost Boy who’d tipped the Master’s hand.

Dracula was not pleased, to say the very least.

Ever since the startling Reveal, in episode 2 of the third season, that Dr. Sweet was Dracula, I’ve wondered how seemingly mild-mannered Christian Camargo was going to pull off the scary threat of the Master of Darkness on Earth, who’s searching for Vanessa as his bride so he can start the Apocalypse.

Let’s just say, Camargo did an outstanding job making us believe that he was, indeed, the evil Master of Darkness.

As punishment for revealing something that Vanessa had forgotten, the Lost Boy was literally thrown across the room of the abandoned warehouse before being offered as “food” to the other Lost Boys.

Yeppers, looks like this Dracula is going to be even scarier than we thought.

Already, though we only have three episodes of the third season of Penny Dreadful available for viewing, we’ve been shown just how intricate the plot of this marvelous series is. Creator-writer John Logan is masterfully weaving together the disparate storylines, not just so that the characters interact with each other, but so that they seem to have been fated to encounter each other.

“Poor characters,” I’d say, if I weren’t so thoroughly enjoying the show, “each of them is in a most dreaful nightmare.”

And there seems to be no mercy anywhere in sight.

Related Posts

Behind the Masks:
Penny Dreadful, Season 3, Episode 2,
“Predators Far and Near”

All the Unloved Ones:
Penny Dreadful, Season 3 Premiere

When Lucifer Fell:
My Penny Dreadful Blogs, Seasons 1-2

Leave a Comment

Filed under Actors, Horror, Movies/Television, Penny Dreadful, Recap, Review, Violence

Behind the Masks: Penny Dreadful s3 e2, Review & Recap “Predators Far and Near”

Spoilers
Most Dreadful

images-13

“Predators Far and Near,” the second episode of Showtime’s third season of its horror classic Penny Dreadful, created and written by John Logan, once again showed us that every character wears  a mask in order to get what he most desires. From Sir Malcolm’s Apache guide Kaetenay to Ethan Chandler, from Dorian Gray to Lily and Victor Frankenstein, from Vanessa to Dr. Steward and Dr. Sweet, everyone wears a mask to hide his evil and his secrets. And, as expected, it’s when the characters take off those masks that we viewers get the frights and the shudders.

Dorian & Lily

images-10

In season 1, the storyline of Dorian Gray (Reeve Carney) was virtually completely separate from those of the other characters. Though Dorian and Vanessa (Eva Green) had some interactions, one of them sexual, Dorian existed at the fringes of the major story: that of Vanessa, Sir Malcolm, and Ethan Chandler hunting the Creatures that had kidnapped Sir Malcolm’s daughter Mina. Dorian’s story, disconnected as it was — and unfamiliar to viewers who had not read Oscar Wilde’s novel The Picture of Dorian Gray — was confusing, to say the least.

This confusion was eliminated in season 2 when Dorian began a relationship with the transgendered Angelique (Jonny Beauchamp), then revealed his innate cruelty when he virtually abandoned his live-in love Angelique for Lily (Billie Piper). Dorian’s previous connection with Lily was when he hired the consumptive prostitute Brona — Lily’s identity before Victor Frankenstein killed her and re-animated her as a Bride for his Creature. When Lily revealed that she remembered her previous life, that she was filled with rage against men, and that she was attracted to Dorian because of his dark side, Dorian’s story became more integral to the other events in the show.

Now, with this episode, Dorian and Lily have moved to center stage, where they jointly commit atrocities. Last night, dressed in evening finery, the two of them went into a cellar, where the Bouncer informed them there would be some “butchery.” Dorian replied, with a smile, “I believe that’s what I paid for.” In the cellar, Dorian and Lily sat in a circle of  well-dressed, upper-class men, for a “show” which appeared to be a sort of “snuff film” in the flesh. A masked man brought in a naked, bound prostitute, who may have been slightly drugged. As the masked man picked up a whip to torture the girl, Dorian and Lily sprang into action, killing not only the masked man, but every one of the gentleman at the show. Dorian used a pistol and Lilly used a knife. It was gruesome but thrilling in a scary way. Then Lily walked up to the nude girl and said, “Now you are mine.”

Yowza!

What did these two have in mind?

images-8

They took the girl — Justine — home to Dorian’s house, where Lily is living, and the young girl awoke in a magnificent bed, wearing a silk gown. When she went downstairs, she was a bit confused, wary, and overwhelmed by the beauty of her surroundings as well as by the cultured beauty and manners of Dorian and Lilly. It was Lily who told Justine (Jessica Barden) that they are going to seek revenge-retribution for all the men “with two bob” who made the girl “kneel” to them for sexual service.

Ah, Lily’s complaint from last season, in her tirade to Frankenstein’s Creature.

Lily has a lot of anger issues, there’s no doubt about that. Instead of talk-therapy, however, she plans to use violence to make herself — and the girl-prostitue Justine — feel better. That’s right up Dorian’s alley. I mean, this is a man who killed his transgender lover Angelique after she discovered his hidden portrait, which revealed that he is an aged, ugly “monster” inside, i.e., morally, and in the portrait, while he remains young and beautiful on the outside.

images-6

Dorian rarely takes off his mask, but with Lily, he doesn’t have to: she seems to see beneath it. That makes him more comfortable with her than with any other woman he’s been with. And it makes him a perfect foil for the rage-filled, murderous Brona-turned-Lily.

I’m not sure why they need the girl to go on a killing spree, if that’s what they intend to do, but Lily told the girl that they will have a “monumental revenge” before kissing her like a lover.

Sir Malcolm, Kaetenay,
Ethan Chandler, and Inspector Rusk

images-4

Continuing the plot line introduced in the premiere of season 3, Sir Malcolm (Timothy Dalton) has joined with an Apache named Kaetenay (Wes Studi), who claims that both he and Malcolm are surrogate fathers to Ethan Chandler (Josh Hartnett). As said fathers, they are morally obligated to rescue him from Inspector Rusk the Intrepid, who extradited Ethan to America,

images-5

as well as to rescue Ethan from the brigands who, on Ethan’s father’s orders, kidnapped him in order to return him to his family home: The Talbot Range.

images-4

Last week, viewers were left with the impression that Kaetenay had Ethan’s best interests at heart. In episode two, however, after Kaetenay has a vision — he actually summoned the vision — we learned that a fierce antipathy exists between Ethan and Kaetenay, at least on Ethan’s part. Kaetenay reached out to Ethan in the vision, found him in the New Mexico Territory desert, and Ethan attacked him.

images-17

We know Ethan doesn’t like his biological father, whom we have never seen, but who is always sending Pinkertons after Ethan, but it was a surprise to learn that, even in the vision, Ethan reacted violently to Kaetenay’s presence and attacked him. Kaetenay never revealed this to Sir Malcolm. Instead, he continued wearing his “Wise Old Man” mask, and told Malcolm simply that Ethan was aware that they were coming.

images-2

Considering the fact that, in the vision, Ethan fought with Kaetenay and threatened to kill him, we were left wondering what secrets Kaetanay is keeping from Sir Malcolm. And why Kaetenay needs Sir Malcolm’s help “rescuing” Ethan. After all, Kaetenay seems an adequate warrior, as demonstrated when he helped Sir Malcolm defeat the bandits who attacked him. Kaetenay has the further ability to not only see Ethan far away in New Mexico, but to communicate with Ethan.

Ethan did not welcome Kaetenay in his vision.

He threatened to kill Kaetenay if he shows up in person.

Kaetenay did not reveal that to Sir Malcolm.

More masks.

More secrets.

images-12

Meanwhile, in the American Southwest, Ethan is simply biding his time, waiting for the moon to turn full, when he now realizes he will turn into a Wolf-Man, so that he can indiscriminately kill anyone around him. Since he’s made it clear since his capture that he knew it was only a matter of a few days or weeks until the full moon caused his transformation, Ethan hasn’t seemed unduly distressed by his captivity. Last night, the full moon came out, Ethan changed into the Wolf, and killed virtually everyone in the place where his captors were buying supplies.

Virtually everyone.

In a surprise move, the Witch Hecate helped Ethan.

images-10

Hecate (Sarah Greene) was shown eavesdropping on Rusk the Intrepid as he told US Marshals that he was the one who was going to recapture Ethan Chandler, whom he calls by his biological name, Lawrence Ethan Talbot. (The name is an homage to the 1941 Wolfman film which starred Lon Chaney Jr. as Lawrence Talbot [below], as is the makeup designed for Ethan’s character in Penny Dreadful.)

Unknown

Though Ethan doesn’t appear to be able to control himself when he is on a rampage as the Wolf, he did not attack Hecate, who appeared in her Witch/NightComer guise as she helped him kill the people in the trading post. When the two of them came together at the end of the scene, Ethan-as-the-Wolf stopped before her. And she gazed up at him, mask-free, scarred and naked, and said she’d missed him.

Unknown

Very romantic.

But has she missed him because she’s drawn to Ethan’s dark side or because she wants to use him to get to Vanessa? After all, Ethan is the Lupus Dei — the Hound (or the Wolf) of God — who protects Vanessa. And Hecate is the daughter of the murdered NightComer Evelyn Poole, who was attempting to ensnare Vanessa for the Master, Lucifer.

Hecate and Ethan may seem to have faced each other without their masks, but Hecate seems to have more than a couple masks.

Watch out, Ethan

I’m guessing, considering Ethan’s curse, it should also be, Watch out, Hecate.

Frankenstien, Jekyll,
and company

images

Poor Victor Frankenstein (Harry Treadawway, above R).

For a man who brings dead people back to life, he sure has crumbled emotionally after losing his lover Brona-turned-Lilly to Dorian Gray. Victor can’t eat, can’t sleep, can’t get off the morphine. And now he’s working with Dr. Jekyll (Shazad Latif, above L) on a way to “tame” Lilly.

As if…

Snort.

In a super-cool plot complication, the casting directors of Penny Dreadful used a British-Indian actor, so he gets to rant and rage about whites viewing him only by his skin color — “once a Wog, always a Wog” — and about his being an unaccepted “half-breed,” as well as permitting his character to make other political comments about British Imperialism while appearing only to be railing about racism and his selfish, white, rich, British father (who abandoned his “exotic whore” Indian mother).

Jekyll revealed last night that he works at Bedlam, not being welcome at any other British medical institution. At Bedlam, home to the most violent, crazed, and forgotten mental patients, who are treated like prison inmates, he gets to perform experiments on them. I’ve read Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde many times, and I was still creeped out by the fact that, in Penny Dreadful, Dr. Jekyll is experimenting on mental patients rather than only on himself.

Excellent writing, Mr. Logan.

Excellent socio-political commentary woven into Jekyll’s character.

Jekyll wants to put the mask of cultivated, tamed, controlled, civilized society on the most rabid and violently dangerous patients-criminals.

Victor, who helps him inject a violent, crazed criminal, and who witnesses the transformation from violent to civilized, wants to do that to Lilly.

Oh, if only he’d read the book…

Danger, Victor Frankenstein, Danger.

Victor-Frankenstein-817x404_c

To make matters worse, the love-sick Victor is stalking Lilly, sitting on a bench outside Dorian Gray’s house and watching her in her bedroom. She sees him and comes down to confront him.

Lilly warns Victor to go away, telling him that he will not like what she is becoming. We know Victor’s not going to listen to that: he wants to have Lilly-with-her-mask back in his arms and his bed again.

Despite the fact that Lilly took off her mask and told him that she is not the woman he thinks, that she is dangerous, that he would not like her, and that she is not in any way interested in him, Victor still did not get the message.

She’s taken off her mask several times.

But Victor is too blighted with unrequited love to see anything other than his unrealistic, romantic vision of her.

Much heartache and damage ahead for this fellow.

Vanessa Ives,
Dr Seward, and Dr. Sweet

images-14

Poor, unlucky-in-love Vanessa (Eva Green, above, bottom).

The girl simply cannot win.

Despite the fact that she thinks she is filled with evil, she really tries to be a good person. Most of the time, anyway.

Like when she’s not seducing her best friend’s fiancé on the eve of the wedding.

And when she’s not setting Sir Geoffrey’s hounds on him to kill him as revenge for his burning the Cut-Wife at the stake.

This season, Vanessa has entered therapy: it’s a “new science,” and I’m not sure what name it’s called. In any event, Dr. Seward, who has already admitted to being related to the Joan Clayton (Cut-Wife) family, pushes Vanessa to discuss things “beyond murder.”

Like sin.

She’s recording all Vanessa’s sessions. Ostensibly, so she’ll save herself time taking notes. But really so that, behind her back and without her knowledge, her secretary Renfield can listen to the sessions and report back to his new Master, Dracula.

Unknown

Dr. Seward (Patti LuPone) did something beyond-strange in last night’s episode: at the end of the session, after Vanessa had her “homework” — to do something that gives her pleasure — and had left the office, Dr. Seward began to weep.

What on earth?

But perhaps that is, indeed, a mask Dr. Seward is wearing.

Perhaps she is more than “related” to Joan Clayton, the Cut-Wife who was burned at the stake for being a Witch.

Perhaps, at the last moment, as the flames engulfed her, the Cut-Wife learned that she did value life more than she’d realized.

Perhaps she finally made a bargain with the Devil.

To deliver Vanessa.

I can’t think of any other reason for a therapist to weep.

Something is going on behind that mask of hers.

I’m almost afeard to know exactly what it is.

images-11

To find some pleasure, Vanessa (Eva Green) returned to the Natural History Museum, where she once again encountered the rather self-centered milquetoast Dr. Alexander Sweet (Christian Camargo). Once again, he forgot her name.

How many times, I wondered, is this man going to forget the name of a woman who is startlingly unusual looking, given the standards of the time period, and who is clever, articulate, and intelligent?

Vanessa invited him out for a “show” about Captain Nemo, whom Sweet had revealed as one of his childhood heroes. He seemed to enjoy himself. When she asked him to join her for coffee afterward, he declined. Then he kissed her hand, vowing that he would never forget her name again.

Talk about mixed messages.

And Vanessa keeps coming back.

penny-dreadful-season-3-episode-2-christian-camargo-eva-green

I’ve known from his character’s introduction last week that Dr. Sweet had some secret. Creator-writer John Logan is far too talented and careful to introduce a character that is a throw-away. So, it was just a matter of time until we discovered Sweet’s secret.

Until he took off his mask.

In one of most astounding reveals ever, Sweet took off his mask at the conclusion of last night’s episode.

To the viewers, not to Vanessa.

When Renfield returned to Dracula’s lair with information about Vanessa, Dracula — also known as The Master by the Lost Boys, who are following Vanessa all around the city — rewarded Renfield with some of the Master’s blood. As Renfield greedily lapped up blood from Dracula’s proffered wrist, the camera pulled up and back, revealing Dracula, who let his head fall back.

Holy Wooden Stake, Batman!

Dracula is none other than Dr. Alexander Sweet.

Talk about dropping a mask.

This milquetoast who can’t remember Vanessa’s name is the Master of Darkness on earth: Dracula?

That means he can, in fact, remember her name, because he’s been hunting her.

images-9

So, how did she just happen to end up at his museum?

Dr. Seward told Vanessa, at the end of their first session, to do something she’d never done before, and she went into the museum, where she met Dr. Sweet. Then, at the end of the next session, Seward told Vanessa to do something that would make her happy: she returned to the museum, reconnected with Dr. Sweet, asked him out for the evening, and asked him for coffee, though he declined the latter.

All this leads to many questions. Is Dr. Seward somehow connected to Dr. Sweet? He appears to be well-established at the musem, but viewers now know he is Dracula. If Dr. Seward is the Cut-Wife, Joan Clayton, did the Cut-Wife promise this Master the soul of Vanessa Ives in return for her own life? Wouldn’t the Cut-Wife have made a bargain with the Lucifer, who is the other Master in the show, reigning over Hell while his cast-out brother, Dracula, reigns on earth?

Much dropping of masks in “Predators Far and Near.”

Much shivery and shuddery happenings, my Lovelies.

Be afeard.

Related Posts

All the Unloved Ones:
Penny Dreadful, Season 3 Premiere

When Lucifer Fell:
My Penny Dreadful Blogs, Seasons 1-2

Leave a Comment

Filed under Actors, Authors, Books, Horror, Movies/Television, Penny Dreadful, Recap, Review

All the Unloved Ones: PENNY DREADFUL, Season 3 Premiere, Review & Recap

Spoilers,
Deliciously Dark & Dreadful

p12733217_b_v8_aa

The premiere of the third season of Showtime’s  Penny Dreadful clearly demonstrates why this show is so powerful. Strong writing by its creator, John Logan, is woven with daring performances by all the actors involved. Bold, engaging, and excitingly dreadful, this horror classic, set in the Victorian era, gets better every year, even as its content and its exploration of good and evil get darker.

Vanessa Ives

Eva Green’s Vanessa Ives (above, center) is the lynchpin of the show, and the character is a striking one. Hunted by dark forces who want her for “The Master,” who varies from Dracula to Lucifer, Vanessa must constantly face her own inner demons in order to survive. In “The Day Tennyson Died,” Vanessa is alone in Sir Malcolm’s mansion, having been “abandoned” by the surrogate family who gathered to protect her in the first two seasons.

images

Fortunately, Egyptologist Ferdinand Lyle (Simon Russell Beale) comes to her rescue with his guarded affection and droll sense of humor.  As the married, closet-homosexual, Beale is charming and delightful. Initially drawn into Vanessa’s circle when she got possessed by dark forces at a séance at his home, Lyle became one of the pawns that the witches attempted to use to get Vanessa. After Sir Malcolm’s group needed Lyle’s help gaining access to an ancient puzzle, they used him to help decipher said linguistic puzzle.

Lyle’s growing affection for Vanessa — coupled with his attraction for Wild West sharpshooter Ethan Chandler (Josh Hartnett) — was even more obvious last night. It was Lyle who came to rescue Vanessa and convinced her to seek medical, by which he meant psychiatric, help.

images-11

When Vanessa went to Lyle’s former psychiatrist — although that title was not used — Vanessa was astonished to meet someone who looked like, and reminded her of, the Cut-Wife. Indeed, since both were played by the award-winning Patti LuPone, I wondered how the show was going to handle her in a different role. I thought they might do it as the American Horror Story anthology series does: by just having the same actor as an entirely different character. In an exciting twist, creator-writer Logan chose to have Vanessa tell Dr. Seward that she reminded her of “someone [she] knew once,” saying, “Her name was Joan Clayton.”

images-14

Dr. Seward said that Clayton was her family name, and admitted that her family came from the same area mentioned as the home of the former Cut-Wife. After Vanessa left, making an appointment for the following day, Dr. Seward gave her such a long, penetrating stare that I wondered if Dr. Seward shares more than a familial resemblance with the Cut-Wife & Witch-Mentor Joan Clayton. I wondered if she was actually Joan Clayton, who was burned at the stake, or if she was, instead, a reincarnation or a shape-shifted version of Joan’s Night-Comer Witch sister, Evelyn Poole, who spent all of season two hunting Vanessa down for the Master, Lucifer.

images-23

It will be fascinating to see if Evelyn Poole (Helen McCrory) also returns to the series: she was a stunningly good at being evil in season 2.

I’d welcome her back as a returning nemesis to Vanessa.

images-1

At the end of their initial appointment, Dr. Seward told Vanessa to break the cycle of self-destruction and self-pity by doing something she’d never done before. Vanessa went to a Natural History Museum where, in front of the scorpion display, she met the charming, educated Dr. Sweet (Christian Camargo).

It was significant that his talk, though about the animals and insects in the museum, was so self-absorbed that he was unable to recall Vanessa’s name. Though charming and entertaining, he will not be a good romantic interest for Vanessa. Instead, if she sees him again, he will become one of the “dark men” to whom Vanessa is attracted and who remain permanently emotionally inaccessible to her.

It’ll give her quite a lot to discuss with Dr. Seward.

Ethan Chandler

images-12

Last season, Ethan (Josh Hartnett) learned that he turns into a wolf during his blackouts: he already knew that he woke up from them surrounded by dead people. Despite his attraction to and affection for Vanessa, Ethan declined her invitation to run away with her and start life anew. After he saved Vanessa by killing the Night-Comer Witch Evelyn Poole, Ethan turned himself in for the murders at the Mariner Inn, thinking, I suppose, that he would be hanged, thereby protecting Vanessa from his dark side while atoning for all the murders he had unconsciously committed.

images-4

Unfortunately, Inspector Rusk extradited Ethan to the United States for trial. That’s where the two were seen last night: on a train in the New Mexico Territory. When the Inspector and his subordinate got up to get some tea, a large group of men killed virtually everyone else on the train and kidnapped Ethan to return him to his wealthy father.

images-10

That is, they killed virtually everyone except the Inspector, his subordinate, and Hecate (Sarah Green), daughter of the Night-Comer Evelyn Poole and Witch herself. Hecate has long been interested in Ethan, if only because, as the Lupus Dei — the Hound (or Wolf) of God — he is Vanessa’s ordained Protector. The henchmen were going to kill Hecate along with the other passengers, but she pleaded for her life as a “helpless woman.”

Boy, did those guys make a mistake.

Now they not only have a WereWolf in their custody, but they have a Witch and the intrepid Inspector Rusk on their trail.

Sir Malcolm Murray

images-9

Sir Malcolm (Timothy Dalton) returned to form last night as the fierce, violent, selfish explorer who neglected his family in his pursuit of egotistical glory and continental exploration. After burying his faithful companion Sembene, who was unintentionally killed by Ethan-as-Wolf, Malcolm is about to be robbed and murdered by cutthroats when an unknown man steps in and helps Malcolm fight the bandits.

images-7

When questioned on why he helped Malcolm, Kaetenay (Wes Studi, above R) tells Malcolm that he still has a purpose in life, and that Kaetenay needs Malcolms help in rescuing the “one who is like a son” to both men: Ethan Chandler. Malcolm agrees to go with Kaetenay to America to aid Ethan.

It’s a small group, consisting of only these two men, going up against the kidnappers hired by Ethan’s father, the witch Hecate, and the ever intrepid Inspector Rusk. But then, Malcolm has hunted and destroyed Vampire-Creatures while attempting to save his daughter Mina. Since he seems back to himself, he’ll give those who want to harm Ethan a good fight, at the very least.

The Creature
aka John Clare

images-16

One of the most fascinating characters on Penny Dreadful is Frankenstein’s first Creature (Rory Kinnear), who was going by the name John Clare in season two. Clare was shown on an ice-bound ship, where the starving crew was discussing the humanity of cannibalism in order to survive. Clare prevented them from killing a young boy who only had a few days to live, though we did not know if the boy was dying of starvation, the cold, or of something else. As Clare sat beside the unconscious boy to comfort him, Clare began humming, then singing, the lullaby “All Through the Night.” To his horror, he had a flashback to his life before he was “revived” or “resurrected” by Dr. Frankenstein.

Unknown-1

After seeing his own wife, dying son, and himself — in a mirror — as he was singing the same lullaby, Clare broke the ship-boy’s neck and abandoned the others to their cannibalistic fate. Clare was last seen trekking away from the frozen ship. Apparently, he is heading “home,” though it is unclear if he is going to the home he previously shared with his wife and child, or if he is going back to find his “Creator,” Victor Frankenstein, and his intended Creature-Bride Lilly.

Victor Frankenstein

images-5

Poor Victor (Harry Treadaway, above R). Not only is he a morally bankrupt addict who committed murder to get his Creature a bride, he fell in love with the intended Bride himself. When we last saw Frankentein, he was aiming a gun at the unfaithful and murderous Lily (Billie Piper, below R), formerly the consumptive Brona Croft, who was in the company of Dorian Gray (Reeve Carney, below, center).

images-15

Though neither Dorian nor Lilly was in the season 3 premiere, we know those two are up to no good. After her rage-filled, male-bashing tirade delivered to the Creature, Lilly returned to Dorian, who has become more fascinated by her as a resurrected Creature of Frankenstein’s than Dorian was by her as the consumptive prostitute Brona Croft.

And Victor is still madly in love with her.

To get Lilly back, or to destroy her — he can’t decide which — Victor has called on his old friend and fellow physician, Dr. Jekyll (Shazad Latif).

images-2

I’ve been saying, since the inception of Penny Dreadful, that the show simply wouldn’t be complete in its exploration of good and evil without one of the classics of Victorian literature — Dr. Jekyll and Mr. Hyde — so I was thrilled to finally have Jekyll arrive. No exploration of the Victorian period, its literature, and its philosophical obsessions would be complete without Jekyll & Hyde.

And Jekyll is a perfect addition to Penny Dreadful‘s cast of characters at this juncture.

images-5

While Frankenstein was explaining that he found success by “creating life” with his Creatures, though now he feels morally obliged to kill them, Dr. Jekyll was persuading Victor that he really wanted Lilly back. If only she were tamed, domesticated, back to her formerly “blank” self (which viewers know may have been an act of self-preservation on Lilly’s part, since her anti-male, women’s “rights” tirade revealed that she vividly recalled abuse at the hands of men — former husband and customers — and that she was not going to take any more of it).

Viewers who’ve read the Robert Louis Stevenson novel featuring Dr. Jekyll and his “experimental” counterpart, Mr. Hyde, know that Mr. Hyde is more evil, vicious, and cruel than any Creature yet created by Frankenstein. It’ll be fascinating to see what Jekyll intends to do with Lilly, and to see what evil acts he commits in his attempt to separate good from evil in himself, to tame the rage-full Lilly, and to promote his own “medical research.”

(And a big Shout-Out to writer John Logan for “listening” to me: I know you didn’t read my blogs nor put Dr. Jekyll into Penny Dreadful at my advice, but it feels wonderful to be validated on Jekyll & Hyde’s importance to the horror literature of this period. Thanks ever so much, John.)

The Master

penny-dreadful

Last year, the Cut-Wife, who became Vanessa’s mentor, told her, “When Lucifer fell, he did not fall alone.” While deciphering the Verbis Diablo puzzle left by a dead monk, the group of “explorers” who were protecting Vanessa from the Night-Comers (Witches), discovered that, apparently, when God cast Lucifer out of Heaven, He also cast out Lucifer’s “brother.” Lucifer was sent to reign in Hell, while his brother was sent to reign over the earth, in the form of a blood-drinker. A Vampire.

In Season 1, the Vampire-Creature looked like this:

dracula_0

Malcolm, Ethan, Sembene, and Vanessa killed a few of those Creatures, along with many of their turned victims, as they attempted to save Sir Malcolm’s daughter, Mina Murray Harker, from the “Master.” Last night, at the end of the premiere, Dr. Seward’s secretary stole money from the desk drawer, went to find a prostitute, and was attacked. When he awoke, he was in an abandoned warehouse, surrounded by Lost Boys, with a few Lost Girls thrown in.

I thought the secretary was doomed to become another Lost Boy.

Then, a noise caused all the Lost Boys — along with all the rats in the place — to fall to the ground and cower before scampering away. As the secretary looked up, a dark, whispery, slithery Voice filled the warehouse, asking his name. Stricken with terror, and literally shaking with fear as he gazed upward, the secretary revealed his name.

Renfield.

As soon as I heard it and realized its import, the Voice asked for information on Vanessa Ives. After Renfield, according to the Master’s directions, bared his throat to offer his blood, the screen went black, and the Master revealed its identity.

Dracula.

Zounds!

Gave me the shivers, my Dreadfuls.

I am now officially, and delightedly, afeard.

p.s. If you haven’t taken a really good look at the promotional poster for Penny Dreadful season 3 (at start of post), look again. When you see it for what it is, you’ll know. And be amazed.

Related Posts

When Lucifer Fell:
My Penny Dreadful Posts,
Seasons 1 & 2


The Books

If you want to read the books that Penny Dreadful‘s literary characters are based on, Showtime is offering them for sale on its site, but you can get them free as ebooks: Bram Stoker’s Dracula, Oscar Wilde’s The Picture of Dorian Gray, Mary Wollstonecraft Shelley’s Frankenstein, and Robert Louis Stevenson’s  The Strange Case of Dr. Jekyll and Mr. Hyde.

Leave a Comment

Filed under Actors, Books, Horror, Movies/Television, Penny Dreadful, Recap, Review